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“There’s Always Going To Be Room For A Newsweekly,” Nancy Gibbs, TIME’s New Editor, Tells Samir Husni. The Mr. Magazine™ Interview.

September 19, 2013

google.cover.indd A lot has changed since my interview in 2011 with Nancy Gibbs, now TIME’s new editor, but one thing did not and will not ever change: Ms. Gibbs’ belief in the future and role of journalism and storytelling. Part of her recipe for the future of TIME is to continue to innovate on the original recipe for TIME created by Henry R. Luce and Briton Hadden in 1923: Making sense of the world one story at a time.

When I asked Ms. Gibbs how TIME is going to be different under her tenure, she answered, “My interests start with the presidency and extends into health and science, into technology, into family issues, into the intersection of public and private life…” Her debut cover as the new managing editor* of TIME is a prime example of how Ms. Gibbs puts her “cover” where her “interests” are.

And as in every Mr. Magazine™ Interview, first the sound-bites followed by the lightly edited transcript of the interview.

Gibbs Color Rec[1][1][1]
So, first here are the sound-bites:

On the recipe for the survival of TIME: I think it’s the continuing innovation of the recipe that’s made TIME so successful for so long. We do the most interesting stories. We’re able to talk to the most important and interesting people who are not only in the news but behind the news.

On the importance of storytelling in reaching your audience: I think that the need to make sense of the world for people, and to tell stories in a way that they remember, that moves them, that is powerful, I think that’s something that TIME has always believed in, and I certainly do as well.

On Luce’s coining of the tagline “Newsweekly” for TIME and whether a new tagline is in the magazine’s future: I think what’s great in the 21st century is that we now can do for the minute, hour, for day what TIME as a newsweekly has always done for the week.

On whether or not there’s no more room for a newsweekly on the newsstands: There’s always going to be room for a newsweekly. And what’s great is that that’s just not me saying that, that’s our audience saying it.

On the future of journalism:
I’m actually very bullish about the future of journalism and there are a couple of reasons why. One is because I think our audience and I think our readers know how much news matters. We’re living through such a period of just unprecedented change.

On what keeps her up at night: At the moment, it is actually the journalism, and that’s kind of what I’m grateful for.

And now for the lightly edited Mr. Magazine™ Interview with Nancy Gibbs, TIME managing editor.

Samir Husni: You’re the first woman editor of TIME in its entire history. Are we going to see a softer, gentler TIME from now on or is it still going to be the same?

Nancy Gibbs: Well, I don’t think it will be the same but not because it’s softer or gentler. I think every editor has particular interests that they bring to the job. My interests, as you know, start with the presidency, which I’ve written a lot about, and extend deeply into health and science, technology, family issues and into the intersections of public and private life. I think we’re long past talking about soft news and hard news or male news and female news. I don’t think anyone thinks that way; I certainly don’t think that way.

SH: We’ve seen the demise or semi-demise of U.S. News World Report and of Newsweek. What is Nancy Gibbs’ recipe for the survival of TIME?

NG: I think it’s the continuing innovation of the recipe that’s made TIME so successful for so long. We do the most interesting stories. We’re able to talk to the most important and interesting people who are not only in the news but behind the news.

The great advantage that TIME has, partly because we now have the largest audience that we’ve ever had in our entire history, is that we are able to go places where other people can’t and do the kind of both deep investigative work and quick, high-velocity news coverage.

And so what I think is so terrific going forward with our plans to re-launch our website and hire a lot of new staff, is that it allows us to be even faster, even stronger and to go even deeper into the stories that people care most about.

SH: You told me in 2011 that humans need storytelling the same way they need sleep, food and water. Are you still a believer in this day and age that the best way to reach an audience is through storytelling? If so, how are you going to apply that to the magazine, the printed magazine, the website and the digital side?

NG: I’m more a believer in great storytelling than ever partly because we keep getting these fantastic new tools with which to do it.

If you look just at what we’ve been doing in recent weeks, we just launched a new documentary film unit, Red Border Films, which lets us take the great photojournalism that we’ve been known for years and add new dimensions to it with first-rate film making by our photographers.

We did a fascinating interactive project this summer to honor the 50th anniversary of Martin Luther King’s “I Have a Dream” Speech that was a combination of photo galleries, oral histories and video. This is the most important kind of storytelling, but now we’re not at all limited to the story that you can put on a page. Having the additional dimensions that we get on the tablet, on mobile, on our website and the tools that we have just make storytelling that much richer.

But I think that the need to make sense of the world for people, and to tell stories in a way that they remember, that moves them, that is powerful; I think that’s something that TIME has always believed in, and I certainly do as well.

SH: Back in 1923 when TIME was launched Henry Luce coined the phrase “newsweekly” as a tagline for TIME. What will be the phrase that people will remember Nancy Gibbs coining for TIME magazine in 2013? If you wanted to give the magazine a new tagline, what would it be?

NG: I think Luce was very wise and quite prescient in his understanding that people were so bombarded with information that they needed a source of news that they could trust and that made sense of the world to them. I think what’s great in the 21st century is that we now can do for the minute, hour and the day what TIME as a newsweekly has always done for the week.

SH: So, would you say that there’s no room anymore for a newsweekly?

NG: Of course not. There’s always going to be room for a newsweekly. And what’s great is that that’s just not me saying that, it’s our audience saying it. The audience for our weekly print journalism and our weekly tablet edition is very strong and very stable.

And of course, there are things that you can do, there’s a perspective you have, in the longer form and in the weekly format that is different than what we’re able to do everyday online. It’s not that one is going away at the expense of the other, it’s that both are important, both are strong, both are growing, and they feed each other.
What we do digitally makes what we do in print stronger and vice versa. This week’s cover story is a classic example.

The magazine cover: How Wall Street Won, was an important explanation about where we are five years after the economic meltdown. It triggered an ongoing debate that we carried out on Time.com between our author Rana Foroohar and the Treasury Department. President Obama himself ended up weighing in when George Stephanopoulos held up the cover to show him during their interview on Sunday morning. In that sense, it’s all one story that we’re telling in print and we’re pursuing online. I don’t think it’s a tradeoff where one is stronger at the expense of the other. I think all platforms can magnify the important journalism that we’re doing.

SH: You’ve been known as a prolific writer, interviewer and as a well respected journalist. What’s the future of journalism to you? Do you feel like journalism schools are wasting their time these days? What’s the future of journalism as a whole from the editor of the top leading news magazine in the country?

NG: I’m actually very bullish about the future of journalism and there are a couple of reasons why. One is because I think our audience and I think our readers know how much news matters. We’re living through such a period of just unprecedented change. If you look at what has happened, we’ve come through a decade where we’ve fought two wars and spent the last few weeks debating whether we were likely to get pulled into a third. We’ve gone through enormous economic transformation, enormous technological transformation and people understand that making sense and understanding what’s at stake in the midst of all this change requires sources of information that you can trust.

What journalists are trained to do is to ask hard questions and see around corners and sort out what’s important from what’s not. I think that people who develop the skill sets to be good reporters, to understand data, to read a spreadsheet, to do deep research, to interview newsmakers in a probing way, those skills and the work that it yields I think is more important than ever.

I’m not surprised that the quality of candidates who are interviewing for jobs is spectacular. These are really bright young men and women who have clearly made the decision that of all the things they could do, journalism is their future. That’s been enormously exciting for those of us who have been committed to it for years, to see the amount of energy that’s coming into the profession from its newest members.

SH: What keeps Nancy Gibbs up at night?

NG: What keeps me up at night? At the moment, it is actually the journalism, and that’s kind of what I’m grateful for. It’s not worrying about the business model and not worrying about office politics or any of the things that can distract editors. I’m worried about how we’re going to cover Syria when that story is so difficult and dangerous to cover. I’m concerned about being responsible in how we cover the navy yard shooting and having the right people deployed in the right way. My job is to worry about the journalism and I will always do that and I’m grateful that that’s where my focus gets to be.

SH: Thank you.

*(Managing Editors at Time Inc. are the highest ranking editorial position in each magazine… they are in fact the editor of the magazine).

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From the Archives: Nancy Gibbs, TIME’s New Editor to Samir Husni: It is a Fantastic Time to Be in Journalism

September 17, 2013

nancygibbs_001 On February 24, 2011 I interviewed Nancy Gibbs, who was then TIME’s executive editor. Today, it was announced that Ms. Gibbs has been appointed TIME’s new managing editor. She is the 17th managing editor since TIME was founded in 1923 by Henry R. Luce and Briton Hadden. Ms. Gibbs is the first woman to hold this title.

Below are the sound-bites from that interview and click here to read the entire Mr. Magazine™ interview with Nancy Gibbs from 2011.

The Sound-bites:

No matter how much technology changes, no matter how much the political environment changes, the human need for stories is every bit as powerful as the need for food and water and sleep.

Storytelling as an important service and art form is always going to be important. Having more ways to tell a great story, having more platforms for storytelling is terrific.

What print allows you to do is to have a contract with your reader that they’re willing to spend some time with you.

Everything seems to be additional, rather than a replacement. That doesn’t worry me. I love print, but I also love what we’re finding we’re able to do on these other platforms as well.

If you want to have a much more manageable, edited and curated account of things that really matter and are interesting and surprising and provocative to think about, then the magazine is a very efficient vehicle for that.

This whole (change) process was launched and pursued completely independently of anything Newsweek was doing.

This is a fantastic time to be in journalism and the changes in technology only make it better.

As for my friend Rick Stengel, the former managing editor of TIME, he is heading to the State Department. Today, President Obama announced his intent to nominate him to the position of
Under Secretary for Public Diplomacy and Public Affairs, Department of State.

Congratulations are in order to Nancy Gibbs and Richard Stengel.

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“Magazine Publishers Should Be Creators of Change,” Says Manuel Yáñez Herrero, Director General of Revistas Mexico, and Other Words of Wisdom in this Mr. Magazine™ Interview from Mexico City

September 16, 2013

Director AMER- Manuel Yáñez Herrero2 Knee-jerk reactions to the onset of digital have been a problem to print publishers since the dawn of cyberspace. The cries of ink-on-paper being swallowed up by the “Digital Black Hole” could, and still can be heard resoundingly throughout the media world. But rather than reacting to the uncertainty of the moment, Manuel Yáñez Herrero, Director General of the Asociación Mexicana de Revistas, A.C., believes that magazine publishers should be creators of change, not Chicken Little running from the Digital sky that is about to fall upon their heads. And while content is vital to the success of your magazine; the engagement of that content is nothing without passion and emotion motivating each and every facet of the publication, from design to writing, to the ads placed within the pages.

SAMIR HUSNILast week I was honored to be asked by the Revistas Mexico to be the keynote speaker at their annual breakfast meeting in Mexico City. I seized the opportunity to ask Mr. Herrero some questions about the magazine market in Mexico and the challenges that our neighbors south of the border are facing. His detailed answers to my questions are below in the Mr. Magazine™ interview with Manuel Yáñez Herrero… and get ready to be inspired!

Samir Husni: What do you think are the major problems facing the magazine industry in Mexico? Single copy sales? Advertising? Move to digital?

Manuel Yáñez Herrero: Mexicans have been, for centuries, very creative people; we love color, music and having fun. This means we have a bunch of young creative people putting out great magazines.

So in this field we really do not see a threat. We have strong traditional titles and we continue to launch new ones. BUT, and as you can see it is a big but, it’s our distribution.

As you experienced, Mexico City is a huge, quite complicated place and for the past 80 years or so we have been distributing magazines the same way. We, via our printers, send allotment of our titles to the old part of the city located, as in every city, in the center. Then we have a Union. This Union controls newsstands. If you want to own one you must be part of the Union. These newsstands are hereditary.

So the Union there delivers our magazines to a ¨Despacho,” which is mainly a small warehouse. Then another part of the Union that owns a smaller warehouse called an “expendio,” which is a sort of wholesaler, goes to a Despacho (there are 4 of them) and takes the magazines. Then every day at 5 in the morning the voceadores (owners of newsstands) buy the magazines they think will sell. Some of them have credit so they take a bigger allotment, but some do not, so they just take what they can afford.

You know what this means, it, off course, limits sales tremendously and dooms new launches. Then they take the magazine to the newsstand to sell and after display time concludes, depending on frequency, weeklies, fortnightly, monthly etc., they take the ones that didn’t sell back. This also means that monthlies and bimonthlies suffer because they very seldom are displayed for the whole 30 or 60 days.

We give credit to the Union, so we get sales info and payment 8 days after closing date. Ten years ago this channel used to account for up to 60% of sales now it is only around 15%.

What has happened is there are more and more convenience stores (7 elevens and such) and there is a chain called oxxo that owns almost 12,000 convenience stores around the country. So now these stores account for around 25% of sales.

Then there were, for the past 40 years, three National Distributors: DIMSA (owned by an American, Brian Weiner), CITEM (owned by the biggest drugstore medicine distributor in the country), and Intermex (owned by editorial Televisa).

IMG_3804It’s the usual terrible system; we deliver allotment, they make bundles depending on volume for each state or retailer (Wal-Mart and such), then they truck every bundle to its destination. We get sales info and payment 90 days later. They keep, on average, 40% of the cover price, with which they cover every expense: delivery returns, the cost of renting space in retail stores, etc., and as you can imagine they were losing money a lot of money. Payments were on average after 140 days instead of 90 and just last month CITEM folded and stopped payments all together.

So for starters, with this business model distribution was never the way it should have been due to lack of cash flow; distributors just took our titles to places where they could make money. Titles that did not sell, no one cared about, as long as they sold advertising, distribution was free! And successful magazines covered the costs of lousy ones.

As you can see, the future looks gloomy. We, in Revistas Mexico, are trying to take control of distribution. In the meantime, we are losing readership and exhibit space. We are almost there; we already negotiated with retailers and agents in every state (newsstand and convenience store local distributors), but our cash flow has been affected immensely. We are also working very closely with Intermex Editorial Televisa’s distribution arm to consolidate all our titles and work together in getting info and having just a group of supervisors (there used to be three groups, one per each National Distributor, and maybe one from at least 3 editors groups).

It’s an interesting problem to have. I know that in England, France and Spain they’ve had similar problems and similar solutions, with different results, none of them that successful. I would like to design a better business model.

Sorry for the long answer, but this is a big problem.

As far as Ad sales, we currently represent 4% of adspend pay. We know we should at least grow a couple of percentage points and that is an objective.

Samir Husni: What is the role of Revistas Mexico?

Manuel Yáñez Herrero: Due to all of the above, three years ago the industry’s bigger players decided to work together. In the past we worked with the Mexican Chamber of the Editorial Industry (CANIEM: Camara Nacional de la Industria Editorial Mexicana), which grouped Book Editors, Newspaper editors, Magazine editors together.

IMG_3809After hundreds of hours, finally, on October 2011, we came to an agreement and legally formed the Mexican Association of Magazine Editors (AMER: Asociacion Mexicana de Editores de Revistas) with the Revistas Mexico brand.

We have 4 objectives:

1.- To promote the intimate relationship we have with our audience
2.- To make more transparent the way we measure our industry
3.- To have more and better distribution and exhibition spaces
4.- To promote editorial professionalism

For the first time we are working with PWC sharing industry information, very basic, but hard information:

· Jobs generated
· Single Copy Sales
· Ad Page sales
· Readership segmentation by age, geography and economic status
· Advertisers: who they are, how much do they invest and which gives us our Top 10 group.

We have this information per Quarter and we are sharing it with Industry players, Brands Agencies, and such.

We work with a government sector that supervises magazine contents and covers. They are in charge of giving title and content certificates for every magazine. They see that no child porn exists, that if a crime is committed by a minor there is no disclosure of any information about him/her and things like that. We also help make sure that there is no censorship regarding any publication.

We work also with the education side of the government with a program designed to professionalize every economic sector. In our case we focus on Editorial Industry. We are currently describing what we do, how we do it and who does what. Then we describe each job and so forth. We will then have a certificate which will help design courses for the betterment of people working in Editorial. We are working closely with Colleges and Universities to revise and design courses, Masters Degrees and even a specific career in Magazine Editorial.

We at Revistas Mexico are working with CEOs of our affiliates to solve the distribution problem.

We are working to promote creativity in magazine advertising (there is none!) so we are developing Lynx Awards for creativity in magazine advertising. Right Now TV ads are created and then maybe there is a still photo with a caption that turns into the magazine ad. We know specific design ads are by far more effective.

Samir Husni: You have such a marvelous magazine reading campaign. Tell me a little bit about the power of print and reading campaign?

IMG_3806Manuel Yáñez Herrero: Talking to friends and family, I realized that most people do not comprehend how many magazines they actually read. Very commonly their answer to the question: do you read magazines were a flat NO. Then talking a bit more they came to the realization that they read all the time. We started the statement, You Read Us When…and then we added…when you want to know about business, when you want to know about celebrities, when you are planning your wedding, when you get pregnant, when you have a baby, on the plane, at the dentist, at the checkout, even when you go to the restroom. Like you, more than 60 million people read us.

We invested more than 30 million pesos on a print campaign in our titles, some out of home and a couple of TV ads. You can see all of it on our page www.revistasmexico.org .

IMG_3807Speaking of which, we developed a web site where our advertisers can find which magazines are better for their specific target audience. You fill out sex, age and socio-economic status and we display all our magazines that cover that specific readership.

We are present on FB, Twitter and Linkedin @revistasmexico

Finally we are about to launch a Revistas Mexico Kiosk, http://www.revistasmexico.net

Samir Husni: How do you see the future?

Manuel Yáñez Herrero: The future is quite interesting. We stopped reacting to digital buzz and readership changes and are working on being the creators of change. We know that not only is content important, but what that content means to our audience. Engagement is nothing without passion and emotion.

Also, every media is different. Our brands should speak differently in each one, same message, same brand identity, but different ways to be read or heard or viewed.

It’s a complicated, but bright future.

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Check and register for the Magazine Innovation Center’s ACT 4 Experience:

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Click here to register and here to see the list of speakers and sponsors.

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The ACT 4 Experience in the Words of Bo Sacks…

September 13, 2013

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“This is an event that is very important to me, and I have found that it resonates profoundly, not only with the students, but with every professional that attends.”

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“As most of the long-term readers of this newsletter know, my dear friend Dr. Samir Husni, who sometimes in some circles is known as Mr. Magazine, is the founder and director of the Magazine Innovation Center at the University of Mississippi’s Meek School of Journalism, and he is also a Professor at the School of Journalism there at ‘Ol Miss.

Samir and I have been publicly debating the future of this industry since at least 2006 and probably before.

996 I want you all to know that the Thrilla on Manila is still truly an amazing event to see and is happening three times in a convenient media boxing ring conference near you. I assure you that each of these events will be completely different, with different formats, different subjects of focus, but not without the heat of two respectful, yet formidable adversaries. In general we are always talking about the future of media. To be truthful, if you think about it, that future, would be your future. For me, I look forward to these events with greatest of anticipation. They have been enjoyed over the years by thousands.

But before we get to the report of those events listed below, there is another event happening early in November, after the big debates, on Samir’s own turf at the University of Mississippi. This will be the 4th time that Samir has invited publishing luminaries to the school to speak to the students of journalism and also in turn to each other. This is an event that is very important to me, and I have found that it resonates profoundly, not only with the students, but with every professional that attends. I have been to every one of these events except the year that I was laid low by disrespectful publishing hating kidney stones. If you look at the list of speakers you will be greatly impressed too. It is one of the most relaxed and inspiring events of the publishing year, and I should know as I attend almost all of them.”

Thank you Bo.

To register for the ACT 4 Experience click here.
And to see the latest list of speakers and sponsors click here.

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Viva Newsweek, Adios The Daily Beast? A Mr. Magazine™ Commentary

September 12, 2013

PTDC0004 What goes around comes around. Last year The Daily Beast thought it had the last laugh when it was announced that Newsweek, the 80+ year-old, established magazine, and brand, will end its print edition after being merged with the almost unknown brand (outside the circles of the media,) The Daily Beast.

Well, the first rebirth of Newsweek came from overseas where the magazine returned to print on the world’s newsstands in Europe, Asia, Latin America and the Middle East. The second rebirth of Newsweek came when it was sold and was freed from the claws of the Beast. Now comes what maybe the true hope of a come back for Newsweek:

PTDC0004Tina Brown is leaving The Daily Beast to start her own Tina Brown Live Media, and the fate of The Daily Beast remains unknown. My guess it will go to the that wonderful world of the pixels on a screen afterlife. Will we see a return of the printed edition of Newsweek here? Only time will tell.

But in the mean time I am going to enjoy reading my recent print copy of Newsweek that I brought with me from my recent trip Mexico City.

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WELCOME TO ACT 4…DON’T LET DIGITAL SCARE YOU – THE POWER OF PRINT INTEGRATED

September 6, 2013

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Change was, is and will continue to be the only constant in the magazine and magazine media world. However, change has evolved from the slow-moving, steam-powered train, to a nuclear-impelled, speed-possessed bullet.

The Magazine Innovation center at the University of Mississippi, which I founded in 2009, continues its series of Experiences, aptly named ACT (Amplify, Clarify and Testify) with the ACT 4 Experience themed: Don’t Let Digital Scare You – The Power of Print Integrated.

The Experience takes place in Oxford, Mississippi at the Meek School of Journalism and New Media, starting the evening of November 5, 2013 and ending the night of November 7. The intimate, and highly interactive, gathering is limited to 25 speakers, 60 attendees and 20 students.

The event receives national and international attention and kudos. It also includes a tour of the Mississippi Delta, the B.B. King Museum and the Delta Blues Museum.

This year there will be four interactive panels focusing on: print and the future of the printed press; single copy sales in a digital age; the economic status of the magazine media business, in terms of revenue, mergers and acquisitions; and “let’s do launch,” featuring first hand experiences from publishers and editors of new magazine launches.

In addition, there will be few keynote speeches by leaders in the magazine media industry about the latest in integrating print with digital and contemporary tried-and-true practices of print and print-integrated.

Confirmed speakers as of today (in alphabetical order) for the ACT 4 Experience include:

•Jay Annis, Vice President, Trade Sales at The Taunton Press
•Matt Bean, Managing Editor, Sports Illustrated’s SI.com
•Gil Brechtel, President and CEO, MagNet
•Daniel Dejan, National Print & Creative Specialist, Sappi Fine Paper
•Jim Elliott, CEO, The James G Elliott Company
•Gregg Hano, CEO at Mag+
•John Harrington, Editor of The New Single Copy
•Rich Jacobsen, President & CEO, Time Warner Retail Sales & Marketing
•Keith Kawasaki, Senior Director, iostudio
•Ed Knudson, EVP, Sales and Marketing, Digimarc
•Billy Morris, CEO, Morris Communications
•Gary D. Parisher, President, Cheeriodicals
•Reed Phillips, CEO and Managing Partner, desilva+Phillips
•John Puterbaugh, CEO, Nellymoser: a Brown Printing Company
•Roy Reiman, Founder, Reiman Publications
•Bob Sacks, Bosacks.com, President and Publisher
•Tony Silber, General Manager, Red7Media, Publisher of Folio
•Megan Smith, Founder & Editor, Cake & Whiskey magazine
•Franska Stuy, Editor in Chief, Libelle, The Netherlands
•John Thames, Publisher/Editor in Chief, Covey Rise Magazine
•Kelly Waldrop, Assistant Publisher, Covey Rise Magazine
•Julie Wilson, Owner/Publisher, STORY magazine

Confirmed Sponsors (as of today) are (in alphabetical order):

•Brown Printing
•Delta Magazine
•Democrat Printing
•Digimarc
•Freeport Press
•The James G. Elliot Company
•Morris Communications
•Publishers Press
•Sappi Fine Paper
•Shweiki Media
•The James G. Elliott Company

Remember, space is limited so “ACT” now.

Click here to register for the ACT 4 Experience…

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August Was A “Special” Month For New Launches – With 60 Brand New Annuals, Specials & Bookazines and 8 with Regular Frequency

September 5, 2013

It’s hard to believe the summer of 2013 is almost behind us, but it’s true. The month of August was certainly one for the Special Edition magazine- with 60 new launches being introduced. The topics were as unique as the meaning of the word “Special” itself. From two of the Robertson clan of Duck Dynasty fame on the cover of USA Today’s Hunt & Fish, to the “Duke” and another collection of “Royal Baby” covers everyone can ooh and ahh over; the 60 Special titles touched on such variety, there is surely something there for everyone. There were 8 new magazines launched in August with frequency and they too are very much worthy of your time. So say goodbye to Summer 2013 with the August launches, but say hello to the 68 new titles that made this month so “Special.”

Click here to check each and every title added to the new magazine launch monitor in August 2013.
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Click here to register. Space is limited. More information coming soon.

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Cheeriodicals: A New and Unique Way to Distribute Magazines and Spread Some Cheer at the Same Time. The Mr. Magazine™ Interview with Gary Parisher, President of Cheeriodicals

August 30, 2013

So what is “Cheeriodicals?” In short, it is what happens when you use magazines to spread cheer among people. No wonder then, when I heard about this company, I reached out to its founder and president Gary Parisher and invited him to come to the Magazine Innovation Center at The University of Mississippi to sit down with me for an on-camera in-depth Mr. Magazine™ Interview.

The genesis of Cheeriodicals began when the company started distributing magazines in “Tiffany-styled” green boxes to sick folks in hospital beds, and later expanded it to children in hospitals, and to individuals celebrating an event and even corporations sending good wishes to their clients and customers.

New, different and unique ways in magazine distribution are rare. So, what happens when you have an idea that combines all three concepts in one? Cheeriodicals is born. Watch below to see the story of Cheeriodicals from A to Z…

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From THIS to this… President Obama and TIME’s Cover Page…

August 29, 2013

This is a “TIME” moment where a picture is worth a thousand words. The image of the president on the cover of TIME. From the Person of the Year to The Unhappy Warrior. That’s all I have to say about that!

TIME-Magazines-2012-Person-of-the-Year-Barack-Obama-the-President-019.9.13

Both covers are the same size, I just took some editorial liberty in the presentation…

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How Do I Love September? Let Me Count The Magazines…

August 23, 2013

instyle sub-97Elle Subscription-96

I love thee to the depths of Elle and breadth and height of InStyle…
My soul can reach, when feeling out of Vogue
For the ends of Harper’s Bazaar and ideal Vanity Fair.
I love thee to the level of Glamour’s & W’s
Most quiet need, by People StyleWatch and Marie Claire.
I love thee freely, as men strive for Details
I love thee purely, as they turn from Cosmopolitan tales.
I love thee with a passion GQ
In my old griefs, and with my childhood’s faith.
I love thee with a love, Esquire, I seemed to lose
With my lost saints, — I love thee with the breath,
Smiles, tears, of all my life! — and, if God choose,
I shall but love thee better, New York Magazine, after death.

Yes, I realize I owe Ms. Barrett Browning (and my assistant Angela) an apology for taking liberty with her classic poem (and helping reshape the poem), however, the sentiment is oh-so sincere.

September brings about the hint of autumn, the singular flutter of a yellowing leaf to the ground, depending upon where you live; I live in Mississippi – hence the singular flutter, splashes of oranges and yellows from the pumpkins and fall squash in the markets.

But most important in the world of magazines (ink on paper that is) and magazine media (everything else)– it is that time of year when the crème-de-la-crème of publishing rise to the top with their most extravagant issues of the year.

And for most, September 2013 is offering their biggest editions ever. It’s a celebration of fashion, football and the fall season.

Vogue
Vogue
Up first and weighing in at a hefty 902 pages is Vogue. This issue is synonymous with evocative style, beauty and fashion, as only Vogue can do. The content of the magazine is chocked full of visually liberating ads that transport you into a world of haute couture that is both extreme and exhilarating.

Anna Wintour’s letter from the editor begins on page 276, just to drive home the image of the magazine’s thickness in one’s mind. Totally amazing.

Instyle
InStyle
InStyle shows off their “biggest issue ever!!” – two exclamation points. 716 pages of fall fashion.

Elle
ELLE
ELLE shouts to the world: “Our biggest fashion issue ever! 650+ pages” – with a curvaceous Kate Upton receiving the cover’s hello.

Harper'sBazaar
Harper’s Bazaar
Not to be left behind, Harper’s Bazaar proclaims “Biggest Issue Ever” with 598 pages of fashion fun. You’ll find Editor, Glenda Bailey’s letter, on page 206 and in her own words the proud declaration: “Our September Issue, the largest issue in our history.” Certainly, something to exclaim about.

W
W
The fall fashion issue of W flaunts its oversized beauty proudly with 454 pages of chic.

MarieClare
Marie Claire
Marie Claire comes in at 428 pages and looks marvelous doing it.

Glamour
Glamour
Glamour, as “glamorous” as ever with 386 pages.

VanityFair
Vanity Fair
Vanity Fair is 362 pages of style, featuring the 74th International Best-Dressed list and a dead celebrity on the cover.

PeopleStyleWatch
People StyleWatch
People StyleWatch at 328 pages announce their “Biggest Issue Ever.”

Cosmopolitan
Cosmopolitan
Cosmopolitan shares their always entertaining “tips and advice” between their 264 pages.

New York
New York
New York Magazine features 208 pages in their fall fashion double issue – and is very noteworthy because the fashion model is sporting a barely-there design (a tattoo) made in collaboration with Marc Jacob’s tattooist – which happens to be the model’s husband.

GQ2GQ1
GQ
And in the men’s world, GQ comes in with two different covers giving a shout-out to their biggest ever NFL kickoff with 296 pages.

Details
Details
The fashion issue of Details uses 234 pages to tell guys how to look great this fall.

Esquire
Esquire
And Esquire has 216 pages with their biggest style issue, featuring Thor himself – Chris Hemsworth.

So what does all this mean? Simply that print magazines still anticipate the seasons the same way we humans do. In fact, it might be fair to say, we anticipate the seasons because of those special magazine issues. With their lush, overflowing-to-the-hilt content, I really can’t think of a reason not to.

So, to September…how do I love thee? Let me count the magazines – and the pages!