Archive for the ‘Magazine Power’ Category

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There Is Hope: Samir “Mr. Magazine™” Husni’s 2016 Manifesto. Published In min: Media Industry Newsletter 1/11/2016 Issue.

January 10, 2016

Screen Shot 2016-01-09 at 4.19.34 PMScreen Shot 2016-01-09 at 4.19.52 PMThere is a sign that has hung over my office for many, many years. Its message is simple and straightforward: There is hope.

And if you have a modicum of positivity beating within your chest at all, you’ll agree that there is always hope in every situation.

Unless you’re just absolutely convinced that the world and everything in it, including yourself, is irrefutably lost, there is always hope.

And even in that particular case, if you dig deep enough and reach beyond your negativity to that inner light that was placed inside you the moment you took your first breath, you’ll find that tiny “thumbs-up” that always promises a better day ahead.

When it comes to magazines and magazine media, never in my 30-plus years of experience has that statement ringed more true.
Why, you might ask? There are many reasons, and in my 2016 Manifesto, I am giving my “top 10.”

1. Hope springs eternal. After every naysayer from every corner of the globe cried from the mountaintops that print was dead and that digital was the new print, they’re swallowing these words as print has been rediscovered lately by everybody from the smallest independent publisher to the game-changers in the industry.

2. Print also springs eternal. Since Moses came down from Mount Sinai with those two stone tablets (the original print platform), print–in one shape or another–has been delivering information that helps and benefits our lives.

3. What goes around eventually comes back around. As it has with Tablet magazine, which was born on the Web. Tablet rediscovered its “original roots” in 2015, as did a plethora of digital entities.

4. Every print entity has a life cycle, but not the entire medium. Print has a time to draw its first breath and a time to take its last, but certainly not as an entire platform. When a television program is cancelled or a movie’s title is removed from the marquis, that doesn’t mean that we all need to set a huge bonfire and burn our TV sets or never go to a movie theater again because they ceased to exist

5. Magazines’ 2015 birth rate was much higher than the death rate. And 2015 is not alone. For the past 30 years, more magazine launches were announced than closures. Remember: If it’s not ink on paper, it’s not a magazine.

That definition and reaffirmation of it by the resurgence of print make it officially time for us to find a new name for the digital entities that exist on the Web as online “magazines.” After television became widespread in the 1950s, few referred to the medium as “radio with pictures,” so we should immediately cease calling websites with content and pictures “magazines.”

6. Magazines must offer their audience an experience. Magazines in 2016 have to be more than content and pictures: they have to be experiences, and magazine-makers have to morph into experience makers. That is the only way they can survive in today’s infinite environment.

When you travel anywhere in the world with the swipe of your finger or the click of a mouse, ink on paper has to offer something more lasting and collectible than instantaneous satisfaction. That collectability factor has to be predominant without any trace of dispensability. And to personify that collectability factor, magazine makers must create, curate and make that content credible.

7. Magazines need more editors and publishers. We need more editors and publishers than we need chief content officers and chief revenue officers, and that’s a truth that can’t be ignored. Creation and curation require more editors and publishers who are hands-on, and certainly the credibility factor has to be one that is predominately practiced through the eyes of people who deeply care.

8. Print is the new, “new media.” One statement is true as we begin 2016: Print is the new, “new media.” And I must say that it feels good to be vindicated after all these years in that belief and faith in print, especially considering that Columbia Journalism Review used that headline in a recent article.

9. Rejected simplicity. I won’t. Instead, I will just bring the term “rejected simplicity” to top of mind. This simple, easy, beautiful and wonderful technology called print has been rejected over the past few years because of its simplicity. We tend to think that if you don’t have to connect 20 million dots with 40 million lines, the end result won’t be spectacular. And that’s simply not true.

10. Common sense. So it is with that thought in mind, I say that we must use common sense when it comes to the rule of thumb regarding print. Create, curate, and make that content credible and collectible. In the time that we live in, there is absolutely no reason that it has to be “either/or.” It’s just a ridiculously small-minded scenario.

And let’s bury that phrase “print is dead” once and for all.

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The Power and Future of PRINT…Part IX As told by Magazine and Magazine Media Makers…

January 9, 2016

A Mr. Magazine™ “Quotable” Retrospective…

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016.  Painting by and © Laura McCrory. For information about the ACT 6 Experience email me at samir.husni@gmail.com

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016. Painting by and © Laura McCrory.
For information about the ACT 6 Experience email me at samir.husni@gmail.com

I have been a firm believer in print and its power even when many doubted its future and even its role in today’s media world. I have been quoted as saying, “As long as we have human beings, we will have print.” And that quote stands firm and true as we enter into a brand New Year.

Of course, I’m not oblivious to the fact that we live in a digital age…just check the many devices you and I are using on a daily basis, even the platform that you’re reading this on now as we connect. Yet that did not deter my belief in the role and future of print. Nor, will it ever.

However, as an academic and a professor of journalism, I’d rather share with you what others from the field say about the future and the role of print in today’s media world and tomorrow’s; that way it isn’t just my word you’re hearing and reading. Never would I yearn to be lumped in with others who pontificate to high heaven with their opinions and speculations for the condition of magazines and magazine media; be it print or digital or any other platform that may arise before I can finish writing this. The blah-blah-blah disease spreads pretty fast on its own, without any help from Mr. Magazine™

And so without any further ado, here is the ninth installment of the 136 quotes (in random order) that Mr. Magazine™ has accumulated over the last two years through the wonderfully informative conversations I have had with the game changers and the passionate entrepreneurs in the magazine industry.

129. “The excitement that comes and builds on Instagram and all of the posts that we re-Gram, the day the issue arrives; these consumers stage little photo shoots the day their magazine gets there because it is their time, when they’re online looking for recipes, that’s not me-time, that’s family-prep time. They’re working. When they sit down to go through Southern Living magazine that is time that they’ve decided to set aside for them every single month. They really lose themselves in the pages of Southern Living and I can’t think of a better time for advertisers to reach them than during their me-time.” (on the advantage of having a printed magazine in this digital age) Ron King, Publisher, Southern Living.

130. “I think magazines are different; there’s a different creative concept; a different mix of text and graphics. Something that makes one plus one equal more than two and that’s something that maybe magazines can’t do as fast as electronic media can do, but there are things that magazines can do that aren’t just replicated online. And then there’s the more basic answer; you get better writing.” Jack Kliger, Publisher, Tablet magazine.

131. “I think that print has been wildly underestimated. The Internet came along and people imagined that it was a tool to be used for every single thing in their lives. But it’s not a tool for everything in their lives; it’s a tool for some very important things in our lives like news or information, information that we need for our daily lives, but I don’t necessarily know that the Internet is the right medium for deeper reads.” Alana Newhouse, Editor-In-Chief, Tablet magazine.

132. “And how not to burn out at it, if you’re small, just one or two people, how do you keep it fresh? I think that is one of the big challenges with digital media. It reminds me of going to a sushi place, where they have these little rivers and they do their California rolls and put them on floating plates and you sort of grab the little bites as they go by; to me digital media often feels like that. It’s just not sustaining from a reader’s standpoint. And that was a lot of the impetus for wanting to do print, because the relationship between the reader and the words is different. It feels like it sates you and fills you up better.” Steve Casimiro, Founder, Adventure Journal Quarterly.

133. “I am a big believer that there is this turning point now or in the very near future where people are being reminded of the luxury of reading offline. I know that myself, because when I’m online I have this low level of anxiety that comes with reading online because I feel like I can never get to the end of what’s ahead. There’s just endless information and I’m forever bookmarking things and saying I’ll come back to that later. And I do think there is this return to print and what that brings is you’ve invested some money, say $15, it’s not cheap, you’ve invested the money so you’re going to stop and make some time.” Rick Bannister, Co-Founder, Pallet magazine.

134. “We’re also not interested in objects that are just throwaways. We’ve spent so much time in this content and so much of ourselves; the idea of putting that in a magazine that people would toss and not keep around for a long time as something that they cherished just didn’t sit right.” (on why they wanted the magazine’s production values of the highest quality) Nadia Saccardo, Co-Founder, Pallet magazine.

135. “We see the website as just growing into a community for the people who believe in the magazine and in craft beer and who want to find each other. And that’s why I love the fact that the website isn’t just regurgitated content that we expect people to be holding in their hands; it’s something complementary to that content.” (on the magazine’s content and the website’s content being totally different) Sam Calagione, Founder & President Dogfish Head Brewery & Pallet Executive Editor.

136. “I think they both (print and digital) have their own advantages, but with print you feel more relaxed and I have to tell you the truth; I only read news digitally, but I really don’t have the time to read long stories onscreen. It’s nice, but I don’t have the time; it’s tiresome. But in print, I love to read the longer stories. And I think that’s the advantage of print; you just relax. I know that sounds cliché, but it’s true. I’m more relaxed when I have a hard copy; it’s so tactile.” Fermin Albert, Founder, Sabor magazine.

These 136 quotes are from some of the most notable leaders in the industry, who lead some of the most prestigious publishing companies around today. There are also quotes from up and coming leaders whose talent and passion for magazines (ink on paper, of course) knows no boundaries. And that’s why their vision is so important to the industry’s future. Supporting them and the print platform is an obligation that’s paramount to those of us who love the medium.

Until next time – Happy 2016 and remember to Celebrate the Power of PRINT …

All the best,
Mr. Magazine™

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The Power and Future of PRINT…Part VIII As told by Magazine and Magazine Media Makers…

January 8, 2016

A Mr. Magazine™ “Quotable” Retrospective…

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016.  Painting by and © Laura McCrory. For information about the ACT 6 Experience email me at samir.husni@gmail.com

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016. Painting by and © Laura McCrory.
For information about the ACT 6 Experience email me at samir.husni@gmail.com

I have been a firm believer in print and its power even when many doubted its future and even its role in today’s media world. I have been quoted as saying, “As long as we have human beings, we will have print.” And that quote stands firm and true as we enter into a brand New Year.

Of course, I’m not oblivious to the fact that we live in a digital age…just check the many devices you and I are using on a daily basis, even the platform that you’re reading this on now as we connect. Yet that did not deter my belief in the role and future of print. Nor, will it ever.

However, as an academic and a professor of journalism, I’d rather share with you what others from the field say about the future and the role of print in today’s media world and tomorrow’s; that way it isn’t just my word you’re hearing and reading. Never would I yearn to be lumped in with others who pontificate to high heaven with their opinions and speculations for the condition of magazines and magazine media; be it print or digital or any other platform that may arise before I can finish writing this. The blah-blah-blah disease spreads pretty fast on its own, without any help from Mr. Magazine™

And so without any further ado, here is the eighth installment of the 136 quotes (in random order) that Mr. Magazine™ has accumulated over the last two years through the wonderfully informative conversations I have had with the game changers and the passionate entrepreneurs in the magazine industry.

113. “I recently returned from England where I had the opportunity to interview the owner of the best manufacturer of large scale model automobiles on the planet. Their models are highly detailed works of art that are custom made for automobile enthusiasts, car manufacturers and race teams. It was during my interview when I asked him what else he had done, to which he replied he had also built industrial scale models of everything from drilling platforms to office buildings for one of the largest commercial architectural firms in the U.K. He then paused and flippantly said that in the design phase, the firm’s customers really preferred his scale models over the 3D digital renderings. He went on to explain that these models were something tangible that the client could touch and feel and see and therefore felt they could trust. I laughed and told him it sounds a lot like the magazine business.” Ron Adams, Founder & Publisher, Via Corsa magazine.

114. “We kind of struggled with that in the beginning, because obviously our age demographic is a digital age group: 18-39. They’re engaging with mobile more than anything, but what we wanted to start with was something really tangible. So, at the base level we wanted it to be something that when you’re in a waiting room, you could find it on the table and you could see it, experience it and actually hold it in your hand.” (on why they decided on a print publication instead of digital-only), Sarah Hubbard, Marketing Director, Out Living It magazine.

115. “A lot of people say that print is declining and digital is the thing these days, but I think there’s still a huge demand for print and I think because the barrier of entry to digital is so low there’s just so much stuff out there that a lot of people like the fact that we have a real print magazine that’s 150 pages and it’s in real bookstores. That could be the one thing, there are competitors out there and there is very little barrier to entry for digital magazines, but I think if we just continue to put out a really good publication and focus on business, we’ll be fine.” Greg James, Publisher, Marijuana Venture magazine.

116. “Could the magazine exist without a print edition? Yes, I guess so. But I know that our readers love the tactile experience of getting a bound magazine in their mailboxes every month. And our subscription sales have been strong. But beyond that, just seeing how our Real Women Style Award winners circled back to our September issue and are on the cover of the magazine is enough to convince you of how much print matters. We unveiled it to one of the winners the other day and she had tears in her eyes and couldn’t believe she was on the cover of a magazine. I think that sums up why print is still an incredibly special medium.” Meredith Rollins, Editor-in-Chief, Redbook magazine.

117. “I think print is the most powerful medium. I think it’s an engagement opportunity for consumers to be hands-on (no pun intended) and connected with the content. I’ve been a magazine fan since high school; I believe in print and always will believe in print. It’s something that you can take with you and have an intimate experience with. The photography is bold; the typography is modern and continues to change. It’s something that you can take with you no matter where you are, from the beach to the boardroom, onboard a boat or onboard a plane; it can go with you everywhere. There’s no place that you can’t take a magazine.” Louis Coletti, Associate Publisher, Luxury Advertising, ShowBoats International magazine.

118. “We enter our 120th year in 2016. The reason House Beautiful has been successful for that many years is because of the stories. This is what you can still turn to print magazines for; you have the luxury of dealing with experts, in fact-checking articles, in creating a photo shoot whole cloth, something brand new to show the reader. This is indulgent in this day and age. Content moves fast and there’s great demand in the digital space to do more and more and more. And I’m sitting here asking: how do I do less better? I want to create the richest, most indulgent experience. This is a chocolate mousse; this is a special treat. And our readers recognize that. I think a great deal about every inch, every page of that magazine. I want to make sure it’s the best that it can be.” Sophie Donelson, Editor-in-Chief, House Beautiful magazine.

119. “Looking at the realities of the business now, I can’t imagine the print product going away in the next 10 years, because frankly too many people want it and it makes too much money. It’s such a gigantic part of our business and just based on consumer demand; I don’t think it’s going to go away.” Jess Cagle, Editorial Director, People magazine.

120. “I believe that magazines will never die. I really do believe that. I think that they will transform and continue to evolve, as they have forever. I believe that black magazines will continue. I think that we will continue to have unique challenges, but also unique successes. Again, as long as the black experience remains a distinctly unique one from the “American” experience, per se, there will be a market for a particular lens. There will be a market for a particular perspective. And I think when you understand that; you understand that black magazines will always have a certain impact. And as you said, the reason there was such a reaction (to the August cover of Ebony) may very well be in part due to the fact that this statement was made on paper.” Kierna Mayo, Editor-in-Chief, Ebony magazine.

121. “In the day and age of “print is dead” we really feel that there’s still a place for print. I work with a group of very young editors who still love print and who still value print. We still believe that if you create something that is well done and artfully put together and you produce it with good, high-quality, there is still a place for print. Print is not dead exclamation point.” Pamela Jaccarino, Editor-in-Chief, Luxe Interiors + Design magazine.

122. “It’s exciting to see your work in both formats, (print & digital) but in different ways. Having said that; I’m not sure how to describe to you how it’s different. I guess the web is more immediate and it generates that immediate, sort of social media response. But seeing your byline in print, on the printed page, it’s like your work is going into a permanent record. And I would think a lot of writers would say the same thing. It’s thrilling in both places for those different reasons.” Lauren Clark, Editor-in-Chief, Take magazine.

123. “The biggest challenge has been, with certain people, to counter this belief that print is on its way out, rather than saying that print is evolving. In our Kickstarter video and with people who have these mindsets, we sort of describe ourselves as being the modern magazine. And that what’s going to be interesting is not whether it’s print or digital. We have a print edition and an online edition that work together. You can get certain information from our online source that doesn’t translate into print, like video and audio, and you can get information through our print edition, such as really beautiful photography, stories that demand to be on the printed page, that doesn’t translate digitally. And that’s where this industry is going; print is not going away.” Michael Kusek, Publisher, Take magazine.

124. “And I think that no matter what happens people are always going to be thirsty for good reads and information. I know that I have romanticized visions of print because I’ve worked in it for my short career after college, the last 12 years, but I just think that print is the perfect medium for this type of project. I don’t think this same project would work online, with the book type thing going on. I just don’t think people want to read 6,000 word features online or on their phones. They want to read short, punchy things and to not take anything away from a lot of current magazines, but my opinion is that a lot of magazines are trying too hard to be like the web, shortening down their content, making columns that are super, super short and blog-like, using hashtags and @ symbols.” Brandon Hayward, Publisher & Editor-in-Chief, The Bight magazine.

125. “Print is not going away. Print is the necessary part of this business because that’s where the lion’s share of revenues comes from, but the big guys who are the innovators in the printing industry; they understand that the publishers want to make money and they need to make money. And I think that we have a model that’s flexible enough for them to really test and figure out what will work in their market.” Larry Genkin, Founder & CEO, Eleven Media.

126. It’s not self-help; we’re not a trade vehicle, something that’s designed to help you with the day-to-day running of the business necessarily. But what you have is a lot of people who believe in the power of good journalism to move society forward, to help good ideas rise to the top and to help uncover negative issues when those arise. And I think the cohering DNA of anybody who works at Quartz, whether you are on the editorial, engineering, or marketing teams, is a desire to figure out a way to make high-quality, intellectually rigorous journalism thrive in a digital age.” 127, Publisher & President, Quartz.

127. “We have taught audiences to get content for free and to expect it for free. And in a way, it’s not only bad strategic decisions made 20 years ago when digital technology first began having its impact; if you think about it and go back 300 years, that was the offer then; the quid pro quo. Free or subsidized content in exchange for people’s grudging attention to advertising. It wasn’t so easy to ignore back then. And then when the digital revolution came around and publishers decided to attract an audience first and then figure out how to monetize it through digital advertising, not realizing that CPM’s were going to go down, down, down to the vanishing point, it was then that we reinforced the notion that content was free. So, it’s going to be really hard to retrain audiences to pay for what they’re using.” Bob Garfield, Columnist, Critic, Broadcaster, Author and Lecturer.

128. “No, I don’t see that day in my lifetime. I think that the bond that we have with our audience is really extraordinary. It’s remarkably strong. And don’t get me wrong; we have a very diverse business and we’re being very aggressive about what we’re doing in the digital space and what we’re doing in terms of video and in brand extensions and new businesses and in books. But our readers love the print magazine and we hear from them all of the time asking us to never do anything to the print magazine.” (on whether he can envision a day when Southern Living does not have a printed magazine)Sid Evans, Editor-In-Chief, Southern Living.

Stay tuned for Part IX of the Mr. Magazine™ “Quotable” Retrospective…

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The Power and Future of PRINT…Part VII As told by Magazine and Magazine Media Makers…

January 7, 2016

A Mr. Magazine™ “Quotable” Retrospective…

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016.  Painting by and © Laura McCrory. For information about the ACT 6 Experience email me at samir.husni@gmail.com

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016. Painting by and © Laura McCrory.
For information about the ACT 6 Experience email me at samir.husni@gmail.com

I have been a firm believer in print and its power even when many doubted its future and even its role in today’s media world. I have been quoted as saying, “As long as we have human beings, we will have print.” And that quote stands firm and true as we enter into a brand New Year.

Of course, I’m not oblivious to the fact that we live in a digital age…just check the many devices you and I are using on a daily basis, even the platform that you’re reading this on now as we connect. Yet that did not deter my belief in the role and future of print. Nor, will it ever.

However, as an academic and a professor of journalism, I’d rather share with you what others from the field say about the future and the role of print in today’s media world and tomorrow’s; that way it isn’t just my word you’re hearing and reading. Never would I yearn to be lumped in with others who pontificate to high heaven with their opinions and speculations for the condition of magazines and magazine media; be it print or digital or any other platform that may arise before I can finish writing this. The blah-blah-blah disease spreads pretty fast on its own, without any help from Mr. Magazine™

And so without any further ado, here is the seventh installment of the 136 quotes (in random order) that Mr. Magazine™ has accumulated over the last two years through the wonderfully informative conversations I have had with the game changers and the passionate entrepreneurs in the magazine industry.

97. “We’ve never believed print is dead. We hope to launch in the U.S., as I said, new print magazines every 24 months.” David Carey, President, Hearst Magazines.

98. “First and foremost our print is a very good business all around the world. We have profits that we want to generate for our parent company and we’re good at publishing magazines. And so we believe in them; we have a portfolio of titles. In any given year we’ll have brands like Town & Country and Woman’s Day that are having terrific years and then sometimes you have others that have an off year.” David Carey, President, Hearst Magazines.

99. “The types of content pieces that are created in the magazine, the opportunities that it affords us from an editorial perspective to continue to celebrate the entrepreneurs and entrepreneurial capitalism around the world that the world is increasingly moving to a place where those are the types of people that do tell the stories of business; it gives us access in a way that we would not have with just digital.” Mark Howard, Chief Revenue Officer, Forbes magazine.

100. “How it all worked out was we were seeing so many dynamic people and so many amazing creations and these great efforts in curation and sharing, but we thought, it’s still not enough. We wanted to propagate it further in a way that was almost sacred to people and we thought that magazines were in that category.” Blake Brinker, Publisher, Creativ magazine.

101. “I get motivated every day when people come up to us and say, creativity is the most important thing we have and you’re putting it into this beautiful print publication that I can get on a monthly or bimonthly basis. Just wow; what you’re doing is so inspiring and the world needs this, with the things that are happening in the world today, we need something like this to give people hope and optimism. With all the negativity that we hear every day, this is an incredible amount of positivity showcasing people doing absolutely amazing things.” Brad Thomas, Editor-in-Chief, Creativ magazine.

102. “The industry has gone through some peaks and valleys. I can remember when some of the people, where I serve on the board; some of the people there would say well, print is dead. We have to shift to digital; we have to get out because of postage and paper and all of these kinds of things. We don’t have to do that anymore. People understand that there is a very valuable role for print. And people like the tactile feel. In my view, print is never going to go away. It’s never going to go away.” John Temple, President & CEO, Guideposts.

103. “The print magazine was the foundation by which we brought the brand back, so even the savviest digital people on our team know how important the print vehicle is. No, I don’t think we could have brought it back without print; I mean that’s what people knew and loved and adored. And frankly, people don’t necessarily know that we’re back online, but they know that we’re back in print.” Beth Fuchs Brenner, Chief Revenue Officer, Domino Media Group.

104. “Growing up, I always had a knack for physical things and I was never that great when it came to technology, so for me the printed product was a natural choice when I chose to make the magazine. For a magazine that’s mission is to ignite the renaissance of this area of the world; I don’t think digital-only can achieve that; people need to feel the tangible aspect of things.” Ibrahim Nehme, Founder & Editor-in-Chief, The Outpost magazine.

105. “I know that magazines have always been and continue to be a really rare and wonderful thing. I think, especially with a magazine like ours, it is a uniquely, immersive experience. It’s such a pleasure to have this beautifully curated collection of stories, ideas, sometimes quizzes, exercises; things that have been put together to challenge readers and to lift them up and get them to see their own life in a new way.” Lucy Kaylin, Editor-in-Chief, O, The Oprah Magazine.

106. “I suppose it could, simply because there are so many other ways to express one’s ideas. There are obviously so many formats and platforms out there today. But I wouldn’t love that; I wouldn’t think that would be a positive thing. O, as a print publication is incredibly special and it’s lush and beautiful and it’s tactile and something that is very well-enjoyed in bed, in a hammock, on the couch or in the tub. The physical nature of it is one of the very special things about it.” (on whether the magazine could exist without the print component), Lucy Kaylin, Editor-in-Chief, O, The Oprah Magazine.

107. “I still feel like the magazines are a core part of people being in that community and we know from our own data that our magazine subscribers are the most loyal buyers when it comes to art e-commerce store. Those people are very committed to following the pursuit of their art and they look to us to provide instruction in a lot of different formats. I would say the magazines are still a core part of the communities, whether they are Watercolor Artist or Acrylic Artist or somebody who likes to draw.” Jamie Markle, Group Publisher, Acrylic Artist magazine.

108. “Despite the fact that some people may be saying, oh, print is dead or it’s challenged, it’s encouraging to me that as a corporation, we understand our customers’ needs, this magazine is something they want, they want a print product. Our results are double what we expected.” Patty Craft, Community Leader & Content Creator/Editor, Acrylic Artist magazine.

109. “I think the future is incredibly bright for print and I think that if you just look at what we’ve been doing at Hearst, which is Food Network and HGTV as partners, you can also see Esquire and Elle partnering on cross-content things. Diversity is key. We have a very diverse portfolio at this company. I think the successful print publishers are going to be the ones who are innovative, but whether it’s print, digital or TV, everything is really all about content and that’s what print does so well.” Dan Fuchs, Publisher & Chief Revenue Officer, HGTV magazine.

110. “I think that every major publisher would tell you that the newsstand is a major factor in launching a publication. So they need it there for that. It may certainly be smaller and carry less titles, but for the major publishers launching new titles it will remain necessary to maintain it in some way.” John Harrington, editor-in-Chief, The New Single Copy.

111. “I’m such a firm believer in print. I think one big mistake magazines make is they start looking to cut corners and they denigrate the actual physical print product and in this case Modern Farmer is a luxury item with a high cover price and the actual object looks and feels luxurious. And at the end of the day, the print is the legitimizer of everything that flows from it. Yes, we have a great website; we have a fantastic digital director running it and we’re all over social media, but the print is the true legitimizer and the hub from which everything else flows. And there’s just no substitute for sitting down with a magazine and a glass of wine or a cup of coffee, whatever your poison is, and flipping through it.” Sarah Gray Miller, Editor-in-Chief, Modern Farmer magazine.

112. “I think the brands are strong. As a long-time editor, I am very much attached to print. But I would say that my title over the past couple of years hasn’t been editorial director; it’s really been brand manager. I’m a brand steward and it’s about the brand. And I can see that in certain areas maybe print would provide better and in other areas maybe a digital-only aspect of that brand would exist.” (on whether the many brands could exist without a print component), Kim St. Clair Bodden, Senior Vice President/Editorial Director, Hearst Magazines International.

Stay tuned for Part VIII of the Mr. Magazine™ “Quotable” Retrospective…

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The Power and Future of PRINT…Part VI As told by Magazine and Magazine Media Makers…

January 6, 2016

A Mr. Magazine™ “Quotable” Retrospective…

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016.  Painting by and © Laura McCrory. For information about the ACT 6 Experience email me at samir.husni@gmail.com

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016. Painting by and © Laura McCrory.
For information about the ACT 6 Experience email me at samir.husni@gmail.com

I have been a firm believer in print and its power even when many doubted its future and even its role in today’s media world. I have been quoted as saying, “As long as we have human beings, we will have print.” And that quote stands firm and true as we enter into a brand New Year.

Of course, I’m not oblivious to the fact that we live in a digital age…just check the many devices you and I are using on a daily basis, even the platform that you’re reading this on now as we connect. Yet that did not deter my belief in the role and future of print. Nor, will it ever.

However, as an academic and a professor of journalism, I’d rather share with you what others from the field say about the future and the role of print in today’s media world and tomorrow’s; that way it isn’t just my word you’re hearing and reading. Never would I yearn to be lumped in with others who pontificate to high heaven with their opinions and speculations for the condition of magazines and magazine media; be it print or digital or any other platform that may arise before I can finish writing this. The blah-blah-blah disease spreads pretty fast on its own, without any help from Mr. Magazine™

And so without any further ado, here is the sixth installment of the 136 quotes (in random order) that Mr. Magazine™ has accumulated over the last two years through the wonderfully informative conversations I have had with the game changers and the passionate entrepreneurs in the magazine industry.

81. “We wanted to make it easy for publishers to communicate to their customers where their magazines were available for purchase; not only via a traditional website, but also making it available via mobile, so that when people are actually in the store, they can get information about what’s available to help facilitate that spur-of-the-moment decision. We want to take off the “mobile blinders”, and put a “mobile spotlight” on our brands.” Joshua Gary, Senior Vice President, MagNet.

82. “Country Living had never dipped its toes fully into the country music waters, but if that audience is going to read a shelter decorating magazine, I think Country Living is the magazine for them. So, we talked about how to be very deliberate about penetrating that world without alienating our core readership, because I’m realistic; I know not all of our readers are country music fans and they don’t come to our magazine for celebrities and/or music.” Rachel Barrett, Editor-in-Chief, Country Living magazine.

83. “One of the results of living on your Smartphone is you crave a break and people like me and my friends; our readers, I think increasingly, new magazines bring a breath of fresh air and a treat. Although, like you, it’s my job to read magazines and keep up with everything that’s going on, I still favor them and bring them on vacation with me, because you read a magazine very differently on a long commute or a flight or in a beach chair than you do at your desk.” Emily Cronin, Editor-in-Chief, Trending NY magazine.

84. “In my case, I guess you could say it’s like putting a beggar in charge of a bank. (Laughs) I turned my passion, my addiction; my love for shoes into a business. I guess it’s part of my African background, take every opportunity possible for survival. It’s just a way of life for us.” Tinu, Publisher, Shoeholics magazine.

85. “I believe that tablet access for all brands has kind of flattened out a bit; if you look at two or three years ago when we all believed that tablets were going to soar and some believed they would replace print, but that hasn’t been the case. The paper format is still the primary vehicle that women want to engage with. They curl up with it, take it with them, and tablets have pretty much plateaued in the marketplace.” Daren Mazzucca, Publisher, Martha Stewart Living magazine.

86. “If you look at travel media; travel media has had a growth of 37% in the last three years and the research team says that because of two reasons. One: because travel is luxury, and two: because we’re all so attached to our desktops, tablets and phones; at some point in time, people actually want to put those devices away and have a lean-back experience and dream a little bit and plan a trip; do something for themselves.” Jay Meyer, Publisher, Travel + Leisure magazine.

87. “What we’re seeing from the business community is that obviously, from a brand awareness and storytelling perspective, print is still a really important tool for us and that’s also partially because we’re living in the luxury space. And luxury advertisers have really seen that print still works for them from that perspective.” Nathan Lump, Editor-in-Chief, Travel + Leisure magazine.

88. “I believe magazines will always be there and being strong financially and being a decent size, but not too big gives some companies an advantage in the marketplace… I think trying to figure out this business and what works is challenging and exciting. Putting together a nice group of folks, along with some good strong content, whether it’s editorial or art, and finding out this really helps sales is exciting.” Nick Singh, President, Engaged Media Inc.

89. “One of the things on one post-it is “create addiction.” And every time I look at content, because my editors will show me and get my opinion or they’ll show me the finished feature; I’ll look at it and ask myself does this piece create addiction or why would someone want to read more? Or would I want to read more next month? So, that’s one of the messages and if the answer is no, it doesn’t create addiction or that it’s boring; we won’t run it. We don’t run things just to run them. It has to have that special spark.” (on her use of post-it-notes for inspiration), Ana Ureña, Editor-in-Chief, Cosmopolitan Spain.

90. “Given what our print circulation is right now and the revenue that comes from it, which to me suggests that there is an audience who wants it, I don’t think it’s anytime soon. My biggest concern is the post office problems at this point. (Laughs) It’s not the audience; we have the audience. We’re doing really well with renewal rates and like I said, I think a lot of that has to do with the fact that we have this dialogue with the consumer that lets us give them what they want.” (on if he can ever envision This Old House without the print component), Scott Omelianuk, Editor-in-Chief, This Old House magazine.

91. “This is what print can do. Print is so different. Print is something that lives on forever. It’s not a commercial; it’s not a webpage; it’s not a posting; it lives on and it’s a document. And I think that’s what’s so lovely about it.” (on Michelle Obama guest editing an issue of More magazine), Lesley Jane Seymour, Editor-in-Chief, More magazine.

92. “No, I can’t see that. I don’t think that will happen. There may be some transition in people’s personal needs, but no, we will continue to do print. I do remember reading how excited everyone was when they looked at the first printed Bible and how excited people were when they found, I think it was in Israel, some original writings in a cave. They wouldn’t have been as excited if they’d found somebody’s laptop back then.” (on if she can ever envision a day print will not exist), Ellen Levine, Editorial Director, Hearst Magazines.

93. “I think the path to victory these days is opening your mind to what kind of businesses you can be in that may be obvious or not so obvious. And I also think to not being overly fixated quite honestly on digital as the singular path to prosperity for, call it, traditional media companies. I’ve seen a lot of people overspend and over-focus on digital and it’s grown their audience and in some case may have grown their revenue, but I haven’t seen a company transformed by just basically saying we’re going to go from print to print plus digital.” Andrew Clurman, CEO & President AIM (Active Interest Media).

94. “In our world we’ve got a lot of incredible loyalists and people of all ages who like the aesthetic of print, they like the print medium. And our print is profitable, it’s not the highest margin business that we have, but it’s profitable. I would say that it would be hard for me to imagine us getting out of print and just being event services and digital.” Andrew Clurman, CEO & President AIM (Active Interest Media).

95. “I think the bigger surprise is that in this day and age there’s so much of the world that somehow believes that the rise of digital media has undermined the importance of print media and I think we’ve proven that not only is that false, but it’s really the exact opposite. If you harness it correctly, digital media only enhances the power of print media because it gives you so many different pipes to tell the story.” Chris Mitchell, Publisher, Vanity Fair magazine.

96. “I’m a believer in the power of beautiful production quality and in telling that story, especially where there is a visual element, as only ink on paper can do.” Chris Mitchell, Publisher, Vanity Fair magazine.

Stay tuned for Part VII of the Mr. Magazine™ “Quotable” Retrospective…

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The Power and Future of PRINT…Part V As told by Magazine and Magazine Media Makers…

January 5, 2016

A Mr. Magazine™ “Quotable” Retrospective…

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016.  Painting by and © Laura McCrory. For information about the ACT 6 Experience email me at samir.husni@gmail.com

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016. Painting by and © Laura McCrory.
For information about the ACT 6 Experience email me at samir.husni@gmail.com

I have been a firm believer in print and its power even when many doubted its future and even its role in today’s media world. I have been quoted as saying, “As long as we have human beings, we will have print.” And that quote stands firm and true as we enter into a brand New Year.

Of course, I’m not oblivious to the fact that we live in a digital age…just check the many devices you and I are using on a daily basis, even the platform that you’re reading this on now as we connect. Yet that did not deter my belief in the role and future of print. Nor, will it ever.

However, as an academic and a professor of journalism, I’d rather share with you what others from the field say about the future and the role of print in today’s media world and tomorrow’s; that way it isn’t just my word you’re hearing and reading. Never would I yearn to be lumped in with others who pontificate to high heaven with their opinions and speculations for the condition of magazines and magazine media; be it print or digital or any other platform that may arise before I can finish writing this. The blah-blah-blah disease spreads pretty fast on its own, without any help from Mr. Magazine™

And so without any further ado, here is the fifth installment of the 136 quotes (in random order) that Mr. Magazine™ has accumulated over the last two years through the wonderfully informative conversations I have had with the game changers and the passionate entrepreneurs in the magazine industry.

65. “I really can’t imagine Real Simple without a print product. I mean, we are thrilled to see the growth that we’ve experienced in other areas, but I can’t imagine us never being a magazine. And I happen to know that you define a magazine as something that exists on paper.” Kristin van Ogtrop, Editor-in-Chief, Real Simple magazine.

66. “When we first put up the website for GX, I had a Mom call me and she said, hey, can you print this story, because I want to keep it. So, I printed it out for her on nice paper and mail it to her. I printed it and mailed it to her and she told me she ended up framing it. People want to physically hold it; they want to see it and share it that way. It legitimizes everything when it’s in print.” Keith Kawasaki, Vice President, Client Services, iostudio.

67. “It is such a beautiful print product and I think to be inspired to make real changes in your life, and some of them may be small, such as a lip gloss that’s moisturizing, and some of them are big, like you’re going to think differently about your life, and then some are medium, such as taking the stairs instead of the elevator, but for those kinds of inspiring changes I think print is a great medium for them. It tells a story and it tells it so completely.” Laura Frerer-Schmidt, Publisher, Women’s Health magazine.

68. “The whole idea of this one-to-one; she (Helen Gurley Brown) used to say that she wanted to have a one-to-one conversation with millions of women at the same time. So that whole idea of community, which is now what everyone is talking about, that’s something that Cosmo has always had. We’ve always said that we were the first interactive medium. Before there was an internet, there was Cosmo.” Donna Kalajian Lagani, Senior Vice President, Publishing Director & Chief Revenue Officer, Cosmopolitan magazine.

69. “Print is not dead for us; it’s thrilling. Of course, I hear it in other magazines and it scares me to death because I’m such an old print horse that I never want it to go away. And so it’s really exciting for me to be at a magazine where there’s never talk of not doing print anymore. Yes, it’s doing well.” Diane Anderson-Minshall, Editor-in-Chief, Plus magazine.

70. “When I’ve worked at legacy publications, we’d create this content that was basically designed to be an adjacency to advertising. Whatever, fine. Then the advertising disappears. Advertising definitely comes and goes; you have to make sure that you have a product at the end of the day that your readers actually care about, because the advertising dollar today will disappear tomorrow.” Adi Ignatius, Editor-in-Chief, Harvard Business Review magazine.

71. “By creating My Smart Newspaper, with its 16 pages, the reader will be able to spend 10 or 15 minutes to get a summary of everything that’s in the market today through a small, compact newspaper, and at the same time has the feel and look that only print can deliver. You are getting all the information with no waste whatsoever. No waste in paper and no waste of the readers time… it is a win-win situation.” Faisal Salem Bin Haider, CEO, Printing & Distribution Sector, Dubai Media Inc.

72. I’m very excited about this part of our business. I was brought up in print and I do believe that it’s the role of print and how it plays in the overall world of our media. You see it as much as I do; now we’re seeing digital-only plays that want to get into the print business and so, isn’t it right that we should actually start with the median and grow it the other way? That’s where I see the future going, creating content that can be deeper and articulated in different ways in the world of publishing.” Steve Giannetti, Publisher, Smithsonian Journeys magazine.

73. “I believe very much in the importance of the commercial side. I don’t feel successful without being successful.” Victoria Pope, Editor-in-Chief, Smithsonian Journeys magazine.

74. “There is something very particular about the act of physically holding a magazine in one’s hand and flipping through it slowly, then placing it aside onto your nightstand or coffee table or kitchen counter and returning to that same thing that you placed aside an hour later or even a few days later. The way that our minds and indeed our bodies interact with printed matter, it’s simply not the same.” James Oseland, Editor-in-Chief, Organic Life magazine.

75. “I think that the pendulum always swings back and forth and I think the pendulum, which had swung pretty much to digital, now may swing, while not all the way back, certainly somewhat toward starting the comeback a bit, because there is a recognition that audiences do like their magazine products.” Lewis DVorkin, Chief Product Officer, Forbes magazine.

76. “People think that print has gone away because they don’t understand what they’re hearing about the decline of newsstand sales. But newsstand is only a small portion of magazines and the idea that, in the case of Parents and American Baby, thousands of them a day are raising their hands and inviting print products into their home, which to me says this is still a really robust area.” Dana Points, Editor-in-Chief & Content Director, Parents group, Meredith.

77. “And these tributaries (collector’s editions) are how I think print will stay around because it’s specialized. I can go to any dot com or any digital platform and get all of my news for every facet of my life right then on the spot. But we don’t want to do that. We just want to do one very specific brand of news, for one very specific customer and that’s it.” Tony Romando, CEO & Co-founder, Topix Media Lab.

78. “We’re not surprised that digital brands are launching publishing products; it’s the most powerful level of engagement, whether it’s a book, newspaper, or a magazine; there is no higher level of engagement than when a consumer is reading a printed product. We’re in for the long-haul.” Scott Dickey, CEO, TEN (The Enthusiast Network).

79. “We will not pull the plug on the print edition. It does too well with advertisers; it does too well with people who like print, and not just people of a certain age, but across a whole stretch. So, I can’t foresee it.” Bruce Kelley, Editor-in-Chief, Prevention magazine.

80. “The number two media channel that the entire pharmaceutical industry spends in is print. Consumers are hungry for this information and they want to make great choices.” Lori Burgess, Publisher, Prevention magazine.

Stay tuned for Part VI of the Mr. Magazine™ “Quotable” Retrospective…

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The Power and Future of PRINT…Part IV As told by Magazine and Magazine Media Makers…

January 4, 2016

A Mr. Magazine™ “Quotable” Retrospective…

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016.  Painting by and © Laura McCrory. For information about the ACT 6 Experience email me at samir.husni@gmail.com

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016. Painting by and © Laura McCrory.
For information about the ACT 6 Experience email me at samir.husni@gmail.com

I have been a firm believer in print and its power even when many doubted its future and even its role in today’s media world. I have been quoted as saying, “As long as we have human beings, we will have print.” And that quote stands firm and true as we enter into a brand New Year.

Of course, I’m not oblivious to the fact that we live in a digital age…just check the many devices you and I are using on a daily basis, even the platform that you’re reading this on now as we connect. Yet that did not deter my belief in the role and future of print. Nor, will it ever.

However, as an academic and a professor of journalism, I’d rather share with you what others from the field say about the future and the role of print in today’s media world and tomorrow’s; that way it isn’t just my word you’re hearing and reading. Never would I yearn to be lumped in with others who pontificate to high heaven with their opinions and speculations for the condition of magazines and magazine media; be it print or digital or any other platform that may arise before I can finish writing this. The blah-blah-blah disease spreads pretty fast on its own, without any help from Mr. Magazine™

And so without any further ado, here is the fourth installment of the 136 quotes (in random order) that Mr. Magazine™ has accumulated over the last two years through the wonderfully informative conversations I have had with the game changers and the passionate entrepreneurs in the magazine industry.

49. “But the reality is, to actually create a beautiful, curated, well-edited printed magazine; it’s not an easy process. And when we really looked at the space and thought about who our reader and customer was and what she’s really interested in right then, which is having some me-time, we felt the reader was looking for a publication where she could actually turn off her phone or the TV and have an appointed reading time with a tangible product that she can hold in her hands and go through page by page.” Danny Seo, Naturally Danny Seo magazine.

50. “The biggest challenge, and it’s a daily one, is to listen to the readers. You know, I put my personal email address in Reminisce and Reader’s Digest. I read every consumer letter and I respond to every one of them. That engagement with the audience is so very important.” Liz Vaccariello, Editor-in-Chief, Reader’s Digest magazine.

51. “I’m a firm believer in print; I love print and my kids love print. My eight-year-old daughter asked for magazines on her Christmas list, which I think is a good sign. But I think every media finds its place in our lives.” Maria Rodale, CEO & Chairman, Rodale Inc.

52. “We’re having our biggest print magazine readership in our 97-year history right now. You just have to listen to your readers and understand the medium that you’re working in and not try to make it something it doesn’t want to be. If you try to make a magazine like a website, it’ll be a bad magazine.” Randall Lane, Editor-in-Chief, Forbes magazine.

53. “In fact, our new magazines plus digital, now account for 32% of the profits of our U.S. companies. These are businesses that 5 years ago either did not exist or were in a loss position.” David Carey, President, Hearst Magazines.

54. “We believe print is a really unique way to experience content and a really unique way to engage with our readers. The tactile quality of the paper that we’re producing the magazine on, the photography; all of it, really comes to life on paper in a way you can’t necessarily get on a digital screen.” Christopher Lukezic, Publisher, Pineapple magazine.

55. “We keep hearing: print is dead, print is dead. Well, no, print is not dead. What’s happening is it’s shifting and the people who are on the internet, it’s in their best interests to promote the internet over print and they’re saying it as loud as they can.” Buzz Kanter, Publisher, TAM Communications.

56. “I love print magazines and I will never give up the fight or the belief that I have in their value. I was just at the beach with my family and everyone that I saw there had a print magazine. I mean, you just don’t read on an iPad when you’re at the beach.” Ryan Waterfield, Co-founder & Editor-in-Chief, Big Life magazine.

57. “Our particular niche, which is inflight magazines, bucks trends because more and more people are traveling each year, so in fact, where you might have a decline in newsstand titles, we’re actually getting more readers.” Michael Keating, CEO & Co-founder, INK Global.

58. “When I deal with the Internet, I don’t feel there’s a sense of accomplishment necessarily or permanence with it; it’s so fleeting. And I wonder if that’s something that my generation is responding to, in terms of something tangible. When I finish reading a book or a magazine; I can look at it and say, I finished that, rather than just moving on to the next click or page.” Seth Putnam, Editorial Director, Collective Quarterly magazine.

59. “We had a very successful website, but we felt that the engagement with the material was superficial. People were only spending a few minutes, even less than a minute, on an article and not really thinking deeply about the topics we were raising.” Sam Hine, Publisher, Plough Quarterly magazine.

60. “The magazine is an outlet. We all need something to inspire us and if it’s going to inspire other people, so much the better. I get emails from people telling me they cry when they look through the magazine or they tense up. And when I read that I say, wow, it’s not just me. There are other people who appreciate what I’m doing.” Jimon Aframian, Editor-in-Chief, Jimon magazine.

61. “Now that digital media are around, print hasn’t disappeared, but it has changed. And it’ll continue to change and I would expect it to. It would probably be very boring living on this planet if things didn’t change.” Mariette DiChristina, Editor-in-Chief & Senior Vice President, Scientific American magazine.

62. “We may change the (publishing) model in different ways; we may become more sophisticated about printing and delivering content by zip code or by ways in which our readers define themselves, but I think that there’s still a robust market for print having had such a long tradition of creating content.” Norman Pearlstine, Executive Vice President & Chief Content Officer, Time Inc.

63. “I do believe there will continue to be an audience for a printed product who will be willing to pay for that delivery system.” Norman Pearlstine, Executive Vice President & Chief Content Officer, Time Inc.

64. “Having to figure out how to make a story a compelling one, but where a desire for fairness really forces you to understand what people do; why they do it, and to really seek out that kind of balance, I think doesn’t come automatically. And that’s one of the things that I always worry about.” Norman Pearlstine, Executive Vice President & Chief Content Officer, Time Inc.

Stay tuned for Part V of the Mr. Magazine™ “Quotable” Retrospective…

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The Power and Future of PRINT…Part III As told by Magazine and Magazine Media Makers…

January 3, 2016

A Mr. Magazine™ “Quotable” Retrospective…

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016.  Painting by and © Laura McCrory. For information about the ACT 6 Experience email me at samir.husni@gmail.com

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016. Painting by and © Laura McCrory.
For information about the ACT 6 Experience email me at samir.husni@gmail.com

I have been a firm believer in print and its power even when many doubted its future and even its role in today’s media world. I have been quoted as saying, “As long as we have human beings, we will have print.” And that quote stands firm and true as we enter into a brand New Year.

Of course, I’m not oblivious to the fact that we live in a digital age…just check the many devices you and I are using on a daily basis, even the platform that you’re reading this on now as we connect. Yet that did not deter my belief in the role and future of print. Nor, will it ever.

However, as an academic and a professor of journalism, I’d rather share with you what others from the field say about the future and the role of print in today’s media world and tomorrow’s; that way it isn’t just my word you’re hearing and reading. Never would I yearn to be lumped in with others who pontificate to high heaven with their opinions and speculations for the condition of magazines and magazine media; be it print or digital or any other platform that may arise before I can finish writing this. The blah-blah-blah disease spreads pretty fast on its own, without any help from Mr. Magazine™

And so without any further ado, here is the third installment of the 136 quotes (in random order) that Mr. Magazine™ has accumulated over the last two years through the wonderfully informative conversations I have had with the game changers and the passionate entrepreneurs in the magazine industry.

33. “I believe that you have to be the reader. You can’t try and force the reader to be you. So you have to give them what they want and understand it emotionally, understand the voice and the need.” Ellen Levine, Editorial Director, Hearst Magazines.

34. “The whole world doesn’t tip over to online or digital and there’s something about holding that magazine with the content and the experience you have with it in your hands that clearly consumers still enjoy.” Debra Janssen, President & CEO, CDS Global.

35. “I think that it would be Pollyannaish to say that print will never disappear. I do think that someday print will not be around, but I’ll have to say that it’s much farther into the future than many of us were talking about four years ago. And I don’t see it coming in the near future at all. Print is stronger than ever.” Bob Cohn, Co-President & COO, The Atlantic magazine.

36. “Print is coming back. It has credibility and it’s deeper; it just has so many attributes to it that the digital world lacks.” Greg Sullivan, Co-Founder and CEO, Afar Media.

37. “There’s something people like, whether you’re fifteen or fifty, about the printed product. You don’t have to charge it, no worries if it gets sandy or wet at the beach; you don’t panic if you leave it on a plane and that’s not changing. I don’t think digital will ever fully replace that.” Jason Wagenheim, Publisher, Teen Vogue magazine.

38. “I think there is an incorrect belief that younger readers aren’t reading print. And I think that belief has largely been because so many people are watching the shifts in the industry that are happening that have made it more challenging for some of the huge mass market titles to be successful in the same way they were in the past.” Will Pearson, Co-founder, Mental Floss magazine.

39. “It’s not one or the other. True success lies in the complimentary nature of digital and print, this is where we see customers deliver and increase their business and brand value.” Roel-Jan Mouw, CEO, WoodWing software.

40. “I’m fully behind magazines and magazines have lived through television, they have lived through radio and they’ll live through the Internet, but we have to adapt and make our magazines a little bit easier to read, such as with smaller stories.” Jeff Greif, Publisher, Chilled magazine.

41. “I don’t think digital will be the demise of print at all; in fact, I don’t know why we keep talking about the death of print because I don’t think it’s happening.” Bruce Sherbow, Senior Vice President, Penny Publications.

42. “I absolutely think that the social conscience of Marie Claire is as important today as it was 20 years ago. And I believe that has a great deal to do with our present success.” Anne Fulenwider, Editor-in-Chief, Marie Claire magazine.

43. “I’ve been very clear; I think print is around for the next 25 years. Print will be around for a long time. It’s in a slow decline. There’s always going to be room for someone to sit down with a magazine on a cozy afternoon and read a great magazine. That is always going to go on.” Joe Ripp, CEO & Chairman, Time Inc.

44. “High Times is not a magazine; it has always been a cause from the beginning. It was founded by Tom King Forcade, who was part of the Underground Press Syndicate. His goal from the very beginning was the legalization of marijuana and this was 40 years ago.” Mary McEvoy, Publisher, High Times magazine.

45. “I think the biggest challenge is going to be to grow print, not just maintain it. This idea of maintaining print or maintaining a slow decline; no, I’m not down with that. I think it’s going to be about growing our print audience and growing our digital audience.” Hunter Lewis, Editor-in-Chief, Cooking Light magazine.

46. “The Internet and print are not in competition and the way we work here at The Fader is when we’re pitching stories for web or for the print magazine, we do it in the same way.” Naomi Zeichner, Editor-in-Chief, The Fader magazine.

47. “A lot of the changes were designed to do two things: create a contemporary magazine, because readers are used to getting their information from a variety of media, particularly from contemporary, sophisticated magazines and we wanted to make our mission very obvious and clear.” Ellen Kampinsky, Editor-in-Chief, Consumer Reports magazine.

48. “What this does is make us the first-ever media to capture as an industry, basically the cross-platform demand by brand. No other industry does this.” Mary Berner, President & CEO, MPA (The Association of Magazine Media).

Stay tuned for Part IV of the Mr. Magazine™ “Quotable” Retrospective…

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The Power and Future of PRINT…Part II As told by Magazine and Magazine Media Makers…

January 2, 2016

A Mr. Magazine™ “Quotable” Retrospective…

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016.  Painting by and © Laura McCrory. For information about the ACT 6 Experience email me at samir.husni@gmail.com

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016. Painting by and © Laura McCrory.
For information about the ACT 6 Experience email me at samir.husni@gmail.com

I have been a firm believer in print and its power even when many doubted its future and even its role in today’s media world. I have been quoted as saying, “As long as we have human beings, we will have print.” And that quote stands firm and true as we enter into a brand New Year.

Of course, I’m not oblivious to the fact that we live in a digital age…just check the many devices you and I are using on a daily basis, even the platform that you’re reading this on now as we connect. Yet that did not deter my belief in the role and future of print. Nor, will it ever.

However, as an academic and a professor of journalism, I’d rather share with you what others from the field say about the future and the role of print in today’s media world and tomorrow’s; that way it isn’t just my word you’re hearing and reading. Never would I yearn to be lumped in with others who pontificate to high heaven with their opinions and speculations for the condition of magazines and magazine media; be it print or digital or any other platform that may arise before I can finish writing this. The blah-blah-blah disease spreads pretty fast on its own, without any help from Mr. Magazine™

And so without any further ado, here is the second installment of the 136 quotes (in random order) that Mr. Magazine™ has accumulated over the last two years through the wonderfully informative conversations I have had with the game changers and the passionate entrepreneurs in the magazine industry.

17. “When I look at another reason magazines aren’t going to die, it’s because one of the most enjoyable things to do for people is to go sit on the beach or by the pool, or in the mountains and bring your magazines along with you. Or bring your books and you just read. And for me that’s a great pleasure. If I can have time to sit outside and read my magazines, I have a one-year-old (Laughs), so if I can have that time, that’s heaven. And some kind of device is never going to replace that.” Yolanda Yoh Bucher, Chief Content Officer and Editor-in-Chief, New Beauty magazine.

18. “The future of print is good. It’s changed, particularly in the more mass market area of the business. It’s changed a lot. And consumers have not fallen out of love with what we do and our content, but their habits of buying printed magazines have changed. It’s much less so at the more high-end of the market where the products are very tangible and nice to have.” Duncan Edwards, CEO, Hearst Magazines International.

19. “We’re going to put emphasis on wherever the customer wants to consume content. If customers like our print products, we’ll continue to sell them. Print isn’t going away; it’s going to be around for the next 50 years. It’s still a very significant part of our business and it will be for the next 25 years.” Joe Ripp, CEO, Time Inc.

20. “The advantage that print has is really two-fold. One is that as digital media moves to the phone, it’s pretty easy to see what the difference is between digital media and print media. Print is just so much bigger and the display is huge, the colors are vibrant and you get to use design and it’s just a completely different experience. Fifteen years ago everybody was just trying to put what magazines did or what newspapers did onto a computer screen. And this is kind of the same thing. Now, what gets created for a phone is very different from what gets created for a magazine. In general, though there are some exceptions to this these days, what’s being created for a magazine is more ambitious and more sprawling and more built-to-last.” David Granger, Editor-in-Chief, Esquire magazine.

21. “I’ve been discouraged and disappointed when people expressed this idea that inevitably print was going to go away. And it’s not just because I believe that it’s the greatest medium ever created. I think that there is some appeal to it that is being demonstrated all over again. You see sales in books, in paper, are climbing while the digital experience in books is beginning to decline.” David Granger, Editor-in-Chief, Esquire magazine.

22. “I think forever and always there will be an audience for print. I don’t think the inevitable path for print is to go away, I don’t even think the inevitable path is for print to be some sort of retro-iconic version of what records are to music lovers. But what I do think is print will evolve and print will change and I believe the path that we’re on, expanding the size and the weight and increasing the experience for consumers as opposed to decreasing, which is what most of our competitors are doing, is the right path.” Howard Mittman, Publisher, GQ magazine.

23. “I also think that there is a way for print magazines to live on, they just have to adapt. We look at some great magazines like Kinfolk Magazine and Sweet Paul Magazine, even Edible Magazine to some degree; these are people who are doing great things with print, but also trying to rejigger the business model of the print magazine. And that’s really what we’re doing with the partnership with Meredith; we wanted to create this really beautiful magazine using amazing paper; a magazine that people would actually want to keep and hold onto, rather than toss it away.” Brent Ridge, Co-Founder and Co-Editor-in-Chief, Beekman 1802 Almanac magazine.

24. “I don’t believe in the death of either of those (the homepage and the tablet) because, you know yourself, the “death of print” has been covered extensively over the last few years; we’ve read hundreds of articles about the death of print and we know that prediction was BS. It’s not about the death of the tablet or the death of the homepage; it’s about where the audience is and how they’re getting their information.” Hunter Lewis, Editor-in-Chief, Cooking Light magazine.

25. “You’re not going to be surprised to hear me say that print is very important, I’m sure, but I will tell you why. And I’ll even go one step further, which is, although I certainly don’t have insight into all of the financials of the Rachael Ray brand, but I would guess that we’re not her main moneymaker, given that she has a national daily TV show. Obviously, we’re profitable and successful, but what I will say is the magazine for her is her legacy piece, no offense to television at all, but television doesn’t really have the longevity that a print product does. Rachael’s books and this magazine are where she can deliver a message that she can be unbelievably passionate about over and over again, so that the message is really sticky.” Lauren Purcell, Editor-in-Chief, Rachael Ray Everyday magazine.

26. “And you know magazines are not going away. The one thing that I think is so special about print is it’s the one medium where consumers say that the advertising is part of the overall experience.” Eric Schwarzkopf, Publisher, Fitness magazine.

27. “I will say I expected some publicity. I didn’t expect it to be so global and so intense. I am really surprised and I think, in a funny way, it’s getting more publicity for coming back than it got for going out of print. I don’t know, I love the fact that people are talking about it — it speaks to the power of the brand.” Jim Impoco, Editor-in-Chief, Newsweek magazine.

28. “If you don’t know why your brand needs to exist and how it exists in all those other arenas, whether it’s on social media feeds or digitally or on mobile; if you don’t know your voice and how you’re different than everybody else, you’re really screwed.” Ariel Foxman, Editor-in-Chief, InStyle magazine.

29. “The three main themes behind the name: the idea of print being exciting or going extinct, the idea that there’s this diminished cultural relevance that gets put on people that are a certain age, and the idea that the magazine itself is large.” Steven Gdula, Publisher and Editor –in-Chief, Dinosaur Magazine.

30. “What probably keeps me up at night is the dynamic relevance of printed magazines and what they mean to the consumer and making sure that a generation of advertising and media professionals appreciates the value of the medium.” Michael Clinton, President, Marketing & Publishing Director, Hearst Magazines.

31. “I think brands that will survive are strong brands that have a multi-faceted approach which offers the user or the reader an experience. It will be spearheaded by a print experience because people appreciate that.” Jason Brown, Editor-in-Chief, Men’s Health magazine, South Africa.

32. “We have a lot of data that shows in most instances print is a very important component to the media mix.” Carey Witmer, President, Meredith Parents Network.

Stay tuned for Part III of the Mr. Magazine™ “Quotable” Retrospective…

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The Power And Future Of PRINT As Told By Magazine And Magazine Media Makers…Part I

January 1, 2016

A Mr. Magazine™ “Quotable” Retrospective

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016.  Painting by and © Laura McCrory. For information about the ACT 6 Experience email me at samir.husni@gmail.com

Celebrate Magazines Celebrate Print. The theme for ACT 6 Experience that takes place April 20 to 22, 2016. Painting by and © Laura McCrory.
For information about the ACT 6 Experience email me at samir.husni@gmail.com

I have been a firm believer in print and its power even when many doubted its future and even its role in today’s media world. I have been quoted as saying, “As long as we have human beings, we will have print.” And that quote stands firm and true as we enter into a brand New Year.

Of course, I’m not oblivious to the fact that we live in a digital age…just check the many devices you and I are using on a daily basis, even the platform that you’re reading this on now as we connect. Yet that did not deter my belief in the role and future of print. Nor, will it ever.

However, as an academic and a professor of journalism, I’d rather share with you what others from the field say about the future and the role of print in today’s media world and tomorrow’s; that way it isn’t just my word you’re hearing and reading. Never would I yearn to be lumped in with others who pontificate to high heaven with their opinions and speculations for the condition of magazines and magazine media; be it print or digital or any other platform that may arise before I can finish writing this. The blah-blah-blah disease spreads pretty fast on its own, without any help from Mr. Magazine™.

And so without any further ado, here are the first 16 out of the 136 quotes (in random order) that Mr. Magazine™ has accumulated over the last two years through the wonderfully informative conversations I have had with the game changers and the passionate entrepreneurs in the magazine industry.

1.“There’s an advantage with print in that it is wholly an intimate and static environment by which you can consume the content, so as your reading it’s quiet and it’s intimate. And the looking at photographs and the movement of photographs in print also has an intimacy and quietness to it. Whereas on the web, it’s unfortunate that you consume the web generally on a device that also is being used for a lot of other things like email and text messaging, phone calls and everything else that’s coming in to that device and hence that quietness I was talking about is broken. And it becomes a more disruptive environment and because of that, words and static pictures have a tendency to feel lacking, particularly when you’ve got everything else buzzing and speaking and making noise and moving all around it.” David Griffin, Art Director, Smithsonian Journeys, and Founder, Griffin Studio

2. “People want something beautiful in their hands; I see it over and over. And again, the requests we were getting, even before the first issue came out with all the buzz we received, but after the second issue, and no pun intended on the buzz (Laughs), after that issue did come out the requests have been in the thousands every week.” Meridith May, Editorial Director and Publisher, The Clever Root, The Tasting Panel, and The Somm Journal.

3. “I think that print has the ability to commemorate a moment. I think it was a top executive at ESPN Magazine years ago who was talking about being at Tiger Woods’ house and he went down into his basement and there alongside all of his major trophies, he had framed his first cover of ESPN Magazine. And his first cover of Sports Illustrated. And that’s something that magazines can do; they can commemorate a moment in time and they do convey, when done right, a sort of importance.” Cindi Leive, Editor-in-Chief, Glamour magazine.

4. “Print is never going to go away. We already have a very, very healthy newsstand base and subscriber base. We’re over delivering on our audience, our advertisers, and we’ve broken into the Top 10 bestselling magazines on American newsstands. So, it’s clear that there’s a strong desire to see Dr. Oz’s brand represented in print. And that people like the version that we’re doing right now.” Jill Herzig, Editor-in-Chief, Dr. Oz The Good Life magazine.

5. “In terms of revenue from luxury advertisers, we’ve seen growth in print. Obviously, we’ve seen it in digital too; that’s a growing area, everyone knows that. But it’s rewarding to know that for a product like Wallpaper* in print, there is a market for it. It’s something that people treat as a moment to absorb media in a luxury way, as opposed to on your mobile phone, which is much more about news and immediacy and for solving immediate problems. I think print still has that place where you sort of lose yourself and relax.” Tony Chambers, Editor-in-Chief, Wallpaper*magazine.

6. “I like being able to hold our product. All of the design is done on a computer in the digital space, but we even have a wall that we put up and place the printouts of the design on so that we can take a look. Even then these flat spreads are just single sheets of paper. It’s just a completely different experience when we get our advances in from the printer and we can actually flip through it and it’s a bound piece of work. It really comes together then in a way that, for me at least, is hard to replicate in a digital space.” Dustin McNeal, Art Director, GX magazine.

7. “I think the printed magazine’s mission is to curate all of these things that might be of the reader’s interest and put it into the perfect format that you don’t need to plug in and charge; in fact, you don’t need to do anything with it except enjoy it. You can take it with you everywhere and you can keep it forever. It’s a good photography of the time that it shows. If you see the magazine in 20 years’ time and you pick it up and read it; you’ll find that it’s a perfect history book because you can see the time represented in its pages vividly.” Maria Pardo de Santayana, Editor-in-Chief, Marie Claire magazine, Spain.

8. “It’s fascinating, the last thing that we feel in our brand here is that print is a difficult sell or that print is dying. I think that AD lives in a very unique place in the marketplace in that the subject matter is an extremely tactile one. It is still a product that our reader demographic wants to consume as a printed product.” Giulio Capua, Publisher and Chief Revenue Officer, Architectural Digest magazine.

9. “Magazines to me are not the thing that people carry around in their purse or under their arm as much as they used to, but the magazine to me is a quieter activity; it’s a less hectic information experience. It’s not like going through your Twitter feed or your Instagram feed where things are coming at you from every space. It’s a highly-curated space in time that you have for yourself. Before I even came here, I thought to myself, what is the BH&G reader doing and how is he or she looking at the magazine and I think it’s like a me-time moment where he or she has a moment during the day when things are quiet, kids are in bed or there’s a quiet space in the day and she’s going to sit for a while and look through her favorite magazine. We want to be that magazine.” Stephen Orr, Editor-in-Chief, Better Homes and Gardens magazine.

10. “I think it functions holistically. When we think about our health holistically, we don’t just say if we run we’ll be healthy. Or I eat right, so therefore I don’t have to exercise. They all have to work together, but I think we are stronger for figuring out how they can all work together in meaningful ways and support each other. We get amazing cover subjects on the cover of our magazine. And there is no better poster for the brand than the magazine and that’s why we put so much time, attention, effort, thought and creativity into making these covers. And then these covers go everywhere. They’re on the homepage of Yahoo; they’re being spread socially through all of Ronda Rousey’s fan pages, and my sister, my best friend; everyone is a part of this.” Joyce Chang, Editor-in-Chief, Self magazine. (On what she believes is the cornerstone of the SELF brand)

11. “One of the big things that have come out of this is that, perhaps some people thought we were crazy to launch a paper product a year ago; people were looking at us and saying, are you sure you want to do this and we said yes, absolutely. We believe in magazines in the food category and we believe there’s a market and we believe we have something great to offer. And we were confident that it would work and we were right. Actually, people welcome new magazines when you’re doing them the right way, because you’ve seen what’s happened in past years; a lot of publishers have been their own worst enemies, with smaller editorial ratios and decreasing the overall quality of the magazine, such as the paper.” Marie-Josè Desmarais, Publisher, Ricardo magazine.

12. “For me what this magazine represents is a prize that you can keep on your table; the design is so thoughtful and the colors are so rich and the photography striking. I do think that with the Internet and online journalism there’s an immediacy to news nowadays that isn’t our purpose. Our purpose is to have something that’s kind of a keepsake that you want to really look at. So, I do think that print, as we’ve seen in the industry, is continuing to grow. We’re all just trying to make it the most gorgeous process that we can to differentiate from everything else that’s out there.” Emma Rosenblum, Editor-in-Chief, Bloomberg Pursuits magazine.

13. “Having been a teacher, I worked in a school that had no lack of resources. It was a private school in D.C. But whenever I tried to use the laptop cards or bring my kids to one of those free computer labs, we always had trouble. Through the tried-and-true ink on paper; I was never let down, nor were my kids. And just the tactile nature of it and being able to pull it off a shelf and escape into text; it’s just a kind of reprieve that kids need to escape the noise in their lives.” Jill Colella, Founder, Butternut magazine.

14. “I think that you can really have a lot of things on your desktop or on your mobile phone, in the sense that you collect movies, TV shows, music and images, but the type of collectability that we’re talking about is very different. A magazine is something that lives as a whole and not just as one story. A magazine is about the conceptualization of each image and the way each story relates to the other. It’s a living package, a living organism and it’s not just something that can be taken apart.” Stefano Tonchi, Editor-in-Chief, W magazine.

15. “Now, that we’re incredibly successful, the challenge is how do we continue to keep this beautiful print product special and continue the growth? I believe we absolutely have runway in print, despite the decline in the overall print market, and we’ll scale digitally. And that’s really what’s exciting for both of us because we’ve achieved such great success in the past five years and there’s so much brand love. When we look at various studies and data about our readers and brand awareness; if they know us, they love us. So, how do we spread the brand love and how do we scale? And that’s been a really fun and exciting challenge for us.” Lucy Kriz, Publisher, W magazine.

16. “How can you be relevant if you’re a print publication when you have to be able to bring all the information together, digest it, make it pretty and distribute it? The print publication is I would say a quarter of our business. The media aspect of it – the web presence, the mobile app, the videos – they all support the now, the immediacy of the information. But the print publication puts it into a medium that is coming back into popularity. I think in the last 10 years for publications there has been a downtrend of desire for print publications. But, specifically for niche focuses and for connoisseurs, having that print medium is a fundamental need in the core business.” Eugenio Garcia, Co-Founder and Publisher, Cannabis Now magazine.

Stay tuned for Part II of the Mr. Magazine™ “Quotable” Retrospective…