Archive for the ‘News and Views’ Category

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Interactive Print Magazines: Open Here, Smell There and Other Print Goodies.

November 20, 2014

It must be the holidays and magazines are celebrating with new creative tricks and lots and lots of red covers. Four magazines, all from Hearst Magazines, grabbed my attention for their creativity and interactivity of their covers.

woman's day-1
Woman’s Day with its “Open Here for a whiff of gingerbread.” Once you open the window on the cover you can rub and sniff the “cute gingerbread reindeer cookies!” If that does not entice you to buy the magazine, I do not know what will… See the video below:

Oprah-2
O, The Oprah Magazine has a cover with a gate-fold and three windows to open. One on the front cover and two on the inside gate-fold. Each window has a message under the opened window from Oprah. Also there is also a message from IkEA which sponsored all three windows and the ad inside the back cover and its gate-fold. Take a look:

As for Dr. Oz The Good Life and Good Housekeeping magazines, each of the two titles sports two different covers to choose from. Take a look and let me know which one do you like best.

Dr. Oz The Good Life
Dr.Oz 1-3Dr.Oz 2-4

Good Housekeeping
GH Christmas Cover 2-2Good Housekeeping Christmas Cover 1-1

Happy Holidays.

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So, What Is A Magazine? A Good Answer From Down Under…

November 19, 2014

GQ-1GQ letter from the editor-2 Ceri David, editor of GQ Australia, offers one of the best definitions of what a magazine is. He writes in the September/October issue of the magazine:

Is it too early for an existential question? No? Excellent. So: this thing you’re reading right now — what is it? You might think it it’s a magazine — and in many ways you’d be right. But it’s so much more. For us, the people who create this, checking, editing, surviving paper cuts and self-medicating with lots and lots of gin. And it’s worth it, because, well, look at it. It’s a bloody good issue. Though, I would say that. (But it really is.)

That’s how we, the GQ team, view it. As for you lot, I’m hoping it’s still not just a magazine. Rather an experience — a roller-coaster ride that’ll whisk you through the full gamut of human emotions. And I’m not being over-dramatic. Take a look at what’s in store over the next 200-odd pages. Hands inside the vehicle, folks.

David goes on to list seven different emotions that can be found inside the printed issue: Surprise, Sorrow, Envy, Curiosity, Inspiration, Despair and Relief.

As for Mr. David, and in typical Down Under manner, I am proud to say, you sir are not a journalist, you are an experience maker.

Thank you.

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An Italian and Magazine Love Affair: The Story of Uomo Moderno Magazine. The Mr. Magazine™ Interview With Founder and Publisher Francesco Di Maio

November 18, 2014

“I went for ink on paper because I believe that my magazine is a collector’s item. So I feel it’s something that people needed, not digitally, but in their hands, something that they needed to hold on to, something physical and tangible.” Francesco Di Maio

Uomo Moderno-18 In the already crowded market of men’s interest magazines; what do you do to stand out and capture your audience’s attention? Put an Italian spin on it, of course. Uomo Moderno is everything fashionable and stylish, from an Italian perspective. It’s sleek, modern and absolutely beautiful to look at.

Francesco Di Maio is the publisher of the magazine and I reached out to him recently when I selected Uomo Moderno as one of the 30 Hottest New Launches of the year. We talked about the possible insanity of what he’d done by launching another men’s interest magazine and his motivation for doing it anyway. Francesco was gracious, honest and very passionate about his subject matter and his ink on paper product. Recognizing the collectability and ownership of print, he felt putting his magazine out there on paper in all its brilliance was the right path for him. And I would definitely have to agree with him.

So sit back, maybe in some Italian leather if you have it, and enjoy the Mr. Magazine™ interview with Francesco Di Maio, Publisher, Uomo Moderno…

But first the sound-bites:

Francesco 3 On whether he was crazy to launch a men’s interest magazine in this day and age: I could be. (Laughs) People have called me crazy in the past. But, I look around me and I see people are still reading magazines and are interested in them and I think one of the most engaging things is that people are really interested in niche magazines.

On the DNA of Uomo Moderno: I was very inspired by the year 2013, which was declared by the Italian government the year of Italian culture in the United States. The magazine is what I see as a showcase of what it means to live in Italian style.

On the biggest stumbling block he’s faced:
In my opinion, it’s a common stumbling block or challenge that any new magazine is going to face, trying to get partners (advertisers) onboard. But it’s happening little by little.

On his most pleasant surprise:
The amount of high-profile people who are discovering the magazine and who want to be in it, both in Italy and America. I’m so excited about that.

On whether he expected to come as far as he has in such a short time since the magazine’s launch:
No, not whatsoever. I never dreamed on being down the road this far in just over a year.

On why he decided on an ink on paper product:
I went for ink on paper because I believe that my magazine is a collector’s item.

On whether we will ever see an Italian edition: They (Italians) read the English digital version and look at the pictures, so I think one day it may very well be, especially if I see that there is a definite interest.

On what keeps him up at night:
Sometimes good things, sometimes bad things. (Laughs) There are times where I’m up at night thinking about the future, the possibilities of exciting articles.

page0001 And now the lightly edited transcript of the Mr. Magazine™ interview with Francesco Di Maio, Publisher, Uomo Moderno…

Samir Husni: First of all, congratulations on Uomo Moderno being selected as one of the hottest magazine launches of 2014.

Francesco Di Maio: Thank you very much and I am very excited about being chosen as one of your hottest new launches of the year.

Samir Husni: My first question to you is: do you think you’re out of your mind to launch a men’s fashion magazine based on the Italian lifestyle in this day and age?

Francesco Di Maio: I could be. (Laughs) People have called me crazy in the past. But if you look at the magazine market you can see several things happening.

It’s my understanding of the industry, and I’ve been in publications, not continuously, but for the most part, the last 20 years, and what I see is there have been radical, almost revolutionary changes in the way people consume information. First, with the rise of the Internet and personal websites and second, all the social media; we see that information is being consumed in different ways through postings and pictures and of course, that has upset the entire print market, not just for magazines, but for newspapers and also for books.

But at the same time, I look around me and I see people are still reading magazines and are interested in them and I think one of the most engaging things is that people are really interested in niche magazines. They’re looking to find information according to specific topics or specific categories.

So with all of this upset in the magazine market, we also see a growth of specific niche magazines and some are actually selling better now than they have in the past. I think it is probably crazy and a person would have to be a little out of their mind to launch a new magazine in this market, but at the same time I think if someone is able to create a magazine according to what people want and what they’re looking for, then possibly it’s not as crazy as it seems.

Samir Husni: Can you tell me a little about the DNA of Uomo Moderno and what you’re trying to accomplish with it?

Francesco Di Maio: I was very inspired by the year 2013, which was declared by the Italian government the year of Italian culture in the United States. And we see that within the U.S. there is a lot of interest in Italy and a lot of people don’t understand modern-day Italy. And even people who say that they are from Italian descent, second-third-or fourth generation, they claim their Italian heritage, yet they don’t really understand anything about their ancestors’ country yesterday or today. They just know that someone in their family emigrated here from Italy. But they have a great love and passion for their heritage.

These facts were part of my motivation, but also another catalyst for the magazine was that Italy has gone through a very serious economic crisis. Our country is one of the strongest countries in design, fashion and creativity, but is on the verge of collapse.

So I took all of these factors into consideration and I thought it would be great to showcase Italian fashion, style, design, décor and architecture, just everything about living in Italian style in modern-day Italy, to show the world who we are despite the economic troubles that we’re having.

The magazine is what I see as a showcase of what it means to live in Italian style. I called it Uomo Moderno, which in Italian means Modern Man. And it doesn’t have to be a man in the sense of a male “man,” it can be female. Although its focus is on the male man because I’m a man and I write from a male perspective. And I deal with a lot of topics that interest men. But I am bringing more and more topics that would interest females into the magazine, because in the United States much of my readership is female.

Basically, if I had to say it in a nutshell, the magazine is a showcase of living in Italian style and I try and make it a lifestyle and fashion magazine, which presents young and emerging entrepreneurs and designers of Italy to the United States. And not only entrepreneurs, but musicians, actors and people from all walks of life.

Francesco 2 Samir Husni: What was the biggest stumbling block that you had to overcome when it came to launching the magazine?

Francesco Di Maio: I think the biggest stumbling block would be what everyone would face, because when it comes down to the content or the graphic design, the layout and creativity, there is no problem. There is so much content because we’re dealing with a country that is abundant in style, fashion and creativity. When you think about the actual magazine itself; I think one of the biggest stumbling blocks is not even distribution because people want the magazine; the biggest stumbling block is getting the sponsors and advertisers onboard, because the magazine is new and of course people have to see the value of the magazine and they have to want to be in the magazine.

In my opinion, it’s a common stumbling block or challenge that any new magazine is going to face, trying to get partners onboard. But it’s happening little by little. People are seeing and loving the magazine and they’re calling to discuss it, in terms of advertising and investments. It’s a challenge that just takes time even with a quality product.

Samir Husni: And what was the most pleasant surprise?

Francesco Di Maio: The amount of high-profile people who are discovering the magazine and who want to be in it, both in Italy and America. I’m so excited about that.

We did New York Fashion Week and we had Jason Pierre-Paul of the New York Giants walk in our fashion show. And during Philadelphia Fashion Week, we had Brandon Boykin of the Philadelphia Eagles. What happened was having them walk in the fashion show, we were on national television two times this week, first on CBS Game Changers and then on NFL Rush Zone – Nicktoons, Nickelodeon.

For me, it was just so exciting because I didn’t expect that within a year and a half of the magazine’s existence, this would happen. I got to meet these great celebrities and it was just so exciting. These are some of the joyful moments of publishing a magazine.

Samir Husni: When you launched the magazine, did you ever expect that in just over a year you would be at the point you are at now?

Francesco Di Maio: No, not whatsoever. (Laughs) I launched the magazine with the intention of being digital only and we did a few trial runs. Then when I heard the reaction of so many people in various industries tell me how beautiful the magazine was and how much they loved it and how easy it was to read and digest the information; I knew I was on to something. But I never dreamed on being down the road this far in just over a year. And I never dreamed of being on television, for sure. (Laughs) It’s just very exciting.

Samir Husni: Why, after doing the testing on digital, did you decide to go with ink on paper?

Francesco Di Maio: I went for ink on paper because I believe that my magazine is a collector’s item. I believe that the quality of the magazine, both in terms of the physical paper and print and the content, is something that people would want to save and interestingly, I have a lot of people tell me: Francesco, I keep your magazine on my piano or my coffee table and people come to my home and they really admire it.

So I feel it’s something that people needed, not digitally, but in their hands, something that they needed to hold on to, something physical and tangible. That’s what motivated me to do it in print and that has been the result so far, people have been pleased.

Samir Husni: Will we ever see an Italian edition of the magazine?

Francesco Di Maio: It’s funny you ask that because I have a very big readership in Italy on the website and Facebook and many Italians are following the magazine, but I don’t know the percentage of Italians that read English. Uomo Moderno magazine is a magazine for foreigners written in English so that they can understand about living in Italian style, but I’m noticing that a lot of Italians are reading the magazine because they don’t know about all of these emerging designers we’re writing about.

200 Samir Husni: Foreigners in their own land. (Laughs)

Francesco Di Maio: Yes, for the moment. (Laughs) They read the English digital version and look at the pictures, so I think one day it may very well be, especially if I see that there is a definite interest. Yes, I would love to have an Italian version. I’ve been looking into a Chinese version, because I know that in China there is an extremely high interest in Italian fashion and design. Just as I know that in the Middle East or North Africa, there are many followers who really love Italian design. But with English as kind of a global language, people are able to read it. So these are things I will need to figure out in the future.

Samir Husni: Is there anything else you’d like to add?

Francesco Di Maio: The only thing I’d like to add is I’m really extremely excited about the people who are my partners. They’ve been a great support. Also, I’d like to say that it’s a great pleasure to be able to present and showcase Italy and all of its fashion, the good and the bad. And to be nominated as one of the 30 Hottest New Launches in the U.S. is a great honor and I did not expect it. I am so thankful to be recognized, to start out as no one and then to have the hard work noticed. It’s such an honor.

Samir Husni: My typical last question; what keeps you up at night?

Francesco Di Maio: Sometimes good things, sometimes bad things. (Laughs) There are times where I’m up at night thinking about the future, the possibilities of exciting articles. Sometimes those things keep me up at night. Or I’ll be really excited about an edition that we’re doing.

And occasionally, I’m up at night worrying about all of the challenges that we’re facing. Those things keep me up.

Samir Husni: Thank you.

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Newsweek: A Phoenix Rising From the Ashes. A Mr. Magazine™ Monday Morning Special Issue.

November 17, 2014

Picture 36newsweek1Newsweek-7 From the #LASTPRINTISSUE to the return to profitability, no other magazine story compares to the story of Newsweek. The Mr. Magazine™ Monday Morning newsletter highlights the naming of Newsweek as the Relaunch of the Year 2014 and chronicles all my interviews with the new owners and editors of Newsweek. The issue also includes my blog on why Tina Brown’s excuses for killing Newsweek were all dead-wrong.
Click here to read the issue and here to start receiving the Mr. Magazine™ Monday Morning in your in-box every Monday Morning.

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The 30 Hottest New Magazine Launches and The One Hottest Re-Launch…

November 14, 2014

Newsweek-7 The number of new magazines being launched each year in the country isn’t growing smaller just because print is “supposedly” declining; quite the contrary. Between October 2013 and the end of September 2014 there was a total of 862 new magazine launches – with 232 of those promising frequency.

For a declining medium, print magazines are audaciously responding to that sentiment loudly and clearly with a courageous repudiation to their critics. Defining 862 new launches as “declining” is an understatement, to say the least.

In honor of the blood, sweat and tears (and let us not forget ink too) that were poured into every one of those 862 new launches and their predecessors from years past, once a year in conjunction with MIN (Media Industry Newsletter), I present the 30 hottest magazine launches of the year at a breakfast event in New York City. Click here for more information about the event.

The question I’m asked most often about the event is my selection process and what criteria do I use to select the 30 hottest launches for any given year? And because being one of the hottest new launches doesn’t guarantee success, I always feel compelled to point that fact out. But being chosen does mean something; it means that the angst and hard work of the magazine’s staff and all the people that are behind that product has been noticed and acknowledged. And in today’s media world the criteria for selection is very stringent.

In reaching my decision on what makes a hot magazine, by far the number one criteria point is the audience’s reaction to that magazine. How did the overall marketplace react and how did its intended audience respond to it? And just as important; how did the industry behave toward it? These questions are the first thing I ask upon selection of the hottest 30.

For example, when you have a website like Net-A-Porter launching a print magazine and when you read the CEO of Net-A-Porter telling people that her company is not complete without print, that firm declaration is enough for me to consider what that company has done, with the investment of time and resources, something worthy of being a hot launch. It’s simply the case of an entity listening to the pulse of its audience. And that’s what this entire business is all about: audience first.

Or a company like Bauer launching a weekly print magazine in this day and age; that alone is an indication the magazine should be included as a hot launch. And to go even further, when you have a magazine like Dr. Oz The Good Life that sells out on the newsstands and goes for a second printing, a first since 2000 when O: The Oprah Magazine was introduced, how dare I not name it as a hot launch?

Other criteria include the ability to be such a beautiful and rich magazine experience that the product can entrance an audience that is so far-removed from its intended consumer, through unbelievable photography, exquisite paper and undeniable style, it refuses to be ignored, such as Angler’s Journal, where the passion and beauty of fishing comes alive and can ignite an intense desire to flip through its pages and read its awesome content, even if the person doing so has never been fishing in their life.

And while there is no scientific formula for the selection process, there is a tangible connection between myself and magazines. I didn’t choose them; they chose me, so the living and breathing passion that I have felt for magazines over the last 30 years has instilled within me an innate ability to meld with ink on paper. We are conjoined.

Also, something has to grab my attention to be selected as a hot new launch, based on the comparative analysis of all the other magazines that are out there. To me, every new magazine is a good magazine. Any new launch is a good launch.

However, when you’re looking at 200 or 300 new magazines, invariably a magic quality will surface and single out those titles that float to the top like delicious cream. It’s when I begin to skim the top of that cream that I discover those 30 hottest new titles.

So without further ado; here are the 30 Hottest New Launches for 2014 in alphabetical order:

8 by 8-25
8 by 8
What happens when you combine a great creative art director with his love and passion for the game of soccer? You get a beautiful, artful magazine called 8 by 8, a beautiful magazine that the beautiful game deserves.

Angler's Journal-12
Angler’s Journal
Angler’s Journal brings the fishing life to the pages of a beautiful, oversized, well-done publication. It combines both stories and photography to give the reader (even people who aren’t interested in fishing) a passion for the sport.

Animal Tales-11
Animal Tales
If one thing stands out to me about 2014, it’s that this could easily be described as the year of the child. There have been more print magazines born into the marketplace for children than I can ever remember. We are celebrating our children from every angle, from the interactivity of puzzles to fantasy characters and the love between children and animals. Children’s magazines are hot and they happen to be scorching in ink on paper.

Bella Grace-10
Bella Grace
A major departure for Stampington & Company Publications, who normally focus on crafts and the crafting way of life; Bella Grace exemplifies a journal for women that celebrates the beauty of life and life’s adventures.

Chance-33
Chance
Chance looks at the world through the lens of theater and design. It’s a provocative way of enjoying great design in panoramic display and puts a new spin on art, photography and life without leaving anything to chance.

Closer-13
Closer Weekly
Most think a company would have to be crazy to launch a weekly magazine in this digital age. But when that magazine covers celebrities, icons who the audience (people over 40) of that magazine can relate to, you know it’s a hot launch.

Craft Beer-9
Craft Beer and Brewing
Craft beer is the “in” thing in beer these days and this magazine is a bible for everything you need to know about it and the actual brewing of this kind of libation. This magazine leaves nothing behind, teaching the reader how to brew it, drink it and enjoy the different aspects of craft beer.

Dinosaur-31
Dinosaur
Anyone willing to defy cultured extension deserves to be named one of the hottest new launches of the year, let alone the magazine is presented in a way that reflects the name, the audience and the industry as a whole. Dinosaur is definitely one of the hottest new launches of the year.

Dr. Oz-8
Dr. Oz The Good Life
Who doesn’t like the good life? It’s the dream of every living, breathing human being on Earth. And Dr. Oz now has a magazine to help us all discover that elusive chimera. The magazine covers how to boost one’s health through eating right, relationships and basically how to live life to the fullest. It’s definitely a hot launch.

Food & Travel Quarterly-20
Food & Travel Quarterly
When Benjamin Franklin said in this world nothing can be said to be certain, except death and taxes, he should have added, except that the human race loves to eat and travel. Now we have a magazine that combines two things that people love in a colorful, beautiful way.

Girl's World-27
Girl’s World
In their continuous attempt to meet each young girl or young woman’s needs in their stable of magazines, Bauer Publishing has filled in the gap between the very young and the very teenaged groups of young women with Girl’s World. This magazine is a stepping stone for the girl who’s preparing to come into her own as a young woman.

GQ Style-30
GQ Style
New to the United States, but published in other countries of the world, GQ Style is the perfect addition to the wardrobe of men’s magazines. It focuses only on style and fashion and is a beautiful accoutrement to the core GQ staple.

Live Happy-21
Live Happy
Happiness is becoming a science and the “happy” application methodology has found a home between the pages of Live Happy magazine. In this magazine, the science of being “happy” is explained and the audience is invited to join the movement. It’s upbeat and uplifting; something needed in our fast-paced, often dizzying society.

Modern Pioneer-4
Modern Pioneer
Modern Pioneer reaches back into the past to help readers survive the present and anticipate the future in a more earthy and natural way. It’s getting back to our roots in the best of ways. Just a great magazine.

Mud & Obstacle-22
Mud & Obstacle
This magazine captures the growing trend and love of elite obstacle racing and mud running and releases it onto the pages of print. While it may not be a new trend in sports, it is new to the pages of a magazine and has both male and female loyalists. The magazine is bold and forceful, similar to the sport and is a very welcomed addition to the family of print magazines.

Naked Food-3
Naked Food
This magazine was born from personal tragedy in order to help prevent and reverse diseases that are caused by unhealthy eating. It’s a magazine that has an honorable proposal: it’s a national health initiative that proposes the switch from the Standard American Diet (S.A.D.) to the New American Kind and Enlightened Diet (N.A.K.E.D.). The initiative focuses on preventing and reversing chronic degenerative diseases.

Naturally Danny Seo-19
Naturally, Danny Seo
Captivation of a trend at its best and applying it to food, home, style, travel, beauty and entertaining; Naturally, Danny Seo showcases the lifestyle authority of Danny Seo and brings a new generation into the sustainable lifestyle. It’s an amazing replica of a man’s life’s work and practices what it preaches by using premium recycled paper for its product. Going green is up front and shining in this magazine.

Nautilus-32
Nautilus
Humanizing science and culture, Nautilus magazine is a rare breed in the genre of true science magazines. Pleasant to read and even more pleasant to look at, each issue combines the sciences, culture and philosophy of a certain topic into a single story told by the world’s leading thinkers and writers.

one-1
One
One magazine comes from the One Club and is a magazine for creative people in advertising and design. It was an online product that moved, according to its director of content, to an entirely new entity called print, new, at least for the One Club. This is the post-digital era, as they call it in the magazine. So we have another digital entity discovering the power of print. I can only support this move and revel in it.

Pando Quarterly-29
Pando Quarterly
Another digital entity discovering print; Pando Quarterly offers great content and charges the reader a membership for it. It’s a sustainable concept and one that should benefit this sharp magazine fully. This is another example of intelligent, investigative journalism that another media organization had all but written off.

Politico-26
Politico
Probably one of the best executed magazines that was born from the womb of a printed newspaper and then a website, Politico came into this world a genius. Smart, quick and arrow-sharp, Politico is a force to be reckoned with on the field of political magazines.

Porter-28
Porter
A successful website and a virtual store have created a powerful print tool that only adds to their overall achievements. A fashion magazine for the stylish, intelligent woman of now, Porter magazine shows off its luxury retailer traits excellently. To paraphrase its CEO, now you can say we are a multi-media company.

Rescue Me-6
Rescue Me
We’ve had a few magazines that focused on the adoption of children; Rescue Me brings the adoption of animals to the forefront of the reader’s mind. This magazine has a mission, something more than just showcasing the beauty of pets. It expounds on the need of animals and how the people-to-pet relationship is of mutual benefit to both.

Sofia The First-5
Sofia the First
A magical fairy tale that teaches children to be bold, curious and kind; Sofia the First embodies the interactivity of first screen, second screen and even third. From the television series to the online games and now to the print magazine, it’s definitely the year of the child.

The Pitchfork Review-23
The Pitchfork Review
After more than 17 years online, Pitchfork has come into the print world with a vengeance. It combines long-form feature stories, photography, illustrations and other ephemera with selected recent pieces from the website. Another digital entity that has recognized the power of print.

Sunshine School 3-16Sunshine School 1-14Sunshine School 2-15

Sunshine School 4-17

The Sunshine School Series
Kids don’t read print? I beg to differ. This wonderful series of books is interaction at its best. These four titles launched by Penny Press are a prime example of what print does and can do to entertain our children with something that is not only tactile and can be shared between the laps of parent, grandparent and child, but also teaches in a most interactive way. Kudos to Penny Press.

Trending NY-2
Trending New York
This is innovation in print at its best. A brand new weekly magazine for women in New York that overcomes distribution troubles by just handing the magazine out on the streets of New York. It’s a unique magazine that had a unique way of introducing itself and it is a compliment to all the other magazines it was born from, such as Elle, Cosmopolitan and Marie Claire. It’s an utterly new way of doing business and deserves its spot among the 30 hottest new launches.

Uomo Moderno-18
Uomo Moderno
How can a men’s magazine add anything unique and different to an already crowded market? Well, you put an Italian twist on it, of course. Uomo Moderno is chic and sophisticated and very Italian. From the clothes to the exquisite content, Uomo Moderno is Italian living at its best.

Vapor Lives-34
Vapor Lives
Vaping is the hottest trend right now and vapor cigarettes are the hottest thing on the market. Here comes Vapor Lives, capitalizing on that trend and publishing not one, but two titles; one for the industry and one for the vaping audience.

Willow and Sage-24
Willow and Sage
The name conjures up images that are comforting and whimsical. It’s filled with great recipes for creating homemade bath and body items that soothe and replenish the soul. It’s a hot launch and a wonderful idea and another Stampington & Company product that may deviate from their “crafty” origins, but definitely enhances their repertoire.

Re-launch of the year:
Newsweek-7
Newsweek
Newsweek has to be the re-launch of the year, no question. Its print death was widely exaggerated by one of the most celebrated editors of our time, but like the phoenix it rose from the ashes and its dismal fate to become better than ever. With a different publishing and business model, Newsweek now sets the standard of what a weekly should be. It looks and reads like a monthly, but is published on a weekly basis. Just an excellent and timely re-launch.

Join the celebration on Dec. 5 when THE Hottest Magazine Launch from the aforementioned list will be announced. Click here for more information
.

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A Swift and Timely Cover Business Decision for TIME and Bloomberg Businessweek, or Is It?

November 13, 2014

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When I was a child, I used to think magazines had spies in each others offices. I was always surprised when TIME and Newsweek would have the same cover, although the story might not be a big hot news story that week to me.
The same would happen with Family Circle and Women’s Day. Similar casseroles on the cover, and here came my conspiracy theories again about the spies planted in magazine offices…

This week’s covers of Bloomberg Businessweek and TIME triggered those memories; Taylor Swift is on both covers. One magazine is a business weekly and the other is a newsweekly, but the covers of both magazines scream People or In Touch weekly. I know that Taylor Swift’s decision to remove her songs and albums from Spotify brought her to the forefront of the entertainment news cycle, but I can’t help but wonder, from all the news and business events that are rocking (pun intended) our world today, is Taylor Swift the lead story of the week?

You be the judge, and while you are at it, please let me know which one of the two covers you think handled Ms. Swift’s image better? Love to read your comments.

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Magazines “For the World’s Most Important People…” The New Crop of Children’s Magazines. A Mr. Magazine™ Musing.

November 10, 2014

Peppa Pig-1 The launch of the latest new children’s magazine: Peppa Pig started me thinking about the importance of creating second and third screens for children. It’s not a new idea; Sesame Street has done it for years by linking its television program on national public television together with many successful magazines and movies.

In a sweeping gesture of digital omnipotence; many seers in the kingdom of publishing have said that children aren’t reading print anymore; they’re spending all their time on tablets and other digital outlets, but it would seem the rebellious subjects over at Redan Publishing would beg to differ.

This year alone, they’ve launched Sophia the First, re-launched Disney Junior and Sesame Street magazines; continued publishing Thomas & Friends, Strawberry Shortcake, Disney Princess and many others.

Redan children's mags-3 I have two grandchildren; one almost seven and the other a three-year-old and both of them are avid television and tablet viewers and users like the rest of their digital native generation. So what caught my attention about Peppa Pig magazine was the intriguing invitation to parents that was between its covers:

Need more Peppa time but away from the TV? Need to keep your Peppa fan busy, entertained, and fuel that bubbling imagination? This magazine is for you! We’ve got great ‘together’ activities, stories, recipes, crafts and more.

In my mind, there was no doubt, this was a call-to-arms for parents; a plea to join forces with the creativity and imagination that only an ink on paper product can physically instill in your child, not to mention the parent/child bonding, where the only thing separating the small lap from the large lap is that tactile magazine. This is where we see the power of the printed word and the interactivity between grandparent, parent, child and magazine come alive. This is where the magazine industry as a whole can see the advantage and possibilities of magazines becoming a second or third screen in the land of children’s entertainment.

The time my grandchildren spend engaging with magazines and then relating that information with what’s on the tablet or on television is amazing. Peppa Pig is a standout for me because of what an avid watcher my almost three-year-old grandson is of the program. Throw in a book and now a magazine of his favorite pig? He’ll be in hog heaven. He will now be able to flip actual pages along with the program.

Storytime-5 And it’s not just publishers in the United States; in the U.K., a company called Luma Works recently began publishing a monthly children’s magazine called Storytime. The magazine is jam-packed with famous fairytales, adventure and all kinds of talking animals and monsters. It’s an amazing and extremely interactive magazine that will have children and parents alike involved and captivated.

Animal Tales-16 Bauer recently launched Animal Tales – a magazine targeting children ages 6-12 and all about the wonderful world of animals.

Highlights for Children has: Highlights Hello – a magazine “aimed strictly at babies and toddlers”, Highlights High Five (My grandchild’s favorite magazine so far) – for ages 2-6 and “designed to spark children’s natural curious and creative natures and” its traditional Highlights magazine for children 6-12.

highlights-3-1 Christine Cully – Highlights editor – believes that children are the most important facets of their audience and all of the magazines they publish are geared toward that belief. She always ends her emails with “…for children are the world’s most important people.” Indeed they are.

My suggestion is that anyone who questions the future of print takes a look at these children’s magazines. Whether they’re print-only, a second or third screen or even the hundredth screen, doesn’t matter, but what does is showing the children of this world that we do care about them and their wants and needs. I believe if we abandon print and that tactile relationship that provides our children with the different sizes, feels, different types of paper and typography and, provides interactivity at the same time; if we abandon that, we cannot expect the children to create that. And being able to experience all of those sensations can be vital to the wholeness of a child’s environment.

So, don’t give up hope…ever, and thanks to the folks at Bauer, Highlights, Redan and the many other children’s magazine publishers, for since the dawn of the digital age, they have added more print magazines in their stable aimed at children of every age.

And for those of you who may have thought reading material for the digital native generation had disappeared; do me a favor, go to the newsstands and pick up a copy of one of the magazines mentioned in this article and put it in front of your child and see what happens.

I would love to hear from you on their reaction…

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A Healthy October Harvest of New Magazines…

November 7, 2014

Welcome to October and 74 wonderful new magazines and magazines reaching a wider distribution than their regional areas. This month there were 13 titles with intended frequency appearing on the nation’s stands with and they were as diverse and different as the autumn leaves scattered across a field. From Sudoku to Yoga – and everything in between, October was an awesome month for magazines.

So enjoy our new covers and get ready for a November to remember! And just in case you are bored this weekend, why don’t you stop by a newsstand and pick up a copy or two from the magazines shown below. I know you will not regret your decision. Enjoy the weekend.

Up first our frequency:

BIZ New Orleans-55Chic Metropolitan-57Crazy for Sudoku-7CyberTrendJoural of AMerican Law-53Not of U-49Shalom Tidings-51Shoes UPStorytimeSilent SportsSweet Tea Times-52The California Sunday Magazine-56Yoga+Health-50

And now our specials:

Wine Lovers' Guide to South AmericaNational Geographic - Places of a lifetimeMake Believe Ice PrincessLife - Seeing is BelievingAmerica's Most Highly Decorated HeroesExodusWWII Greatest BattlesTuscan HomeLegends of CountryLife - Gone with the windInside the Criminal MindWorld of Warplanes-11Women's Health-1Vintage Hoidays-28Ultimate Car-16TV Guide Marilyn-30Top 100-24The Vietnam Wars-15The Rise and Fall of the Roman Empire-44The Eco-Living Book-37The Civil War-14The Bible-8The Best for Your Kitchen & Home-46Tactical Training-33Super Star Quilts-2Spin U2-39Southern Cast Iron-21Sons of Anarchy-38Rimfire-47Pro Secrets for DIY-7People-17People Tribute-29NCIS-3Make It Knits-6Magical Moments-6MAD-2How DNA Shapes Your Life-13Holiday Home-10Holiday Crochet-40Herbal Remedies-3Healthy Recipes Around the World-18Halo-41Halloween Fun-zine-12Greatest College Rivalries-48Golf's Greatest-4Gluten-Free Recipes-45George Strait-5Froning-25Football's Greatest Quarterbacks-35Five Seconds of SUmmer-23Fast & Healthy-31Country Sampler's Christmas-42Cooking Light-19Christianity-4Carry Gun Companion-36Call of Duty-22Battle of the Bulge-27Bake It-32Annie's Christmas-43AK vs AR-3450 Great Westerns-5

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Samir “Mr. Magazine™” Husni: 30 Years of Teaching and Mentoring at the University of Mississippi*

November 5, 2014

Meek-School-14-15-Cover
Samir Husni
Mr. Magazine™

It’s been said that until the magazine service journalism program began in August 1984, Mississippi was not the first state one thought of when it came to magazine publishing. Music maybe and great literature, but not necessarily the world of magazines and how they’re made. But all that changed after Dr. Samir Husni started the magazine service journalism program at the University of Mississippi.

Steve Cohn
, editor-in-chief of Media Industry Newsletter, described Husni as “a wonderful representative for the state of Mississippi, especially where magazine journalism is concerned.”

“In fact, in New York and all over America,” Cohn said, “when you hear the word Mississippi today, magazines are the first things that come to mind. And it’s because of Dr. Husni’s passion.”

The magazine service journalism program at Ole Miss is celebrating 30 years.

“When Jim Autry and the Meredith Corp. funded the magazine program at Ole Miss, it brought a great deal of media attention to the department of journalism and the University of Mississippi,” said Will Norton, Jr., dean of the Meek School.

Since the inception of the program Husni has been asked to deliver seminars or consult with magazines and magazine media companies on every populated continent of the world.

Many years ago one of his students gave him the moniker “Mr. Magazine™.” Today he is considered the leading expert on magazines and magazine media publishing.

Tony Silber
, vice president/Content of Folio: Min, Expo, Audience Development, and PR News at Access Intelligence, said, “Samir Husni is a magazine-industry treasure.”

“He has built a business as a consultant through his extraordinary intellect and understanding of how magazine-companies work.

“But he’s far more than just that: he’s an icon. He’s a brand. He’s an evangelist for print media who understands the interplay of print and digital media.

“The magazine industry is more successful because of Samir Husni’s work, and the good news is that he’s imparting his knowledge not just to his peers, but also to the next generation of media specialists, through his work at the University of Mississippi.”

The funding and the idea were the first steps. After Husni was hired to head the program, it was time to get down to details.

“With the help of a lot of people from the Meredith Corp. we developed five courses, and we began to offer the program,” Husni said.

Students needed “to know more than just your basic reporting, writing, editing and designing,” Husni said. That was uncommon for the 1980s. Ole Miss was the first school to include journalism and the business side of magazines in one program.

Husni developed editing by design, a course that provided everything a journalist should know about design and what every designer should know about journalism. Students in the department of art as well as students in the service journalism program took the course.

“Then we created a sequence of two courses,” Husni said, “in which students developed an idea from scratch for a new magazine and they created an entire business plan for that magazine, including developing content, design and the budget.

“Along with everything else that goes with a magazine: the media kit, the circulation plan and the advertising plan.”

The program has seen a lot of graduates who have gone on to establish impressive careers and they give Husni and the magazine service journalism program all of the credit.

Newell Turner
, one of Husni’s former students, is now editorial director for Hearst Design Group, specifically Elle Décor, House Beautiful and Veranda.

“After I graduated from Ole Miss with my undergraduate degree in journalism and Southern Studies,” Turner said, “I went to work for a while. I came back to Ole Miss to go to law school and did it for about a year and a half.

“Then I found out this magazine program was launching in the journalism school and I’ve had a passion for magazines that goes back to when I was an early teen.

“So I switched from law over to the magazine service journalism program, and it was like a light came on because suddenly I knew what I wanted to do with my career.”

Turner said magazine design wound up opening up a door for him in his career.

“The first year,” he said, “I met Dorothy Kalins, then editor-in-chief of Metropolitan Home and also that year she was president of ASME.

She spoke at Journalism Week in the spring, and Samir found out that there was a job opening, and he encouraged me to look in to it and help me realize what a great opportunity it was.

“So I pursued it and interviewed for the job, and they hired me.

“Without Dr. Husni and the magazine service journalism program, who knows where I’d be.”

Clinton Smith
, editor-in-chief of Veranda magazine and also a former student of Husni and the magazine service journalism program, said the program always had been unique, and that’s why it has worked.

“The foundation of his coursework has served as my compass throughout my 15-year journalism career—from intern to assistant editor to editor in chief,” Smith said.

“Dr. Husni’s magazine program has never been about textbook learning,” he said, “and that’s why it’s had such an impact on students’ lives over the past 30 years. The practical, real-world experience he instills will serve them throughout their careers.

“Dr. Husni’s magazine program has signaled to the country – and the world – that important and innovative things are happening not only at Ole Miss, but in Mississippi. His influence and the power of the program cannot be underestimated.”

The magazine service journalism program has begun many careers for students and will continue to do so in the future.

Scott Jones
was executive editor of Southern Living magazine from 1999 to 2010. Then he left to start his own companies, called Jones is Hungry and Jones is Thirsty, two separate entities on culinary-related custom content, education and consulting.

“I went to Ole Miss specifically for the magazine program,” Jones said. “The service journalism program and Dr. Husni. This was in 1988 and desktop publishing was really in its infancy. So it was an exciting time to be there because the whole world of magazine publishing was changing, and you could do things then right on your own PC which before would have taken a lot of capital and a huge staff.

“The program had terrific benefits for me. It opened doors and got me up close and personal with people I would have never been connected with if not for the program.”

Cathy Still McGowin
, editor of Birmingham Home and Garden, said the university did not have a graphic design program when she got to campus.

“At the time, I majored in magazine journalism to learn the graphics programs,” she said. “Little did I realize that I would not only learn graphic design in one of the most advanced programs in the South, I also would learn everything I needed to know to gain entrance into the publishing world.

“Editing by design, made the most impact on me, and the tools I learned in that class are ones I still use every day. I learned that information comes in a package—and the more the parts work together, both visually and in words, the greater the impact of the message.”

Still was hired at Southern Progress Corp. when she graduated.

“I worked at Southern Accents and later Coastal Living for 14 years,” she said. “First as a graphic artist, then as a writer, stylist, and editor. At such a large company, tasks and duties are specialized and there wasn’t a lot of crossover with skill sets.

“Now, as editor of Birmingham Home and Garden, a small city magazine, the ability to use all of my skill sets are more critical than ever.

“I still maintain that Dr. Husni’s approach to looking at things from all angles is the reason I have been able to grow and meet the challenges of my career. That, and a lot of hard work.

“Those fundamentals are timeless—no matter your medium of journalism.”

Katriina Kaarre is publishing director for Women, Family and Children Media, published by Otavamedia in Finland.

“Meeting Samir in the corridor of Farley Hall in the fall of 1987 changed my career path,” Kaarre said. “I came to Ole Miss originally only for one year.

“I wanted to learn about the Southern culture and enjoy the blues archives – and take a few classes of marketing on the side.

“After meeting Samir, I quit classes at the business school and started my M.A. in journalism,” she said. “During the three-and-a- half years that I stayed at Ole Miss, I managed to visit the Center for Southern Culture only a few times.

“I’ve stayed on that path ever since, and I still love the touch and feel of a newly printed magazine.

“I still get excited when thinking about editing by design, the mission/vision of a magazine and the tone of it.”

Clearly, Dr. Husni opened doors for many students to develop exceptional careers.

“The ultimate goal,” Husni said, “was and is to teach students about service journalism, which can easily be defined as the factual, service-oriented, active-oriented, non-news type of journalism that has in it the power to activate the readers.

“The magazine service journalism program at the University of Mississippi was designed to create the type of journalism that will activate readers and get them personally involved with the content.”

And that continues today.

* This article, the cover story of the 2014-15 Meek School of Journalism and New Media Alumni magazine, was written by Angela Rogalski.

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Bringing Back the Good Times Again: Reminisce Magazine Rediscovers Its Roots. The Mr. Magazine Interview With Editor-In-Chief, Liz Vaccariello.

November 3, 2014

“The biggest challenge, and it’s a daily one, is to listen to the readers. You know, I put my personal email address in Reminisce and Reader’s Digest. I read every consumer letter and I respond to every one of them. That engagement with the audience is so very important.” Liz Vaccariello

NOV_COVER_REX In the spirit of celebrating Reminisce’s history as a place for reading and sharing memories – and to attract new generations of consumers steeped in nostalgia, Reminisce magazine has turned to the editor in chief of Reader’s Digest Liz Vaccariello and her team to breathe new life into the magazine. Ms. Vaccariello’s first goal is to reaffirm Reminisce’s mission “to touch and inspire readers with stories of cherished memories as told by some of those same readers.” ( Right: The New Reminisce)

After all, the magazine that was started by Roy Reiman in 1991 (and given the name Reminisce by his wife Bobbi) was one of the fastest growing circulation magazines in recent history. It went from zero to one million in less than a year and when the magazine was sold in 1998 it had a circulation of 2.5 million. The magazine, by design, did not carry a single ad and was totally circulation driven. Reminisce was one of many other titles in the Reiman group that in 2002 was sold to the Reader’s Digest Association (RDA).

After the sale, the magazine drifted from its original mission and DNA. The once 2.5 million circulation is now around one million. However, 12 years after the RDA ownership, an awakening is taking place. Reader’s Digest Association is moving the magazine from its original home in Wisconsin to New York City and placing it in the tender-loving hands of the editor in chief of Reader’s Digest magazine. Liz Vaccariello, who successfully reinvented Reader’s Digest magazine just a year ago, was given the additional responsibilities of Reminisce. Ms. Vaccariello brought Reader’s Digest back to its roots and reconnected the magazine with its DNA and audience.

Now, together with her Reader’s Digest team, she plans to do the same thing with Reminisce. I reached out to Liz Vaccariello, and we made some wonderful conversational memories of our own. We spoke about the magazine’s past, present and the possibilities for the future, with a great deal of emphasis put on the importance of getting back to the magazine’s roots of being an audience-first publication.

As witnessed on Facebook and other social media sites, the millennial generation has revived nostalgia and grand old memories in mammoth proportions just with “Throwback Thursdays” alone, so wistful reminiscing is more popular than ever. And the magazine plans on returning to their roots and in turn, capturing that new gene pool through the art of “remembering when,” while keeping their loyal and long-time core audience happy as well.

I hope you enjoy the Mr. Magazine™ conversation with Liz Vaccariello, and maybe you’ll relive the original tag-line of the magazine “that brings back the good times…by taking you on a walk down memory lane.”

But first the sound-bites:

Vaccariello_Digest_02_04_131540Mar04-2013On whether she took a reinvention or a return-to-roots route for the magazine: I went back to the roots and that’s what makes this magazine so extraordinary. Readers spend an average of 3.5 hours with this magazine. They want to lose themselves in other people’s personal histories.

On the fact that young people enjoy reading nostalgia more today than ever:
That’s absolutely right. First and foremost, it connects the generations, but more than that there has been research done on nostalgia. And people as young as six can feel the emotion of nostalgia.

On her biggest stumbling block: This is a consumer magazine. And like many publications, we hadn’t been marketing to a new gene pool, if you will, of readers. We’d been marketing to the same audience over and over again.

On whether she considers her new job an easy reward for past success with Reader’s Digest:
No, but it is an easy job when you’re given a magazine that is beloved by its audience and you have to be humble about the brand that’s now in your care.

On whether her dual-editing role gives her twice the excitement in the office than before:
Oh my goodness, I’m living the dream. I don’t know any other way of putting it.

On what she hopes to have accomplished a year from now with Reminisce:
I would hope that I can tell you that I’ve pleased the nearly one million current subscribers of Reminisce, that they feel as if they have a publication that lives up to the importance of their stories.

On whether she believes the magazine can ever attain its 2.5 million in circulation again:
I think it absolutely could.

On what keeps her up at night:
What keeps me up at night, to be honest; nothing.

And now the lightly edited transcript of the Mr. Magazine™ conversation with Liz Vaccariello, Editor, Reminisce and Reader’s Digest Magazines…

Samir Husni: Congratulations on your dual positions with Reader’s Digest and now also Reminisce Magazine.

Liz Vaccariello: Thank you, I’m so delighted. Reminisce and Reader’s Digest has a lot in common. They’re about reading and sharing and in the case of Reader’s Digest, people throughout history have shared jokes with each other, parents have ripped out articles and shared them with sons, daughters and neighbors.

Then Reminisce is all about reader’s sharing their memories and their nostalgia with likeminded people, but also with their families: “Look son, here is my first car” or “this is the story about how I met your mother” and it’s here in this magazine. So it becomes more of a collectable experience by being in the magazine.

So there is a lot of similarity in terms of the missions of both magazines and their audiences.

Samir Husni: Historically speaking, since we are talking about a magazine that deals with nostalgia and history; when the magazine launched in 1991 it was one of the few magazines that in less than 12 months exceeded one million subscribers. And then of course by the time it was sold, it had almost 2.5 million. So it was a huge magazine that back then was totally written by readers before anyone was really talking about audience-generated content. Then the magazine drifted a bit into the celebrity-oriented topics. So tell me, what is your vision now for the magazine? Did you re-invent it or, like with Reader’s Digest, did you go back to the roots?

Liz Vaccariello: I went back to the roots and that’s what makes this magazine so extraordinary. Readers spend an average of 3.5 hours with this magazine. They want to lose themselves in other people’s personal histories.

But to your point; the magazine had drifted away over the years and had become more, as I call it, “magazinified” and they put more editor’s voices in the magazine and they used stories from other places.

Reminisce is the reader’s magazine. They tell us what they want to write about by what they send in. And so the re-launch is really about committing to that user experience; which is personal histories. We’ve taken out almost all of the stock images and Getty images and now almost all of the images inside the magazine are submitted by readers.

Over the years the magazine had developed a little more white space and it tried to feel a little breezier, but our reader wants a sea of stories, they want pages that are packed with information and words. They wanted smaller photographs and more stories.

We really wanted to return it to that scrapbook feel and have that sense of discovery as the reader goes through the magazine. They don’t know if they’re going to stumble upon a story about growing up or about how someone met their first love, beautiful stories like that.

Returning the magazine to its roots is just about having as many stories as possible between the pages and gets the editors out of the way. My job is just to create a setting that does the people’s memories justice and honors them.

Samir Husni: And those stories are important. I even hear it from my students; you don’t have to be ancient to enjoy those types of stories. Even young people in their late teens and early twenties are looking for content to read about memories and life when their parents or grandparents were younger.

Liz Vaccariello: That’s absolutely right. First and foremost, it connects the generations, but more than that there has been research done on nostalgia. And people as young as six can feel the emotion of nostalgia. And they have found that people are at their most nostalgic in times of transition. They found that people who have recently graduated from college feel very nostalgic for high school or for when they were actually in college. People who have just started a family of their own feel nostalgic for their own childhoods. And of course, empty-nesters feel nostalgic for when their children were young and seniors feel nostalgic for when life was simpler and times were better.

So you’re absolutely right, there is no demographic for nostalgia.

Samir Husni: What do you think is going to be your biggest stumbling block?

Liz Vaccariello: This is a consumer magazine. And like many publications, we hadn’t been marketing to a new gene pool, if you will, of readers. We’d been marketing to the same audience over and over again. So for 20 years we haven’t found a new generation of likeminded people to subscribe to Reminisce.

The biggest stumbling block is going to be to continue to appeal to the older reader who wants to reminisce about the 30s, 40s and 50s, while also getting their sons and daughters to consider the magazine their own as well, so they can reminisce about the 60s, 70s and so on.

To do that we’re trying something called “Decade Diversity.” We might do a story on Friday night television and no matter what the demographic; you have a Friday night television show. For my grandmother maybe it was “I Love Lucy,” for my mother maybe it was something else and for me it was “Happy Days” or “Dallas” or “Full House,” so there are ways to introduce the later decades and those stories as part of the mix.

Of course, we don’t want to alienate the readers who have been with us 30 years and who loves this magazine and wants to spend hours and hours with it. We don’t want to all of a sudden turn it into a magazine that’s nostalgic for the 80s.

Samir Husni: By the way, “Sanford and Son” was my favorite television program. (Laughs)

Liz Vaccariello: “Sanford and Son,” I love it. (Laughs) “All In the Family;” we all had a favorite and our destination television.

Samir Husni: In addition to that, which is a big stumbling block; what other hurdles do you see looming before you to clear? It’s a given that you have done great with Reader’s Digest, that it was the cruise ship you were able to turn around; so now does it feel like it’s going to be an easy job? Do you feel as though you’re being rewarded with Reminisce and the powers-that-be think you can also turn around this magazine?

Liz Vaccariello: (Laughs) No, but it is an easy job when you’re given a magazine that is beloved by its audience and you have to be humble about the brand that’s now in your care. You have to have enormous respect for what made the consumer become so attached to it in the first place. You can’t be dismissive and you can’t be like a bull in a china shop, run in and think you have all the answers.

The biggest challenge, and it’s a daily one, is to listen to the readers. You know, I put my personal email address in Reminisce and Reader’s Digest. I read every consumer letter and I respond to every one of them. That engagement with the audience is so very important. They will tell you the stories they like, what they want more of, what they want less of and to respond to that is a delicate task. You have to understand who’s yelling the loudest and that’s not necessarily the person you need to listen to. You have to look at the big arrows.

Samir Husni: Since the last time we spoke, and that was mainly about Reader’s Digest; do you now feel more excitement when you come to the office in the mornings or do you ask yourself what have I gotten myself into?

Liz Vaccariello: (Laughs) Oh my goodness, I’m living the dream. I don’t know any other way of putting it. To have two magazines actually in my care where the overriding emotion is optimism and looking at the world through a hopeful lens, where my job is to curate the most meaningful stories about family, history and about how to live a better life, with a sprinkle of humor in there; there is nothing to not like about that job. I love every minute of it.

And I also have a wonderful team, the Reader’s Digest team absorbed all of the work that’s done on Reminisce, so we didn’t bring the staff of Reminisce with us. We just absorbed it and threw ourselves into it and it’s been a wonderfully energizing project to work on.

FullSizeRender Samir Husni: Why do you think as a major editor in our industry; why do you think that there aren’t more of those beacons of hope and light out there on the stormy ocean of doom and gloom stories that we are told?
(Right: Cover of the first issue of Reminisce.)

Liz Vaccariello: That’s a wonderful question. I think it’s interesting because the media landscape to a large extent is this cacophony of snarky cynicism, darkness, worry and partisanship, particularly broadcast media. And I think they’re doing it, frankly, because that’s what people respond to. That’s a quick fix; the ratings heroine, if you will.

But if you look at other media and I think magazine media in particular, magazines tend to be an oasis from that, with a few exceptions. I look at the service magazines; I look at health and fitness magazines, at magazines like Oprah and Real Simple. When you get to the end of those publications, you feel wonderful.

So I believe the magazine industry has done a good job of being an oasis from that snarky cynicism. And frankly, I think radio has too. I was just reading this morning about 24-hour Christmas on radio stations. This is the number one trick that radio has found to boost ratings; go Christmas all the time and they’ve bumped it back so that now it’s happening even before Halloween, because radio knows that people want to feel good.

I think that there are pockets of cynicism and negativity, but many people, particularly in magazine media, have seen their role as being a place where people can feel good. You want to spend time with a magazine; you don’t want to spend hours with your snarky friend, you want to spend hours with the friend who’s going to make you laugh, teach you something, make you feel good and tell you a great story that will warm your heart. Those are the people who you want to spend time with and those are the magazines you want to spend time with.

Samir Husni: If we talk again a year from now; what do you hope will have been accomplished in that year with Reminisce?

Liz Vaccariello: I would hope that I can tell you that I’ve pleased the nearly one million current subscribers of Reminisce, that they feel as if they have a publication that lives up to the importance of their stories. That they feel like it’s a collectable experience and that they’re proud to have it in their home and they’re proud to have their stories inside of it.

I hope that I can say that and I hope that I can also tell you that the sons and daughters, the next generation of those readers, are starting to discover us on Facebook, Pinterest and on the web. And that they’re starting to share their photos and stories in that new digital way and that we’ve brought a new network of consumers and readers into the fold.

Samir Husni: Do you see the magazine ever going back to the 2.5 million in circulation?

Liz Vaccariello: I think it absolutely could. I think there is no limit to the amount of people to whom these sort of stories appeal to.

Samir Husni: Is there anything that you’d like to add about Reminisce specifically?

Liz Vaccariello: Just that I’m thrilled and honored to be working on Reminisce and Reader’s Digest.

Samir Husni: My typical last question; what keeps you up at night?

Liz Vaccariello: (Laughs) What keeps me up at night, to be honest; nothing. (Laughs again) I have to answer you very honestly and tell you that I’m sleeping really well and it may sound corny, but I am filled with so much gratitude that I get to do this kind of work with this amazing team.

Samir Husni: You must be reading Reader’s Digest and Reminisce before going to bed.

Liz Vaccariello: (Laughs) And a little Jon Stewart and Stephen Colbert.

Samir Husni: Thank you.