Archive for the ‘A Mr. Magazine™ Musing’ Category

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So, What Is A Magazine? A Good Answer From Down Under…

November 19, 2014

GQ-1GQ letter from the editor-2 Ceri David, editor of GQ Australia, offers one of the best definitions of what a magazine is. He writes in the September/October issue of the magazine:

Is it too early for an existential question? No? Excellent. So: this thing you’re reading right now — what is it? You might think it it’s a magazine — and in many ways you’d be right. But it’s so much more. For us, the people who create this, checking, editing, surviving paper cuts and self-medicating with lots and lots of gin. And it’s worth it, because, well, look at it. It’s a bloody good issue. Though, I would say that. (But it really is.)

That’s how we, the GQ team, view it. As for you lot, I’m hoping it’s still not just a magazine. Rather an experience — a roller-coaster ride that’ll whisk you through the full gamut of human emotions. And I’m not being over-dramatic. Take a look at what’s in store over the next 200-odd pages. Hands inside the vehicle, folks.

David goes on to list seven different emotions that can be found inside the printed issue: Surprise, Sorrow, Envy, Curiosity, Inspiration, Despair and Relief.

As for Mr. David, and in typical Down Under manner, I am proud to say, you sir are not a journalist, you are an experience maker.

Thank you.

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A Swift and Timely Cover Business Decision for TIME and Bloomberg Businessweek, or Is It?

November 13, 2014

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When I was a child, I used to think magazines had spies in each others offices. I was always surprised when TIME and Newsweek would have the same cover, although the story might not be a big hot news story that week to me.
The same would happen with Family Circle and Women’s Day. Similar casseroles on the cover, and here came my conspiracy theories again about the spies planted in magazine offices…

This week’s covers of Bloomberg Businessweek and TIME triggered those memories; Taylor Swift is on both covers. One magazine is a business weekly and the other is a newsweekly, but the covers of both magazines scream People or In Touch weekly. I know that Taylor Swift’s decision to remove her songs and albums from Spotify brought her to the forefront of the entertainment news cycle, but I can’t help but wonder, from all the news and business events that are rocking (pun intended) our world today, is Taylor Swift the lead story of the week?

You be the judge, and while you are at it, please let me know which one of the two covers you think handled Ms. Swift’s image better? Love to read your comments.

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Magazines “For the World’s Most Important People…” The New Crop of Children’s Magazines. A Mr. Magazine™ Musing.

November 10, 2014

Peppa Pig-1 The launch of the latest new children’s magazine: Peppa Pig started me thinking about the importance of creating second and third screens for children. It’s not a new idea; Sesame Street has done it for years by linking its television program on national public television together with many successful magazines and movies.

In a sweeping gesture of digital omnipotence; many seers in the kingdom of publishing have said that children aren’t reading print anymore; they’re spending all their time on tablets and other digital outlets, but it would seem the rebellious subjects over at Redan Publishing would beg to differ.

This year alone, they’ve launched Sophia the First, re-launched Disney Junior and Sesame Street magazines; continued publishing Thomas & Friends, Strawberry Shortcake, Disney Princess and many others.

Redan children's mags-3 I have two grandchildren; one almost seven and the other a three-year-old and both of them are avid television and tablet viewers and users like the rest of their digital native generation. So what caught my attention about Peppa Pig magazine was the intriguing invitation to parents that was between its covers:

Need more Peppa time but away from the TV? Need to keep your Peppa fan busy, entertained, and fuel that bubbling imagination? This magazine is for you! We’ve got great ‘together’ activities, stories, recipes, crafts and more.

In my mind, there was no doubt, this was a call-to-arms for parents; a plea to join forces with the creativity and imagination that only an ink on paper product can physically instill in your child, not to mention the parent/child bonding, where the only thing separating the small lap from the large lap is that tactile magazine. This is where we see the power of the printed word and the interactivity between grandparent, parent, child and magazine come alive. This is where the magazine industry as a whole can see the advantage and possibilities of magazines becoming a second or third screen in the land of children’s entertainment.

The time my grandchildren spend engaging with magazines and then relating that information with what’s on the tablet or on television is amazing. Peppa Pig is a standout for me because of what an avid watcher my almost three-year-old grandson is of the program. Throw in a book and now a magazine of his favorite pig? He’ll be in hog heaven. He will now be able to flip actual pages along with the program.

Storytime-5 And it’s not just publishers in the United States; in the U.K., a company called Luma Works recently began publishing a monthly children’s magazine called Storytime. The magazine is jam-packed with famous fairytales, adventure and all kinds of talking animals and monsters. It’s an amazing and extremely interactive magazine that will have children and parents alike involved and captivated.

Animal Tales-16 Bauer recently launched Animal Tales – a magazine targeting children ages 6-12 and all about the wonderful world of animals.

Highlights for Children has: Highlights Hello – a magazine “aimed strictly at babies and toddlers”, Highlights High Five (My grandchild’s favorite magazine so far) – for ages 2-6 and “designed to spark children’s natural curious and creative natures and” its traditional Highlights magazine for children 6-12.

highlights-3-1 Christine Cully – Highlights editor – believes that children are the most important facets of their audience and all of the magazines they publish are geared toward that belief. She always ends her emails with “…for children are the world’s most important people.” Indeed they are.

My suggestion is that anyone who questions the future of print takes a look at these children’s magazines. Whether they’re print-only, a second or third screen or even the hundredth screen, doesn’t matter, but what does is showing the children of this world that we do care about them and their wants and needs. I believe if we abandon print and that tactile relationship that provides our children with the different sizes, feels, different types of paper and typography and, provides interactivity at the same time; if we abandon that, we cannot expect the children to create that. And being able to experience all of those sensations can be vital to the wholeness of a child’s environment.

So, don’t give up hope…ever, and thanks to the folks at Bauer, Highlights, Redan and the many other children’s magazine publishers, for since the dawn of the digital age, they have added more print magazines in their stable aimed at children of every age.

And for those of you who may have thought reading material for the digital native generation had disappeared; do me a favor, go to the newsstands and pick up a copy of one of the magazines mentioned in this article and put it in front of your child and see what happens.

I would love to hear from you on their reaction…

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Falling in Love With Your Audience! Reflections on Magazine Relationships and Addictions. From Spain with Love….

November 1, 2014

IMG_7216 Complications, dilemmas, obstacles and concerns: all words used when describing the problems going on in magazine media today. In fact, problems that have materialized in our traditional magazine world since 2008 when the economy went bust and technology burst upon the scene. Since then we heard the naysayers who cried: “Print is dead! Long live digital!” And more recently the catchphrase: “Print isn’t dead; it’s just in decline,” as magazine media scrambles to adjust and rise like a phoenix from the ashes of problems that digital supposedly caused print and the entire industry when it fusilladed into prominence in 2008.

But the problem is not with ink on paper and the solution is not with just pixels on a screen. The problem is what are we trying to engage our audience/customers with, and that’s where our troubles lie. And that happens when we forget the importance of the one and only reason we exist; we create, we design and we plan for our audience. That’s it. The only reason we exist. Not for the advertisers, not for the accolades we receive when we put out a noticeably great product (which don’t get me wrong, that’s an amazing and honorable achievement), but we breathe and live for our audience, period.

When we cocoon ourselves inside our offices, falling in love with our many platforms, instead of the many readers who buy our magazines and magazine media, regardless of the platforms, the result can’t be anything but disastrous.

Our audience, our customer, can detect when there is no passion, no relationship; when everything we are providing them is just via automation and there is no blood, sweat or tears involved. In fact, I used to say that we have to be experience-makers, but after a recent trip to Spain where someone said, no not just experience-makers; we have to be experience-love makers, did I really begin to see why addiction and obsession are two things missing in our attempt to satisfy our customers. Addiction and obsession are both parts of real loving relationships, whether we’re talking about human-to-human or human-to-object and that’s a proven fact, and above all, we in magazine media are in the relationship business, without a doubt.

Being in the relationship business, we are then aware that those relationships must exceed ink on paper and they must exceed pixels on a screen. And unless we humanize our magazines and magazine media, there will be no relationship. That’s why it’s so important for us to keep in mind that as we venture into the future, we should not put our hopes in new gadgets, such as tablets or mobile. Less than a few years ago, it was all about tablets, today it’s all about mobile and smart phones; who knows what it will be next?

But truly our only hope for survival is in creating a long-lasting relationship with our audience and creating a brand that relates to that audience and engages that audience, which in turn will create an addiction to that brand; an addiction so strong that the customer will feel a vacuum or a void without it, whether it’s every day, every week or every minute. We have to create this type of long-lasting relationship.

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At a recent presentation I gave in Madrid, Spain for the combined ARI (consumer magazine association) and Coneqtia (business magazine association) third annual forum day; I spoke about the necessity of putting the audience first and the importance of learning how to be chief addiction officers, rather than chief content officers or chief design officers. Before giving that presentation, I thought about all the unnecessary additions of titles we have now, especially those that involve the word “chief.” It seems everyone is a chief: chief content officer, chief design officer, chief revenue officer, which puts us heavy on chiefs and light on the regular soldiers who actually do the work. Is everybody a chief officer now? Where are the people who actually do the work?

If that’s the case, maybe we should start thinking about some new titles that include the word chief: how about chief inspiration officer or chief dream officer or chief addiction officer? In a relationship, those are the only kind of chiefs that matter, believe me.

Here are three points from the presentation I made in Madrid and they hold very true:

• Destroy all the platforms…
• Reinvent the way we think about publishing, marketing, branding, etc… and the way we do each and every one of the aforementioned professions…
• To each medium and to each profession their own and we have to respect that and put that as priority number one…

IMG_7129 And in the 21st century it should never be a question of print or digital – the advancement of the generations does not sound a death knell for either one. When television came onto the scene, theaters didn’t die; books didn’t die, nor did radio. Therefore digital did not or will not kill print and vice versa. There is room enough on our audience’s page for both, if we engage them and fascinate them and be their addiction connection. Pushing narcotics may be illegal, but pushing content, captivating content, definitely isn’t.

Here are four mile markers on the highway of a successful future for magazine media:

• Know your audience (all of your audience)
• Free yourself from the platform
• Become an experience and not a guide
• Create a necessary, sufficient, and relevant product

The worst, absolutely the worst, title recently invented for people in magazine media is Chief Content Officer. No one is in the content delivery business only; no one. Magazines are much more than content. You have to be the Chief Drug Dispenser and you have to know what makes your audience addicted…good drugs, good addictions!

But what are the drugs at your disposal that you can use to create the addiction:

• The ABCs… know your words
• Color… learn the psychology of color
• Pictures… bigger is better
• Videos… if you are on the screen, make it move
• Sounds… make them hear
• All combined in one way or another to get you addicted…

And remember: what we create in print is permanent, but digital is ever-changing. That matters and is vitally important to remember. In print there is VALUE… monetary value that you can own, show and engage with… Print is the bridge between yesterday and tomorrow. In digital there is no lasting value… but rather instant value, now you see me now you don’t… now you own me now you don’t.

Another invaluable chief, since we’re so attached to the word in today’s magazine media, is the Chief Seduction Officer. You are to decide whether you want to seduce your audience to a:

• One night stand!
• Love affair!
• A long lasting relationship!

It’s all up to you.

After my Madrid presentation, an editor walked up to me and asked why I was known as “Mr. Magazine™.” I didn’t know quite what to say, until she smiled and returned with,” If magazines were a country, I would definitely think of you more as Mr. Ambassador than Mr. Magazine™.”

The point was well-taken and only confirms what I feel about the power of addiction. I am addicted to magazines and have been since I was a young boy. And that addiction produced a passion that people take note of.

Another editor came up to me later and gave me the honorary title of Chief Inspiration Officer, which also gave me pause.

If my addiction produced a passion that people noticed and in turn inspired people to think outside of the box or propelled their creativity; what in the world could these two new “chiefs” do on the payroll of a magazine: chief addiction officer and chief inspiration officer!

Hmm…

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Innovation in Print: A Revealing Ad in Wallpaper*… A Mr. Magazine™ Musing.

October 21, 2014

It used to be said that change is the only constant in magazines and magazine media. Today, I reckon, innovation is the only constant. Here’s the latest example from the ad on the back cover of the November issue of Wallpaper* magazine. Click the video below to enjoy.

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John Mack Carter: The Father of New Magazines and A Mentor. A Mr. Magazine™ Musing.

October 2, 2014

To the masses, John Mack Carter was “the storied magazine editor who headed the nation’s top three women’s magazines, including a 20-year stint at Good Housekeeping.” Mr. Carter died last week at his home in Bronxville, N.Y., after a lengthy battle with Parkinson’s disease. He was 86 years old.

To me, John Mack Carter was the father of new magazines and a mentor.

FullSizeRender I met him the first time in the early 1980s when he came to the University of Missouri’s School of Journalism School to speak to our class. It was a dream come true and the beginning of a lengthy mutual friendship and professional relationship.

In 1987 he came to Ole Miss to speak to my students on “Service Journalism… Today and Tomorrow.” The picture above, from November 6, 1987, shows John Mack Carter, director of new magazine development, Hearst Magazines, and editor in chief, Good Housekeeping, seated to the left with James Autry, president of the magazine group at Meredith, and standing left to right, Pamela Fiori, editor in chief of Travel & Leisure, Dorothy Kalins, editor, Metropolitan Home, David Jordan, editor, Better Homes and Gardens, and Samir “Mr. Magazine™” Husni.

In 1995 John Mack Carter wrote the introduction to my tenth anniversary edition of the Samir Husni’s Guide to New Magazines. It sums up my relationship with the legendary magazine editor, creator and friend:

A New Start For the Bible on New Magazines
1995 New Consumer Magazines1995 New Consumer Magazine - John Mack Carter foreword p 11995 New Consumer Magazine - John Mack Carter foreword

Whoever coined the phrase “There are no new ideas” was not only wrong, lacking in all imagination and probably a dunderhead – he or she was clearly not in the magazine business. Every year when University of Mississippi Professor Samir Husni comes out with his comprehensive report on the newest titles dawning in the magazine world, I’m awed by the scope of the bright new ideas out there and the ingenuity used by publishers to bring them to print. There are always curious new trends to ponder (Chicago Bride and Cincinnati Wedding suggest that the recent boom in wedding titles has gone, if not loco, at least amazingly local) and mysteries we may never solve (what’s behind those eight new magazines all about tattoos?). Only a few of the infant ventures will survive, of course, and indeed some are already dead as of this writing (Over the Edge, Pure). But that’s not always the point. To many publishers, the payoff is sometimes just the thrill of bringing these new titles to life and, in publishing’s maternity ward, it is Samir Husni who has established himself as the watchdog nurse on duty, our record keeper of birth certificates.

I first met Samir in 1982 when I arrived on the campus of the University of Missouri for a journalism conference and encountered a young grad student so exceptional that, in 1978, his professors back in his native Lebanon shipped him off to the U.S. to study “for four or five years, till the civil war cools down,” he says today, wryly. That hiatus was just about up when we met and he had to be thinking of his future while bombs continued to fall back home and faraway cousins dodged sniper’s fire as they zigzagged their way home through the Beirut streets. The newspaper headlines must have grown too much for this journalism student to bear because he turned his attention to magazines – more specifically to new ones. He did his doctorate dissertation on start-ups and, knowing that I share his odd passion for them, showed me the finished manuscript. “This should be a book!” I exclaimed when I saw how information-packed it was. He soon found a publisher and new editions have come out every year since.

Not surprisingly, Samir has a personality trait common to all smart publishers who attempt to launch new titles: he can spot a gap in a market and fill it. Back in the mid-1980s, academia had a need for an expert on start-ups, so soon after he got his Ph.D. this young man moved to Ole Miss and set himself up as the university world’s equivalent to what I was doing out of corporate offices in New York and we continued to be great friends. We worked together often, serving jointly on industry panels, lecturing to each other’s groups (me to his students at Ole Miss and him to my staff in New York and to the members of the American Society of Magazine Editors when I was its president) or just sharing wild ideas over breakfast when he happened to be passing through New York.

Being experienced in start-ups, I recently launched this new division at Hearst Magazines and made acquiring the publishing rights to Samir’s book one of my first tasks. We are now officially in cahoots with each other and have marked the occasion by overhauling this book for its milestone 10th anniversary edition. We’ve added hard covers, expanded the editorial content to include “The 50 Most Notable Launches,” given it a new graphic design and introduced color photos. My hope is that it continues to serve not only as the bible of our business but as an inspiration and invaluable resource to the publishing faithful whose new, daring ideas are poised to appear in our 11th, 12th and other future editions.

John Mack Carter
President
Hearst Magazines Enterprises

Thank you, John Mack Carter. I am sure you are more than proud of what you’ve accomplished and helped accomplish in the magazine world.

John Mack Carter, my friend and mentor, may you rest in peace.

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Book-a-Zines: Saving Print or Adding to the Problem… A Mr. Magazine™ Musing…

September 4, 2014

ROBIN1-2ROBIN2-3ROBIN3-4 There is no question that niche publishing is one answer to the print world’s prayers. From magazines that delve into goat farming to ones that highlight the advantages of an eco-friendly lifestyle, targeting the audience and its interests is paramount in today’s digital times for ink on paper. Audience first was, is and always will be the main secret ingredient of the magazine publishing’s recipe for success.

But is the magazine media industry going too far with the prices and repetitiveness of special issues and book-a-zines, which often come from the same publisher?

For example, the tragic death of Robin Williams initiated not one niche title about the comedic genius, but three from the leader in the market of book-a-zines Time Home Entertainment.

• LIFE – Remembering Robin Williams – $13.99
• People Tribute Commemorative Edition – $14.99
• TIME – Robin Williams 1951-2014 – $14.99

As you can see, each one of the magazines is extremely similar in both price and title, but what about the content?

The TIME issue is of course, the newsier one with stories about his depression and extraordinary life.

The People Tribute shows his Hollywood side, offering content about his roles and the many co-stars and actors he influenced or knew.

The LIFE remembrance is, as it should be, filled with fantastic photographs and wonderfully informative tidbits and captions that frame the pictures quite well.

The quality here is not the issue, nor is the ingenuity of the publisher, using three different platform titles to showcase the actor’s life and death.

The question that remains is whether the magazine industry is flooding the newsstands with titles that not only confuse their audience by being very similar, but also delves too deeply into their pocketbooks to pay for them?

TV Guide - the beatlesTV Guide - ElvisNeil Young-8 This month saw other tribute titles such as:

Rolling Stone’s Special Neil Young Edition – $12.99
TV Guide’s Remembering Elvis – $9.99
TV Guide’s The Beatles Special Edition – $9.99
People – Happy Birthday, Prince George – $12.99

The two TV Guide specials are both from Topix Media Lab, The Neil Young from Rolling Stone’s series of special collector’s editions, and of course, Happy Birthday to the little Prince is from Time Home Entertainment.

Prince George-5 Each month we welcome these new and informative specials and book-a-zines and as consumers, we have now come to expect them. In fact more than two thirds of all new titles arriving at the nation’s stands are book-a-zines.

But as publishers continue to raise the prices of these niche products and duplicate them across platforms, what may be at stake here is the customer’s loyalty and admiration for the product and the publisher. Resources for the audience are not boundless, no matter the success of these targeted titles and never underestimate the intelligence or savvy when it comes to the buying public.

Something to think about…

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What’s In A Magazine Name? A Mr. Magazine™ Musing

August 13, 2014

KATE-1POPE-master495oprah-061014spgcnLINDA-1rosie-odonnell-rosie-magazine-2000-photo-GCJFK47_cover_voor-webUnknowndr-oz-the-good-lifeThe Life of Jesus-5 (2)

W.C. Fields always said: “It ain’t what they call you, it’s what you answer to.” And if you answer to the name Oprah, Linda, Dr. Oz or The Pope or even Jesus himself, chances are you’re going to have a magazine with your moniker stretched across the top of it.

Joining the ranks of magazines named after public personas; the latest to arrive on the scene is American Media’s Kate Magazine. A Princess should definitely have her own print kingdom, shouldn’t she? I think so.

From Jackie and JFK in the Netherlands to the Pope in Italy, there are a host of magazines named after the illustrious people in the realms of the stars, whether they’re entertainment dazzlers or more heavenly personalities, such as the Pope.

Really though, what is in a name? Well, revenue for publishers for one thing, recognition for customers another. Celebrities have always drawn attention to themselves without an abundance of trying, but never more so than in the publishing world.

Take Oprah for example, her TV talk show has garnered ratings for years. Harpo Productions has developed some of the most entertaining and popular films out there, such as “The Great Debaters” with Denzel Washington, “Beloved” with Danny Glover and just this year “Selma” with Tim Roth.

But O, The Oprah Magazine, first published in 2000, has brought her attention and loyalty from the print world. And no doubt about it, the name Oprah Winfrey had a whole lot to do with its success and continued prosperity, making it the most famous celeb magazine around today.

And so did Linda de Mol with her Linda magazine in The Netherlands (with at least four spin-offs so far).

However, where the idea sounds so easy to do, it takes “more than a village” of editors, designers and publishers to create a good print replica of the celebrity or illustrious person. Remember Rosie? It was a road map in what not to do.

And in the world of niche, book-a-zines dedicated to celebrities, both gone and still with us, continue to reign supreme in the realm of niche publishing.

From The Pope to The Stones, from John Wayne to Michael Jackson; celebrities of all stratospheric dimensions rule the world of book-a-zines.

Apparently, what’s in a name is a very big deal…in more ways than one.

So if you’re a mother-to-be out there and you’re deciding on a name for your little one, just remember two things:

1. Someday your child may be famous – so pick wisely.

2. In the world of magazines, what’s in a name can mean a lot more than space above a tagline – and if number 1. happens for your precious addition, then number 2. will definitely matter…

Happy Magazine Reading!

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A Reader’s Digest Genius… A Mr. Magazine™ Musing…

August 8, 2014

Reader's Digest 1-1Reader's Digest2-2Reader's Digest3-3 Liz Vaccariello, Editor-in-Chief of Reader’s Digest, has taken the single-topic niche to the next level with the September 2014 issue of RD. It is absolutely transcendent in presentation, design and content. The contemporary lines, while complex and unique, remain simple in effect, always the earmark of Reader’s Digest. Simplicity, style and beauty in each and every spread of the magazine denote a very compelling modernity, while maintaining the refined dignity of the publication’s past.

Liz is Vice President, Editor-in-Chief and Chief Content Officer of Reader’s Digest; so to say she wears many hats might be an understatement, but one thing that isn’t is her excitement and inspirational creativity that she has brought to Reader’s Digest.

The September 2014 issue is aptly titled “The Genius Issue” and is the brainchild of Liz who told me back in March when I interviewed her:

“We wanted to return Reader’s Digest to what it had always been for most of its 90 year history and that is a place for reading.”

And she has certainly done that… kudos to Liz and the entire Reader’s Digest staff.

Now the only thing missing form the magazine is the book excerpt and if brought back, I believe, Reader’s Digest will be the 21st century magazine build on the same foundation established by its founders DeWitt and Lila Wallace!

A good comfy read. A job very well done. Check some of the sample pages below…

Reader's Digest4-4Reader's Digest5-5Reader's Digest6-6

© Samir “Mr. Magazine™” Husni, 2014.

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Traveling the World One New Magazine at a Time… A Mr. Magazine™ Musing.

July 31, 2014

When many people travel they attempt to learn words and phrases from their host countries in order to communicate and understand the local citizens better – and while that is a most noble and natural cause; when Mr. Magazine™ travels, not only is communication a priority, but also the word “new” is paramount on his list. Whether it’s nouvelle, noveau, jadīd or neu; Mr. Magazine™ revels in the many ways to say the word new.

husniinriga At the newsstands in Riga, Latvia.

Why, you might ask? Because new inserted before the word magazine is an exciting prospect to me and when you put the word stand behind it (OK – plus an extra “s”), the word newsstand is born. And I ask you; what could be more thrilling than new magazines and newsstands in foreign countries?

I can’t think of anything.

While most people when traveling to foreign lands are picking up a guide or a map to the best museums or the best places to visit, such as the National Museum of Beirut, Belem Tower in Lisbon or Table Mountain in Cape Town, South Africa, Mr. Magazine™ is searching for newsstands, asking locals to show him where the best in the city he’s visiting is located and the quickest route to get there.

And visiting I did. In the last five months or so, my travels took me to Cape Town, South Africa…Riga, Latvia…Paris, France…Amsterdam, The Netherlands….Lisbon, Portugal…Helsinki, Finland…Munich, Germany and Beirut, Lebanon to name a few.

I have delivered presentations and seminars ranging from trends in magazines to the need to place the customer or the audience first in these wonderful countries and while the presentations and the meetings went very well, it is that newsstand street education that was the secret ingredient that held all the seminars and presentations together.

A newsstand in Riga No shortage of magazines in Riga, Latvia.

There is a lot to be learned from a visit to a newsstand anywhere in the world, they remain the best reflector of any society and the latest magazines found there are the new blood of any newsstand. And as I traveled the globe this summer, it dawned on me that this revelation must be shared to be appreciated. So typically, I began to buy these new magazines, searching nooks and crannies of cities so beautiful, they took my breath away, to find sometimes quaint, sometimes immense newsstands across the world. And from my determined hunts, I gathered some of the finest and most creative ink on paper products that I have seen in a long time.

So for your viewing pleasure, take a look at the treasures I brought back from a few of the world’s newsstands and…Vive le pouvoir des revues imprimées!

Until my ship sails again…
Mr. Magazine™
© Samir “Mr. Magazine™” Husni, 2014.

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