Archive for the ‘News and Views’ Category

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min and Samir “Mr. Magazine™” Husni Announce: 2011 Hottest Magazine Launches of the Year and Hottest Editor, Publisher, Design Director, + Hottest Reinventions of the Year

December 6, 2011

From minonline.com

When I select a magazine as a hot launch, it’s more of a status symbol or medal-of honor to celebrate that moment when all the DNA for a magazine comes to fruition.
It’s in the conception where a hot launch plays a big role. It’s the vision, values and voice of those magazines that deserve the honors and awards. From a field of over 800 new consumer titles, I looked over every magazine that has been published from October 2010 to September 2011 and went through a process similar to the creation of cream from a vat to whole vitamin A and D added milk.
—Dr. Samir Husni, Founder and Director, Magazine Innovation Center @ The University of Mississippi’s Meek School of Journalism and New Media


View pdf of the special Intriguing Issue by clicking on the link below

19712_min_Intriguing_Issue

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How Do I Love My Magazines? Let Me Count the Ways…

November 18, 2011

From Amsterdam to Baku, from New York City to the Holy City of TSFAT, from London to Northampton and San Francisco seven new magazines and seven new reasons were added to the thousands other reasons that made me fall in love with those ink on paper magazines in the first place. Every time I discover a new magazine, I fall in love again and again. Magazines were, are and will continue to be my first and last love and those seven new ones from across the globe are nothing but yet another testament of my love affair with those ink on paper creatures…

Sharing the love are Vega magazine from The Netherlands, Baku. magazine from Azerbaijan, Sheer from the United Kingdom, Tzakkik magazine from Israel, and Style.com/Print, Auto Cult and Disney Family Fun Kids from the United States of America.

Vega, the magazine of Food, Fair and Future is, as the name suggests, a magazine for all things vegetarian. This new Dutch magazine, launched earlier this month with 148 beautiful and meat-free pages, quotes actress Natalie Portman, “I’m a strict vegetarian… I just really, really love animals and I act on my values. I’m really against cruelty to animals.”

Baku.: Art.Culture.Azerbaijan is a Condé Nast publication that celebrates all the aforementioned “on the edge of the Caspian Sea.” Leyla Aliyeva, Baku.’s editor-in-chief, writes in the premiere issue, which launched on the 20th anniversary of Azerbaijan’s independence, “Welcome to the first issue of Baku.the new international arts and culture magazine. Baku. Azerbaijan, is one of the world great cities – a place that combines the historic and the ultra contemporary, plus so much more.”

Sheer, the magazine that combines Fashion, Photography, Art & Culture, aims to “showcase young and new talent, through high fashion editorial, focusing on photography, art and culture.” Daniel Neale is the magazine editor who launched the magazine online in October 2010. He writes in the debut issue of Sheer, “In our first month the issue had reached over half a million views, and it was from that point, that I started to work on establishing my dream of launching a print version of Sheer.” Well, the dream is now a reality.

Tzaddik, the Healthy Jewish Living For Body and Soul, offers “Streamlined Kabbalah from the Holy City of TSFAT” and as its editor in chief Sharon Marson writes, “The magazine’s cornerstone message communicates, that we “reach for righteousness.” She adds, “Welcome to the release of the first issue. Welcome to what is possible. Welcome to the dream.”

Style.com/Print magazine is the latest website finding its way to print. The twice annual publication’s first issue comes in a luxurious over-sized 216 pages and is lead by editor in chief Dirk Standen’s report from New York, London, Milan and Paris. “Style.com and now Style.com/Print,” writes Standen in the premiere Spring 2012 issue, “live to celebrate fashion.” The magazine promises to deliver “two semi-annual issues of Style.com/Print right off the Fashion Week runways…” Another pixels on a screen discovering the power of ink on paper. Welcome aboard.

Autocult, the occidental lodge of underground motoring, arrives with a hefty priced premiere issue of $12.00. The magazine “pretty much embodies the cult of the automobile.” The editor’s mantra regarding magazine publishing should be a mantra to everyone thinking of launching a new magazine in this day and age. Dan Stoner writes, “If your magazine can be replaced with a website, it should be. And what kind of lessons can be learned from that? Well, it all boils down to making something that provides a memorable experience and moves the quality-of-life needle a skosh toward the ‘+’ end.” The editor continues, “If I make a magazine that you like to hold in your hands, that has a little weight to it, that you want to collect and couldn’t imagine just throwing out after a week, shows you things you never knew about before and does it in a way that inspires you to start a new project of your own, well, then I think that’s the kind of magazine that’ll stand the test of time. And the test of ever-changing new media that likes to feed on the weaker magazines.” All what I can add to his words is AMEN!

Disney Family Fun Kids, fun things to make and do. The new magazine from the folks at Disney’s Family Fun have packed every page of the new bimonthly “with fun stuff to do, like cutting out funny mustaches… making our own paper beads… and building can robots…” Jon Adolph and Moria Greto, the magazine’s editor and art director respectively write in the first issue, “We want this magazine to inspire kids to make and do things on their own. Still, some projects may require a little help from a grown-up.” Can’t be more interactive than that!

Every new day brings a new love or two or three. So, what are you waiting for? Sitting in front of your computer or tablet will never put a magazine in your hands and help you fall in love. Digital is fantastic and great, but a magazine IT IS NOT. So, get up, get out, visit a newsstand and buy a magazine or two and start falling in love. Don’t take my word for it… try it yourself, you will love it. Guaranteed.

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The NFL Wants to Use an Ink on Paper Magazine to Draft the Fans

November 16, 2011

Still looking for another reason to believe in print? You do not have to wait for Santa. Just check the latest announcement from the National Football League (NFL). The NFL is launching a new magazine in print and the first collector’s edition issue is hitting the newsstands in December, “just in time for the holidays.”

The amazing thing about the official NFL magazine is the subscription campaign the NFL is running on the magazine’s website. Plenty of comparisons to social media and the web, and not the highly complementary comparisons. Some of such comparisons:

“NFL Magazine covers the game with insight no tweet, click, or post can match.”
“NFL Magazine will tell you in ways you haven’t seen in a post or in a tweet.”
“We’ve got insider perspective. In-depth coverage from contributors who know every inch of the league.”

The ink on paper magazine will make its debut on December 13 and will publish monthly at the rate of $19.90 for 12 issues. By the way, subscriptions to the official magazine of the NFL includes a free subscription to the its digital issues. Check the latest on the NFL official magazine here.

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From New Zealand with “Magazine” Love…

November 14, 2011

Just returned from a speaking engagement trip in New Zealand where I gave a talk on “Generation Next: Publishing Trends that Shape the Future of Editorial” at the Society of American Travel Writers‘ 56th Annual Convention in the capital city Wellington. On my last day in the city I discovered this magazine newsstand and I thought “what else can sum up my visit and my views about the future of print in a digital age more than those two pictures?” Seeing is believing! Add a cup of java, and yours truly is on cloud nine, or in this case cloud 9,000. Thank you SATW for the invite!

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Husni’s Believe It or Not! A Record 107 New Titles Arrived to the Newsstands for the First Time in October

November 2, 2011

This one is for the record books. At least 107 new titles arrived to the nation’s newsstands for the first time during the month of October. It has been a long long time since the number of new magazines arriving to the newsstands exceeded the 100 mark.

There were a lot of specials, a lot of book-a-zines and a lot of titles hoping to publish four times or more. In fact 24 titles from the 107 were launched with the hope that they will publish at least four times a year.

Feast your eye with a selection of the new October magazines, and remind yourself when you hear that newsstands’ sales are down, the magazine industry is in trouble, the marketplace is shrinking and we are surrounded by doom and gloom, remind yourself that there are still some brave souls out there who are still willing to take a gamble on launching a new magazine, an ink on paper magazine.

Rather than cursing the marketplace, light a candle and visit a newsstand near you. You will be surprised with what you will see. Go and judge for yourself, you do not have to take my word for it. Just see what the folks who produced these 107 new titles have to say about the magazine industry, whether their magazines are specials, one shots or 12 times a year. They are all out there and I have bought each and every one of them.

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Jeremy Leslie: Ten Days in the States. Reflections on the ACT2 Experience

November 1, 2011

Jeremy Leslie, editorial director and founder, magCulture.com in the United Kingdom, spoke at the ACT2 Experience last week. His remarks about the Experience are on his blog here and below is the section regarding the ACT2 Experiences blog here

The final leg of the trip was south to Oxford, Mississippi and Samir ‘Mr Magazine’ Husni’s ACT2 Experience. I first met Samir when we invited him to deliver a keynote at Colophon2007, so it was a pleasure to return the favour. He’s director of the Magazine Innovation Center at Mississippi University, and this was the second ACT2 event he’s organised. I enjoyed meeting fellow speakers including editors Will Pearson of Mental Floss and Franska Stuy from Dutch title Libelle, but the main point was for Samir’s students to get rare time with professionals. Each speaker was allocated a student ‘shadow’ to look after them but also share time together – so a big hello and thank you to my shadow Ben. Hope you’ve sorted a name for your magazine!

While much of the conference was business-orientated, my role was to talk about creativity and share some magazines the audience might not know. The primary message of my talk was simple – quality counts – but I was pleased to have that echoed by a number of other speakers who were generally very positive about an industry so often described as in decline. My secondary message, however, that there have been too many magazines and fewer was better, was a harder sell and I fear I’ll be remembered as the speaker who celebrated closures!

Also on the schedule: a trip further south to the Mississippi Delta, driving through cotton fields to Clarksdale (above) and the Blues Museum and briefly meeting Morgan Freeman (God!) at his Ground Zero blues bar in the same town.

Thanks to Samir for a hugely enjoyable event, and to Lily and Shawn for the drives to and from the airport.

Thank you Jeremy and all those who attended and those who spoke at the ACT2 Experience. Stay tuned to ACT3, tentatively scheduled for Oct. 16 – 19, 2012.

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Sid Evans’ Seven Commandments to Succeed in Today’s Magazine Marketplace… as told at the ACT2 Experience

October 29, 2011

The ACT2 Experience at the Magazine Innovation Center @ The University of Mississippi’s Meek School of Journalism and New Media ended last night. However, while the events came to a conclusion, the Experience continues and the lessons from the aforementioned Experience continue to be bountiful. Here is lesson one written by Tony Silber on his blog at Folio:.

Sid Evans on What Southern Magazines Can Teach the World About Media
A report from the ACT2 Conference.
By Tony Silber

To watch Sid Evans presentation at the ACT2 Experience click here.
What’s the difference between Garden & Gun and Portfolio, two award-winning magazines that were both launched in 2007?

Other than the obvious response—Portfolio is out of business while Garden & Gun thrives—for Sid Evans, the difference comes down to one word: Soul.

Evans, the group editor of Time Inc.’s Lifestyle Division and founding editor of Garden & Gun, says being “soulful” makes all the difference between magazine success and failure, and it’s something Southern magazines can teach the world.

Evans was a keynote speaker at the ACT2 Conference in Oxford, Mississippi, and in his presentation, he offered seven key ingredients for success of Southern magazines, ingredients that all magazine brands can emulate. “Our first cover had Pat Conroy standing in a fountain,” Evans said. “It was not a choice a focus group would have made. But to me it made sense!”

In music, art, literature, architecture, food and more, there is “an abundant, rich life” in the South, and that’s what people want, Evans said. “We were a general-interest magazine about Southern culture, and it struck a nerve immediately,” he said. “And somehow, that translates beyond the South.”

Here are Evans’ 7 ingredients of successful Southern magazines.

1. Make people proud of where they’re from. Think about what was going on in the South in 1966, when Southern Living was launched, he said. It wasn’t great. “But Southern Living was about a civilized, gracious place.”

2. Make food the center of everything.
“Food is what binds people together,” Evans said. “It’s what they talk about. And it’s not just the recipes, it’s the stories—the barbeque joint that’s been around since the 1950s. The term ‘American food’ doesn’t really mean anything—but Southern food, that means something.”

3. Never underestimate the power of a great story. “A lot of the media world has lost sight of that fact,” Evans said, recounting a story in Southern Living of how people survived the devastating tornados in Alabama earlier this year, and how it touched people all over the world.

4. Never underestimate the power of nostalgia.
“Even as you do Facebook and develop a Twitter presence, remember nostalgia,” Evans said. “At Garden & Gun, we got a letter from a reader in New Jersey who said we made her nostalgic for a place she’s never been. We did story on Facebook about Southern sodas, regional sodas that people grew up with. It was like someone dropped a bomb on our Facebook page!”

5. Have a drink. Southern Living has had a “tortured relationship” with alcohol over the years, Evans said, but now, alcohol is a regular part of the magazine, as it should be. “When you do a story about a mint julep, you’re doing something about more than a drink,” he said. “When you think about most kinds of alcohol, they come from somewhere else. But bourbon is ours. It is uniquely Southern.”

6. Pick the right heroes.
“One of the things that makes Southern magazines unusual is that readers treat celebrities as members of an extended family,” Evans said. “When you’re writing about celebrities, you need to be careful. If they don’t seem real, if they don’t represent the South well, then you lose credibility with readers.”

7. Make your readers the star.
“Elevate them,” Evans says. “Recipe sharing is a huge part of the culture—a kind of cultural secret weapon.”

And in the end, Evans repeated, a magazine should “be soulful. It’s not a business strategy, but it is a business philosophy.”

The ACT2 conference is organized by Samir Husni, director of the Magazine Innovation Center at University of Mississippi the journalism school, and widely known as “Mr. Magazine.” The two-day event, in its second year, has doubled in size from 2010, Husni said.

To watch Sid Evans’ presentation at the ACT2 Experience click here.

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Sporting News Magazine: Fuzzy Math, a Sign of the Times, or Just a Last Gasp!

October 20, 2011

Long time ago, in not a far away place, magazines used to consider their subscription cards as a legally binding contractual agreement with their subscribers. If you subscribe for a magazine for a year or a specific number of issues, the magazine used to honor your subscription to that entire period of time. You subscribe for six issues, you get six issues regardless of the frequency of publishing. You subscribe to one year, you receive a one year of magazines unless there was a specific number of issues mentioned in that one year subscription. Frequency was and should never be the basis for magazine subscriptions.

Well, yesterday I received a post card from Sporting News Magazine. It read, “We have decided to merge the bi-weekly (28 issues a year, including four double issues) print edition of Sporting News Magazine with our affiliated Sporting News Yearbooks. The resulting publication will continue to be called Sporting News Magazine, will be published monthly, and will generally focus on one seasonal sport preview.” So far, so good. You will say it is a sign of the hard economic times.

My subscription to Sporting News Magazine runs until May 21, 2012. So, I figured they will take the number of issues remaining in my subscription and extend my subscription to the new monthly until all my issues have been sent. Well, I figured wrong. Instead of receiving at least another 14 issues of the magazine, I was told that “after serving your October 10, 2011 issue, you currently have $4.60 remaining on your paid subscription to the bi-weekly Sporting News Magazine. To fulfill that, we will send you 1 issues (sic) of the monthly Sporting News Magazine.” Yes, you have read that right, 1 ONE issue left. The card went on to read, “If for any reason you choose not to continue receiving Sporting News Magazine, please contact us at 1-800-777-6785 (U.S. only) for a full refund on the remaining dollar value of your paid subscription.”

I called the number and was put on hold for ten minutes because they are “experiencing heavy calling volume and if I want to cancel I can go to sportingnews.com” I tried the number again today and received the same recorded message. I opted to wait and when the subscription agent took my call, she explained to me the change in frequency and the way they calculated my remaining “dollar value” from the magazine. She also told me that the new cover price of the magazine will be $8 and the Nov. issue will be a double issue with a $16 cover price, so the magazine is doing me a favor by rounding up by remaining $4.60 and sending me one issue with the $16 cover price.”

I am sure that the folks at Sporting News Magazine have cleared this deal with their lawyers and accountants, but even if it legally a way-out of fulfilling their subscription obligations, I do not believe it is the right way or the moral way to deal with the folks who believed in their magazine and subscribed to it for a lengthy period of time. Even if it the legal thing to do (and I am not a lawyer) I do NOT think it is the right thing to do.

Sporting News Magazine should respect the contractual agreement it had with its subscribers and should honor that either for the number of issues remaining or the time frame remaining. Asking folks to cancel their subscription if they do not like the alternative is indeed a sign of the these tough economic times. I said it once and I will say it again, magazines and newspapers are not dying, but too many are committing suicide. I wish Sporting News Magazine with its 125-year history will not join those who “are committing suicide” by the actions and marketing philosophy they are taking.

In my many years of observing and following the magazine industry, I never recall a time where a magazine encouraged its readers to cancel their subscriptions. This must be a first. Yet, I do believe that there is still time to change, survive and thrive.

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What Every Magazine Media Company Needs: A Chief Dream Officer

October 18, 2011

“This idea will never work,” is by far the most often used phrase when it comes to launching a new magazine. The history of magazine publishing is filled with stories about great publishers who were told, time and time again, that their magazine idea would never work. Guess what, that fire did not quench their passion and desire to prove the naysayers wrong. Reader’s Digest, Rolling Stone, People and Maxim are but four magazines whose publishers heard the aforementioned phrase, “This idea will never work.” (photo illustration from she-fit.com)

So what is the difference between yesteryear and today? Passion and dreams. Magazine publishing was an act of passion and a conception of a dream. Publishers dreamt and lived and executed their dreams. Today, dreams have become business plans, test issues, focus groups, more focus groups and an entry and exit strategy for the newborn publication.

Yesterdays’ magazines were the “dream come true.” For example, some, like The New Yorker, had no masthead. The product was the dream, and the dream was more important than the dreamer. Magazine publishers were in the business of making their dreams come true. The magazines were the most important manifestation of the passion and dreams of the publishers. Reading the history books of how some of those great magazines were born, one must wonder what has happened to the old publishing business model.

Magazine publishing has become a business plan, numbers and statistics, analysis and more analysis (think “paralysis by analysis”). Ideas are no longer the manifestations of a dream. They are the results of calculated risk analysis with no passion, or for that matter any type of emotion. Magazine publishing has become the domain of the MBAs, with their computer-generated flow charts and five-year projections.

I know times have changed, and companies and boards of directors have taken over most magazine publishing houses. Very few individuals still dream and decide. The board has to report to the shareholders and the shareholders to their pocket books. These are the days where dreams are kept dreams and never brought to fruition.

The reason for this lengthy introduction is to issue a call for the creation of a new position in magazine and media publishing companies – The Chief Dream Officer, i.e., someone in charge of dreaming and executing big ideas. Steve Jobs did just that. No focus groups, no test markets, no statistical analysis of the success or failure of the iPhone, iPod and iPad. Dreams fueled by passion and executed by sheer will power. “If you build it, they will come,” can easily be translated into, “If you publish it, they will come.”

Each and every company needs a Chief Dream Officer. After all, we have all types of chiefs now, from a Chief Revenue Officer to a Chief Content Officer to a Chief Creative Officer. Why not add one more chief, the Chief Dream Officer? The job description – dream big, execute bigger and follow your passion. If you publish it, they will come. Just know your “it.”

I know of one such company with an unofficial Chief Dream Officer. Mr. R is the strategic dreamer of the company. This blog is a salute to his dreams and a call to make his title official. In magazine publishing, the road to success is paved with a lot of dreams. History teaches us that behind every successful magazine, there existed a Chief Dream Officer. Let’s remake some history today.

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Our State magazine: Three Hours of Unadulterated Pleasure Oasis. The Mr. Magazine™ Interview with Bernie Mann, Publisher of Our State magazine and Creator of a “Desire for Quality.”

October 11, 2011

Not too many people are able to buy a stale 48-page black and white magazine and turn it into a very successful 200 plus all color pages monthly magazine. Not too many people are able to continue to thrive in the midst of one of the worst economic downturn in the magazine business history. And not many can and will continue to enhance the editorial content without sacrificing a beat in terms of quality or quantity of the editorial product. Creating a magazine that people really want and are willing to pay almost $28 for a yearly subscription is what makes Bernie Mann, publisher of Our State in North Carolina, tick and click as he publishes one of the most successful state and regional magazines in the country today. If you are in the magazine business or thinking of starting a magazine and getting into this business, Our State magazine should be the model of your business plan and the magazine to imitate and learn from. It is a thriving, living and captivating magazine that can teach both big and small magazine publishers a lot of lessons on how an ink on paper magazine can thrive in today’s digital age.

“I am not in the content or information business,” Bernie told me. “I am in the beauty business.” His mantra is simple, indeed very simple, “I want to be an oasis; I want to be a place where, when you pick up my magazine, you can have 2.5 to 3 hours of unadulterated pleasure.”

As I was interviewing Bernie on the phone, I could feel the passion in his voice as he talked about the magazine and its audience. He practices what he preaches and he preaches what he practices. A consumer-centric publisher whose puts into practice the tag line he uses for his magazine over and over again. “If you like North Carolina, you will love Our State magazine.” Yes indeed.

In a typical Mr. Magazine™ Interviews, here are the sound-bites first, followed by the entire, lightly edited, transcript of the interview:

On his secret success strategy: The key is putting out a magazine that people really want.

On a state magazine success strategy: What we try to do is hold up a mirror and let them see their own state in the most positive light.

On the value of advertising and marketing: I think it’s outrageous to tell people they should advertise and we don’t.

On lessons learned form successful companies: They create great products and they are also good at marketing these products. You’ve got to start by creating a great product.

On his web strategy: We are using the website to enhance the magazine. We do put our stories on our website, but we don’t put our photography.

On his advice to someone starting a new magazine: What is this unique feature that you have that is going to make people want this magazine?

On what makes Bernie tick: Mostly what energizes me is the thrill of being around some of the most wonderful people. I’ve been fortunate in collecting a staff of terrific people. I love watching them do terrific things.

On the future of magazines: I think the magazine business is getting the short stick – The thrill of reading a magazine, of seeing stories, of having the pleasure of carrying it with you and reading it where you want to.

And now for the full interview with Bernie Mann, publisher of Our State magazine in North Carolina:

Samir Husni: What’s your secret for success? Why even in this economy are you still publishing 230-page magazines?

Bernie Mann: Let me start by saying we value the product. We start everything with “How do we make the product better and how do we make sure the reader gets full value out of each magazine?” I think there are too many magazines that are published because they are a way to sell advertising. The key to me is that I almost feel it is a fiduciary responsibility because I have 147,000 people who send me $27.95 every year. I feel an obligation to give them terrific value so at the end of the year they vote to send me another $27.95. I think the key to quality is not putting out a magazine that is full of advertising. The key is putting out a magazine that people really want. I often say to my friends in the magazine business “Besides your family and your employees, if you stop publishing, who would care?” I think you have to put out a magazine that, if you were 5 to 6 days late in getting it to their mailbox, people would be in an uproar and would be desperately upset that they don’t have their magazine. If you can create that desire for quality, by the fact that you have touched their lives, by the fact that everything you do gives them pleasure, now you’ve got something.

We have a variety of things that we do. Everything about our magazine is positive. We never have a negative word. That’s why we don’t review restaurants. We review 5 books a month, but if we don’t like the book we don’t run the review. Everything is positive. I think in this world with so much negativity, when you pick up a magazine or turn on the television or read a newspaper, it’s just one bad story after another, and you say, well maybe tomorrow will be better. Well, tomorrow is worse. I want to be an oasis; I want to be a place where, when you pick up my magazine, you can have 2.5 to 3 hours of unadulterated pleasure. We are fortunate that in North Carolina the North Carolinians are very proud of where they live. What we try to do is hold up a mirror and let them see their own state in the most positive light.

It’s hard to give you one answer. We spend a lot of money on marketing. I think it’s outrageous to tell people they should advertise and we don’t. If I think advertising is so good then why the hell don’t I do it? I do it. I advertise in other magazines and on television, but we are very selective about where we advertise. We think it is very important to advertise to whoever we think our best prospects are. We do the usual direct mail, but we do a lot of other things to help us build our circulation.

SH: You came from a completely different background. Can you recreate the move that you made from radio to magazines? What were you thinking?

BM: I used to own radio stations. We would buy radio stations that weren’t doing well because I didn’t have any money, so I couldn’t buy a successful station. I would buy stations that were in poor health and looked crummy and did poorly. I would build it up, then sell it, and then do it again somewhere else. I had 12 radio stations over the course of 25-30 years. The radio business changed and was no longer an entrepreneur business. The FCC rules changed. So then I was out there looking for something else to do.

Over the course of a couple of years looking, I couldn’t find anything. Then I was offered the chance to own this magazine and it looked like one of the crappy radio stations. It was 48 pages and it was black and white. It had no appeal. I had seen Arizona Highways and I had seen what you could do to show the beauty of a state. I thought, “Well, Arizona Highways is nice, but Arizona is not more beautiful than North Carolina. We don’t have deserts, but we have beautiful oceans and mountains.” I thought what the heck, I know a little bit about how to sell advertising, and it had virtually no advertising in it. I knew something else – I knew that if you can create a great enough product, you could make a big difference. I have studied enough companies to know that. Whether it’s Proctor and Gamble, who create great products and are good at marketing, or whether it’s Ritz Carlton or Four Seasons that create great service, or Starbucks that creates a great atmosphere and also high quality product. You look at the best companies; Toyota, Rolex, etc., – they create great products and they are also good at marketing these products. You’ve got to start by creating a great product.

You can never ever let anything happen to deteriorate that product because you don’t have a second chance. We always say every issue has to be better than the last. When I see my friends who only have a little bit of advertising so the magazine gets thin in January and February, I say to myself “Gee, that’s like Proctor and Gamble putting a sticker on the box of Tide, that says ‘we have very little detergent in the box this month because we didn’t have a lot of sales last month. Next month when sales get better we’ll put more detergent in the box.’” Every month you’ve got to produce a great magazine. Sometimes we produce a magazine where the relationship between advertising and editorial is skewed higher towards editorial than I would like it to be. I can’t not do that. I’ve got to put out a great magazine. I’ve got to put out a magazine that is always fulfilling to the reader. Or normal ratio is 60/40, 60 editorial, 40 advertising but sometimes it becomes 70/30 when sales are lousy, but I’m not going to put out an 80 page magazine. How could you do that? I’m fortunate in that I own it and I don’t have to report to some group who’s trying to make quarterly dividends and announcements. I can take those shots.

SH: What was the turning point after you bought the magazine? When did you flip it?

BM: I bought the magazine in 1996. We really felt that we were starting to be recognized and make some headway after about 4 years. It takes a while. You know the old theory of entrepreneurship, “It always takes longer and costs more than you expect.” If you have deep pockets like some magazines, like Garden and Gun, who had a $10 million budget started – I didn’t have that. I had to do it with money that we generated.

SH: What was the most pleasant moment in your history of ownership of Our State? What was the day you felt vindictive that you had done that or proud that you’ve done that?

BM: We started using a phrase that we use in everything. “If you like North Carolina, you’ll love Our State magazine.” After about 4-5 years, it takes a long time. People who think you can put out something and all of a sudden everybody knows about it, it takes a long time and a lot of advertising and a lot of promotions. Finally, people started saying to me, “I love your magazine.” Now we hear that all the time. We had a staff meeting about a month ago, and I said to our staff of about 45 people, “When you go anywhere and you meet somebody for the first time and they ask you where you work and you say ‘I work at Our State Magazine’, What is the first thing that people say to you?” It was like a great chorus. Every one of the 45 people answered the exact same thing “Oh, I love that magazine.” When you can get people to say they love something, that’s strong. I use toothpaste twice a day and I don’t even know the name of it. My wife loves Starbucks but very few people say I love American Airlines, or I love CBS. There are very few inanimate objects that people will truly say they love. If you can get that love brand going, boy that’s something. People loved Saturn, the car, but they screwed it up. So now people don’t love it anymore. They had it going for them, they had these “love fests” and people would go to Tennessee and all meet there and love their Saturns. It was wonderful. Then GM screwed it up. As quick as you get it, you can lose it if you don’t maintain it. The addiction is a result of their love.

SH: Did you have any down moments?

BM: Of course. We couldn’t find sales people. At one point we thought we would put out a magazine and just try to get subscribers. When you don’t know the magazine business, you don’t know what to do. We all thought “What the hell are we on newsstands for?”, because at one point newsstands were 25% or 28%. Even we knew that was crazy. Throwing away about 72% of what I send to someone makes no sense. It takes a while and it takes gunning it out. We haven’t always done well but we have never backed off the idea of people paying for the magazine. I think that is crucial. I get mailings for $5 subscriptions to magazines that come out every month. It costs them more than that to mail the dang thing and they’re going to let me have it for $5? To me that say “We don’t care that much about this product, we don’t think it’s worth anything. We’ll give it to you and all we want is advertising revenue.” I don’t think any worthwhile company would give their product away. Even when we had a little cell phone business we would say we would give the cell phone away because all we wanted was the usage. Kodak used to say they would give away the camera because all they really wanted was for people to buy film, but they never did. The cell-phone companies keep coming out with different cell phones to make you want to buy the cell phone. You’ve got to put a value on it.

SH: In this “Digital Age” is there a need for print on paper?

BM: If I were a magazine that had news in it, that would be a little different. The Internet is an incredible way to get timeliness to people. I’m not in the news business. We produce the plan for 2012 in August 2011. We know what each issue is going to be like no matter what the hell is going on in the news because we are producing issues that have no relevance to the timeliness of things.

Our website carries things about our magazine, I felt it had to. I really like this because the magazine is 2-dimensional, and with the website I can add 2 more dimensions – the dimension of sound and the dimension of movement. If we have a story about a man who makes violins, then I can show, not only how he carves the violin, but the sound that it makes. We are using the website to enhance the magazine. We do put our stories on our website, but we don’t put our photography. The photography is not as attractive on a screen and it doesn’t give the same feel as holding a glossy piece of paper. This is not true for everyone. There are a lot of magazines, particularly city magazines, where they want to convey a lot of information. We’re not an information source. I don’t think of myself as being in the magazine ink-on-paper business, I’m in the beauty business. I produce something that is so beautiful that people keep it, that they put it on their coffee table, and they save it. That’s not traditional ink-on-paper stuff.

SH: If somebody came to you today and said, “Mr. Mann I want to start a new magazine,” what fatherly advice would you give him or her?

BM: So many people who have ideas for a magazine are like the people who have an idea for a book. They have a life or interests that are so fascinating that other people want to know about it. I would start off by saying; “We use a phrase for ourselves that says burr of singularity.” I borrowed this from Lee Barnett, who is a great Chicago adman. He used to talk about a burr of singularity in advertisement. I would say to anybody who wants to start a magazine, “What is this unique feature that you have that is going to make people want this magazine?”

Secondly, “How are you going to fund it for three years?” Don’t tell me you are going to sell it on the newsstand or that you have a lot of friends and family who will buy subscriptions. Tell me how you are going to fund this without any income coming in for at least three years. That’s the failing for a lot of people. Often we get people who come to us with editorial ideas but they don’t have a business plan. I think the business plan is what keeps them afloat.

SH: What makes Bernie click and tick? What gets you up in the morning?

BM: I’m fortunate to be doing something I love. Even in 2008 and 2009, when our advertising revenue turned sour. To me it’s a challenge. How do you keep your business afloat? How do you keep your employee? We’ve never had to dismiss a single employee. We cut back on things like fresh flowers in the lobby, a refrigerator stocked with soft drinks. We use to have a big candy jar. We asked our own staff for ideas of how to save money. We would print on the back of paper that had already been printed. We tried to save money in a lot of different ways. Mostly what energizes me is the thrill of being around some of the most wonderful people. I’ve been fortunate in collecting a staff of terrific people. I love watching them do terrific things.

SH: You are known for keeping your office human, real folks answering the phone, etc. Do you still have the same practice of always having a real person answering the phone all the time?

BM: Without a doubt. I read a survey in Consumer Reports about things that aggravate people the most in business. First were the little charges that they didn’t expect and second was calling a company and not getting an answer. We have six people ready to answer the phone in case someone is busy. Within three rings you are going to get a person answering the phone. I’m in a service business, how could I not provide a service to the people that are calling me? That’s their first impression. They get a voice, a friendly voice, and a person who gives their name and tells the caller they are anxious to be of help. I think that’s crucial.

I think the magazine business is getting the short stick – The thrill of reading a magazine, of seeing stories, of having the pleasure of carrying it with you and reading it where you want to. There are too many twenty-something’s that think this is an old business that’s going the way of the horseshoe. They’re stupid because they don’t understand. One business never replaces another. Television never replaced radio. Businesses don’t get replaced; they change. The magazine business is changing. I don’t think it will ever go away. Too many people love it. I think that magazines need to improve by constantly making themselves more appealing. Look at This Week, what a terrific concept for a magazine. They are doing news in a way that allows them to fit into people’s lifestyles. That is a change. People’s lifestyles are constantly changing and you want to be aware of that, but you have to separate the fad from the trend. For example, I think Groupon is a fad, not a trend. I don’t think they are going to be in business five years from now. But, Steve Jobs’ business is no fad. That is really solid. He put out an iPad without doing any research. I love my iPad.

SH: Thank you.