Archive for the ‘News and Views’ Category

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SimpleCirc’s Managing Director Dave Jones To Samir “Mr. Magazine™” Husni: “People Just Have To Stay The Course.” The Mr. Magazine™ Interview…

May 7, 2020

Publishing During A Pandemic (29)

“People just have to stay the course. If you’re losing out on advertising, that’s understandable. But keep in contact with your advertisers, keep in contact with your customers. I think that’s really important for a publication, whether you’re emailing them and letting them know what’s up or when you think the next issue is coming, just put something in their hand and let them know. You have a captive audience right now of readers who normally wouldn’t be home or have time to read your publication.” … Dave Jones

SimpleCirc subscription software is designed to help publishers manage their circulation and increase subscriber retention while saving them time and money. Dave Jones is the managing director of the company and one of its founders. Being in the small publishing business themselves, Dave and SimpleCirc know all about what it takes to move forward in small or large publishing, but what about during a pandemic?

I spoke with Dave recently and we talked about that. About how staying the course is really the only thing you can do and maybe pausing in an attempt to weather the crisis and move through it and come out on the other side as strong as possible. Dave said that keeping in close contact with your customers and reminding them that you’re there for them is an important part of staying that course.

Indeed. We all need to know we’re in this together.

And now the 29th Mr. Magazine™ interview in the series of Publishing During A Pandemic with Dave Jones, managing director, SimpleCirc.

But first the sound-bites:

On how SimpleCirc is operating during the pandemic: What we did is reach out to all of our publishers, of course, to let them know different ways that they can take advantage of this opportunity, because as a small publisher myself, we do eight small publications for the National Football League; we have found that people seem to be reading more and they’re more engaged because they’re home.

On the genesis of SimpleCirc: We own a publishing company, as I mentioned. We’re small publishers and we’ve had it for a long time, it covers the National Football League. I went through a whole bunch of different software, installed software that would crash on the server; we tried software that was too advanced and had too many things on it that we wouldn’t use, all these different features. So, we created SimpleCirc for us to use in our publications only. And then other publishers and associations that we belonged to started asking us about it, so we gave it to them. Then we added more features, but we kept everything that small publishers need.

On SimpleCirc publishing sports magazines and how they are adjusting to the ever-changing sports landscape during the pandemic: That’s a good question, because we’re football publications. I’ll just give you a quick example, we had to do a draft guide, the NFL Draft is at the end of April, so we had to have it all ready to go and printed by February to mail off to everybody. And if you didn’t get it out by then no one would receive it. We’d have to give tens of thousands of dollars in refunds and as a small company we couldn’t do that.

On what advice he gives to small publishers during this pandemic: I talk to them about marketing, because a lot of these small publishers do not know how to market effectively. So, I tell them to utilize their emails, utilize their global mailings; let’s see what your mail house is doing. We put all of those things together and we help them. Also, we make them take advantage of their digital product. That’s an uphill battle, because a lot of publishers don’t use digital products. So, we tell them to offer their customers a digital product; email them out.

On when he and his partners decided to share SimpleCirc with other small publishers: We were at a convention, we have all the publishers meet every year in Las Vegas, and we were telling some of the other publishers about it and they really liked it, so we let them use it. They fell in love with it. And they would pass it on to some other people that weren’t in the sports field who would then try it out. And people really enjoyed it.

On the one, two, three of how SimpleCirc helps publishers: We will import their data, give them a free trial, three months of using SimpleCirc. I would give them a quick presentation, an overview of how it works. There are no instructions with SimpleCirc, none. If you go to our website, it kind of walks you through it. It’ll read: type in your publication and how many issues you do per year. Then type in your price. So, we walk you through it and you can be set up in 20 minutes.

On who owns the data: They own it. We use Amazon servers, so we’re not using servers in the basement. It’s all on Amazon, so obviously they own it. The good thing is they have really easy access to the data. They can download their data 100 times a day if they want to. The easy access was important, because the company we used before this, we had no access to our data. It was like asking permission, like we were beholden to them. So, it was crazy.

On how he feels about the near future: What scares me is the football aspect, whether or not they’re going to play football. But here’s the good thing, we know that football is not going away. As a publisher, I know that. It may get postponed or come on a limited basis. So, that’s good. We won’t have customers saying give us our money back because football is being put out of business. We tell our customers we’re putting everything on pause.

On any additional words of wisdom: People just have to stay the course. If you’re losing out on advertising, that’s understandable. But keep in contact with your advertisers, keep in contact with your customers. I think that’s really important for a publication, whether you’re emailing them and letting them know what’s up or when you think the next issue is coming, just put something in their hand and let them know. You have a captive audience right now of readers who normally wouldn’t be home or have time to read your publication.

On what keeps him up at night: The big thing is what does the future hold, because everybody knows that what you lose in print, you don’t pick up in digital. The numbers are much smaller. That scares me. I want to be able to get through this and have a kind of plan to move forward. None of us know, however. We don’t know what’s going to happen, we can only guess. And then, I have to get out of the house. (Laughs) I need to get out.

And now the lightly edited transcript of the Mr. Magazine™ interview with Dave Jones, managing director, SimpleCirc.

Samir Husni: How is SimpleCirc operating during this pandemic?

Dave Jones: What we did is reach out to all of our publishers, of course, to let them know different ways that they can take advantage of this opportunity, because as a small publisher myself, we do eight small publications for the National Football League; we have found that people seem to be reading more and they’re more engaged because they’re home.

So, when we sent out our renewal notices, we had a renewal notice that went out early February and we had a very high return, which some of it had to do with the pandemic, but what we did is reach out to our customers to make sure they are keeping in contact their subscribers. We built this link, because a lot of them didn’t do email for some reason, they would just do snail mail and that would take forever, so we built this renewal link where every subscriber that they had would have their own special link and then when they would send it out, the customer would click on it and an order form would already be filled out. All they would have to do is drop in their credit card number. And that seemed to help a lot of different publishers bring in money during this time.

Samir Husni: Tell me the story behind SimpleCirc.

Dave Jones: We own a publishing company, as I mentioned. We’re small publishers and we’ve had it for a long time, it covers the National Football League. I went through a whole bunch of different software, installed software that would crash on the server; we tried software that was too advanced and had too many things on it that we wouldn’t use, all these different features. So, we created SimpleCirc for us to use in our publications only.

And then other publishers and associations that we belonged to started asking us about it, so we gave it to them. Then we added more features, but we kept everything that small publishers need. We had all the sales reports, email… because at the end of the day it’s just a database, that’s all we are, we’re not doing anything special. So, we put everything together and collaborated with small publishers. Then it just took off.

I think people really like it because we’re publishers ourselves, we aren’t tech people, and we built it so publishers could understand. And we’re adding a lot of different features to it. We only sell it bimonthly, and in the 2½ years we’ve been selling it, no one has left us because they think it’s just great for them. And we make it real easy for them as well. That’s one of the things about SimpleCirc.

Samir Husni: It seems this pandemic has hit you with a double whammy, your magazines are all sports-related, National Football League. So, between publishing the magazines and what’s happening in the sports world, how are you adjusting to this ever-changing landscape?

Dave Jones: That’s a good question, because we’re football publications. I’ll just give you a quick example, we had to do a draft guide, the NFL Draft is at the end of April, so we had to have it all ready to go and printed by February to mail off to everybody.

And if you didn’t get it out by then no one would receive it. We’d have to give tens of thousands of dollars in refunds and as a small company we couldn’t do that. So, we got it all ready and then our printer closed down. We had to find a new printer, resize everything, and then we found someone who could do it. Our mail house closed down as well, so we had to find someone to mail it out.

To make a long story short, we got the issue out and I think our subscribers for our team publications that received the Draft Digest knew that we were still publishing and people were calling us and thanking us for publishing it. Now, we’re just waiting for football season. If football season doesn’t start, we’re in big trouble.

A lot of the publishers, they aren’t into sports, but they have the same issue. They’re not selling advertising; subscribers are wondering if they’re going to keep publishing; the printers have closed, so we kind of coached them on switching people to digital, which was really hard to do, because I’m sure you know, when people like print they like print. Most of the print people are older clientele, so you’re right, we got hit both ways. Our publishers haven’t seen any effects yet, but that’s coming down the road, I think, within the next two months.

Samir Husni: When you reach out to those small publishers, what advice are you giving them?

Dave Jones: I talk to them about marketing, because a lot of these small publishers do not know how to market effectively. So, I tell them to utilize their emails, utilize their global mailings; let’s see what your mail house is doing. We put all of those things together and we help them. Also, we make them take advantage of their digital product. That’s an uphill battle, because a lot of publishers don’t use digital products. So, we tell them to offer their customers a digital product; email them out.

I saw you did an interview with the guys from The Week. I get that publication. They did a letter for a couple of issues, right on the front, that said here’s what’s going to happen. They’ve done that and I think the publishers have seen pretty good results from that.

Another problem that we’re coming across is snail mail is going so slow with the post office. It took some people 30 days to receive our Draft Digest in the mail. That was in New York City and New Jersey. And we mail from Buffalo, N.Y. We had people in Arizona receiving it before people in New York, because delivery was so messed up due to the virus.

Samir Husni: When you and your partners came up with the idea for SimpleCirc, it was mainly to serve yourselves; when was that “light bulb” moment that you said, we’ve done something good, we should share it?

Dave Jones: We were at a convention, we have all the publishers meet every year in Las Vegas, and we were telling some of the other publishers about it and they really liked it, so we let them use it. They fell in love with it. And they would pass it on to some other people that weren’t in the sports field who would then try it out. And people really enjoyed it. We started out with small publishers, but now we actually have large publishers too. We have some publishers who have under 1,000 and now we have some that have 300,000. So, it has really grown quite a bit. We keep adding it and growing it as we go.

Once we knew our customers liked it, we knew we really had something here. It’s really the service that they like the most, I think. We have really good service and understand their business.

Samir Husni: If a publisher calls you and says, Dave, I have a magazine with 10,000 subscribers, what can you do for me? Tell me the one, two, three of how you would help them.

Dave Jones: We will import their data, give them a free trial, three months of using SimpleCirc. I would give them a quick presentation, an overview of how it works. There are no instructions with SimpleCirc, none. If you go to our website, it kind of walks you through it. It’ll read: type in your publication and how many issues you do per year. Then type in your price. So, we walk you through it and you can be set up in 20 minutes.

I tell people let’s get them set up so they can play around with it. Test it out, do some real orders. You can do everything real on it, take real orders on it. That gives them a feel and they can take ownership of it. We have 150 publishers and they can talk to anyone they want.

Samir Husni: Who owns the data? Who owns the names on the circulation lists?

Dave Jones: They own it. We use Amazon servers, so we’re not using servers in the basement. It’s all on Amazon, so obviously they own it. The good thing is they have really easy access to the data. They can download their data 100 times a day if they want to. The easy access was important, because the company we used before this, we had no access to our data. It was like asking permission, like we were beholden to them. So, it was crazy.

Samir Husni: Did you ever imagine that you would be working during a pandemic and how do you feel about the near future?

Dave Jones: What scares me is the football aspect, whether or not they’re going to play football. But here’s the good thing, we know that football is not going away. As a publisher, I know that. It may get postponed or come on a limited basis. So, that’s good. We won’t have customers saying give us our money back because football is being put out of business. We tell our customers we’re putting everything on pause.

The other part is you don’t want your writers getting sick, you want to keep paying them, which we are because they’re working. We have them in every city. The big thing is I want people to get their product through the mail. I don’t think it’s going away, but mail is under attack, and we have to make sure they can still deliver our product. So, there are always outside factors that have nothing to do with us.

You want the teams to do well. If most of them stink in the NFL we cover, that can hurt you. Then the pandemic hurts you, so it’s a bit strange how we have to do everything. But I know magazines aren’t going away right now. With SimpleCirc, we just have to put things on pause and give customers a break and help them out if they have issues. We’re very proactive in that.

Samir Husni: Any additional words of wisdom?

Dave Jones: People just have to stay the course. If you’re losing out on advertising, that’s understandable. But keep in contact with your advertisers, keep in contact with your customers. I think that’s really important for a publication, whether you’re emailing them and letting them know what’s up or when you think the next issue is coming, just put something in their hand and let them know. You have a captive audience right now of readers who normally wouldn’t be home or have time to read your publication.

Samir Husni: My typical last question; what keeps you up at night?

Dave Jones: The big thing is what does the future hold, because everybody knows that what you lose in print, you don’t pick up in digital. The numbers are much smaller. That scares me. I want to be able to get through this and have a kind of plan to move forward. None of us know, however. We don’t know what’s going to happen, we can only guess. And then, I have to get out of the house. (Laughs) I need to get out.

Samir Husni: Thank you.

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Executive Media Global’s Publisher & Editor In Chief, Gemma Peckham, To Samir “Mr. Magazine™ Husni: “All We Can Do In A Situation Like This Is Stay The Course, That’s Important.” The Mr. Magazine™ Interview…

May 6, 2020

Publishing During A Pandemic (28)

“I’m always trying to think of new magazine ideas. We’re trying to build Executive Media Global to a point where we have a number of publications that work for us. I always think of things that appeal to me, obviously, because the more interested I am the more likely it is that it will be successful because you need to have that passion for something.” … Gemma Peckham

“All we can do in a situation like this is stay the course, that’s important. I’ve been doing a bit of research about crises in the past, things like the recessions and the Depression, and you have to have confidence in what you’re doing and in moving forward, knowing that this will end at some point, and making sure that you still have something that you’re focused on. You can’t prepare, I don’t believe, but you need to stay true to the ethos of the publication. We’re making alterations, but we can still keep true to the core of what it is we’re trying to do.” … Gemma Peckham

Stay the course. During a pandemic, that is very sound advice, indeed. And Gemma Peckham, publisher and editor in chief at Executive Media Global, is planning on taking it and holding steady and strong. From Rova magazine, a travel title for the perpetual RV person, to a brand new launch getting ready to hit the market called Oh Reader, for reading enthusiasts everywhere, she and her Australian-based company, Executive Media Global, are determined to not only hold strong, but build up their portfolio of titles as they move forward.

I spoke with Gemma recently and we talked about the launch of the new “Oh Reader” and how “Rova” was rolling along during these uncertain times. While she was of course realistic, she was also hopeful about the future of magazines and magazine publishing.

And now the 28th Mr. Magazine™ interview in the series of Publishing During A Pandemic with Gemma Peckham, Executive Media Global’s Publisher & Editor In Chief.

But first the sound-bites:

On how she is managing a travel magazine, Rova, and launching a new title, Oh Reader, during a pandemic: The last few weeks in particular have been – it’s a matter of making decisions about what’s going to work best for the business. So, it’s been tough trying to figure out the best way. And because the two magazines are at such different stages, we have to give them considerations from different points of view.

On how easy, hard, or disruptive was the move to working from home: We actually have an office in Manhattan, where myself, an editorial assistant, and our sales staff work together. So, as soon as all of this stuff happened, I instructed everybody to work from home. It’s changed in terms of our physical location, but it’s lucky that we can do most of what we do from any location that has Internet. I’m very used to collaborating with people who aren’t necessarily in front of me, so it’s been an easier transition for me, I suppose, than maybe for other publishers.

On whether she thinks the RV travel magazine, Rova, is more relevant today than ever before because of this pandemic or there will be a better time for it after this is over: I think after is what we’re looking at because initially I thought it would be great for people who are out on the road, not great, but they’re in a situation where they can move their vehicle somewhere and stay there to ride out the pandemic. But a lot of state parks and RV parks are closing down, so they’re actually saying the opposite, now they’re scrambling to find somewhere to stay, all these full-time RVers, because they don’t have a permanent place of residence.

On the new magazine Oh Reader: I would say that it’s a magazine for people who like to read. The tagline is “For The Love of Reading.” And it’s about the way that people interact with books and literature. Rather than having book reviews and interviews and things like that, we have stories about how a particular book has shaped somebody’s life or how reading has helped someone come through a difficult situation.

On why she thinks the magazine as a platform is still relevant today: That’s a really good question. For Oh Reader, it’s really based on my own experience with reading. Obviously, I’m coming from a unique standpoint in that I am a magazine publisher and I love to read books, so I automatically put those things together. But I think when you listen to readers talking, part of what they say they love about reading is holding the book and turning the pages. Many are reluctant to start reading with technology because they just love that experience with the paper.

On whether she had ever thought of working during something like a pandemic and if she thinks someone could prepare for something like it: No, you can’t prepare for it. Who would have thought a couple of months ago that this would be the situation that we’re in. The news is changing every day, they don’t know what’s going to happen tomorrow. They’re realizing things about yesterday that are not correct.

On what keeps her up at night: That’s a pretty loaded question at the moment. (Laughs) There’s a lot actually, from a personal perspective. I’m thinking about my family back in Australia and when I can see them again. Just when things might get back to a point where we can see our loved ones and give them a hug.

And now the lightly edited transcript of the Mr. Magazine™ interview with Gemma Peckham, Publisher & Editor In Chief at Executive Media Global.

Samir Husni: You have a bimonthly travel magazine called Rova and you’re getting ready to launch a new magazine, Oh Reader. How are you functioning as a magazine editor/publisher in the midst of this pandemic?

Gemma Peckham: The last few weeks in particular have been – it’s a matter of making decisions about what’s going to work best for the business. So, it’s been tough trying to figure out the best way. And because the two magazines are at such different stages, we have to give them considerations from different points of view. With Rova, for example, we did discuss skipping an edition; we talked about combining an edition so that we would have a double edition later on down the track. But after conversations that I’ve had with professionals in the industry, for our subscribers of Rova, our loyal readers, I didn’t want them to have to wait for the next edition. I didn’t want to disrupt the continuity we have going with it.

Obviously, print bills and other things are an issue because of lower advertising, just people not spending, they’re not actually paying their bills at the moment because they’re saying that they don’t have the money.

But we’re continuing with whatever newsstand circulation we can get, which is a lot lower than it was before because of, obviously, Barnes & Noble and the other bookstore closures. That has significantly reduced the newsstand circulation. We are going to be selling preorder copies online, which we haven’t really done before. We’ll ask people to purchase them ahead of time, so that we can factor that into the print order and we can get them straight out from the printer. And we’re actually reducing the page extent from 96 to 80 as well.

All of those decisions were made between myself and the president of the company, who’s in Australia. It’s hard because we don’t know what we’re going to be able to sell, in terms of preorders; we don’t know how many people will be actually going to stores to pick up magazines and that’s really affected our advertising sales as well, because a lot of our advertisers are concerned that their ads won’t be reaching anywhere near as many people as they were before. So, that has really been a struggle.

Having said that, we’ve actually had a few inquiries from advertisers recently about getting into the June edition for summer. It’s difficult, because the news is showing people that the country is going to be open again in a month or so, which I don’t necessarily believe is the case, particularly being here in New York. It doesn’t feel like a possibility for us, at least. But I do think there are people who are planning still for editions down the road, maybe summer, into fall.

All of that is a long-winded way of saying it’s a difficult time and it’s a time where you have to make decisions without really knowing what the outcome of those are going to be, because it’s such an unprecedented circumstance.

And with Oh Reader, it’s a magazine we were set to launch in June. We were going to do a launch party in New York City, invite all of these bloggers over, obviously we can’t do that now. And also just launching into our whole marketing strategy, which was to go into bookstores, such as Barnes & Noble and Books-A-Million, because it’s a magazine about reading. Without any of those stores currently accepting magazines, we didn’t think it was the right time to do that.

So, we’re still going to proceed with our June launch; we’ll do a digital edition and a print-on-demand run for anyone who has preordered it, anyone who has already subscribed and then we’ll actually do a harder launch for the September edition. Hopefully.

I had already gathered all the content for Oh Reader, and it’s all such great content that I don’t want to do a disservice to the authors by only publishing online. I also don’t want to put off the publication date, because we’ve had all these plans in place. And I think some good could come out of keeping the launch in June. If we make it available online, hopefully it will generate some interest through the online channels and social media. We will print as many copies as we need to and we’ll print promotional copies as well to send out to advertisers.

There could be some good to come out this, for sure. And we’re just excited to get it launched as well, because it’s a fun magazine.

Samir Husni: How easy, hard, or disruptive was the move to working from home?

Gemma Peckham: We actually have an office in Manhattan, where myself, an editorial assistant, and our sales staff work together. So, as soon as all of this stuff happened, I instructed everybody to work from home. It’s changed in terms of our physical location, but it’s lucky that we can do most of what we do from any location that has Internet. I’m very used to collaborating with people who aren’t necessarily in front of me, so it’s been an easier transition for me, I suppose, than maybe for other publishers. And also, larger publishers, because we’re so small we can kind of mover around and it’s not too difficult for us.

The location has changed, but I’m still able to do everything I was doing before and sales is a fun-based job so I can keep making those calls.

Samir Husni: Do you think Rova is more relevant today than ever before because of this pandemic or will it be better after?

Gemma Peckham: I think after is what we’re looking at because initially I thought it would be great for people who are out on the road, not great, but they’re in a situation where they can move their vehicle somewhere and stay there to ride out the pandemic. But a lot of state parks and RV parks are closing down, so they’re actually saying the opposite, now they’re scrambling to find somewhere to stay, all these full-time RVers, because they don’t have a permanent place of residence.

So, I think in terms of those readers they’re a little bit displaced at the moment, they’re not necessarily planning more travel, they’re planning to stay still. But on the other side of that, and this is something we’ve seen previously, once all of the restrictions lift, I think people will be much more likely to be traveling domestically than internationally. Road trips as opposed to air travel will become a lot more popular.

We have a magazine in Australia that’s similar called “Caravanning Australia” and directly after 9/11 the popularity and the sales of that magazine just shot up. It was a really big time for us at that publication. And part of its success was that road trips and travel became more prominent and the way people preferred to travel because of the fear around air travel.

So, we’re hoping that out of this will come a bit of a surge in domestic travel, and more interest in what we do.

Samir Husni: Tell me briefly about the new magazine, Oh Reader.

Gemma Peckham: I’m always trying to think of new magazine ideas. We’re trying to build Executive Media Global to a point where we have a number of publications that work for us. I always think of things that appeal to me, obviously, because the more interested I am the more likely it is that it will be successful because you need to have that passion for something.

I was looking around and reading a lot of books, looking for magazines that were related to the book industry, reading as a lifestyle. Most of the magazines that I could find, things like Bookforum and a bunch of other publications that were… I mean, they’re great for what they are, but they’re book reviews, author interviews, and all of that is fantastic, but there was nothing that spoke to me as a reader, with the kinds of things I like to do and think about when it comes to reading.

I would say that it’s a magazine for people who like to read. The tagline is “For The Love of Reading.” And it’s about the way that people interact with books and literature. Rather than having book reviews and interviews and things like that, we have stories about how a particular book has shaped somebody’s life or how reading has helped someone come through a difficult situation.

We have some humorous pieces as well. There’s a mother who’s writing an article about the five stages of grief, when she realizes her child doesn’t like Harry Potter. It’s just the way people interact with books and are inspired by literature.

There are so many people who love to read; if you get on Instagram, Books Hashtag Instagram has 30 or 40 million hashtags and they’re people who love to show off their bookshelves and what they’re reading, they love to discuss what they’re reading and there wasn’t a magazine that really catered to those people. So, we wanted to fill that gap, keep people inspired and connect them as well, because it’s such a huge community of readers. I think that we can tell them each other’s stories to keep them connected and interested.

Samir Husni: Why do you think the magazine as a platform is still relevant today?

Gemma Peckham: That’s a really good question. For Oh Reader, it’s really based on my own experience with reading. Obviously, I’m coming from a unique standpoint in that I am a magazine publisher and I love to read books, so I automatically put those things together. But I think when you listen to readers talking, part of what they say they love about reading is holding the book and turning the pages. Many are reluctant to start reading with technology because they just love that experience with the paper.

This magazine will only work in a printed format because that’s what this particular passionate segment of the market is into, that’s what they’re going to want to read. We’ll obviously have a digital edition as well, but I think the printed product is, for this particular audience, unique. It’s one of the only sectors where you can say people will definitely want to read this on paper as opposed to digitally.

More broadly, obviously there has been a lot of talk about the death of the magazine and the death of print publishing. I can see the point a lot of people are trying to make with that, but I also see that people are reverting to authenticity and they’re going back to more analog methods of interacting, such as magazines, just because we have screen fatigue. I have three screens in front of me right now and I can’t wait to get away from them to read my books. The information overload that we have, because of all of these screens coming at us is really causing people to want to detach from that a little bit.

And I think that’s helping, particularly niche publications, where people are escaping to something that they love, a hobby or pastime, and they can get away from all these screens and they can relax.

Samir Husni: Did you ever imagine that you would be working during a pandemic and do you think anyone could ever prepare for something like this?

Gemma Peckham: No, you can’t prepare for it. Who would have thought a couple of months ago that this would be the situation that we’re in. The news is changing every day, they don’t know what’s going to happen tomorrow. They’re realizing things about yesterday that are not correct.

All we can do in a situation like this is stay the course, that’s important. I’ve been doing a bit of research about crises in the past, things like the recessions and the Depression, and you have to have confidence in what you’re doing and in moving forward, knowing that this will end at some point, and making sure that you still have something that you’re focused on. You can’t prepare, I don’t believe, but you need to stay true to the ethos of the publication. We’re making alterations, but we can still keep true to the core of what it is we’re trying to do.

Samir Husni: My typical last question; what keeps you up at night?

Gemma Peckham: That’s a pretty loaded question at the moment. (Laughs) There’s a lot actually, from a personal perspective. I’m thinking about my family back in Australia and when I can see them again. Just when things might get back to a point where we can see our loved ones and give them a hug.

Professionally, I’m thinking a lot about just the future of all of these publications we’re doing. Also, the new endeavor that we’ve taken on, which is Mag Box, a box of five magazines that includes other Indie publishers who have collaborated with us, we’re just trying to get that moving. You get online, buy the bundle and it’s delivered to your house. It’s very early, we only launched it last week. We’re excited about it.

But honestly, I have had quite a few nights recently where I couldn’t sleep because I was thinking about what’s going to happen tomorrow and how will I take the next steps forward.

Samir Husni: Thank you.

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Blaise Zerega, Managing Editor, Alta Magazine To Samir “Mr. Magazine™” Husni: “We’re Leaning Into And Embracing What That Idea Of Adding Value To The Content Means.” The Mr. Magazine™ Interview…

May 4, 2020

Publishing During A Pandemic (27)

“The great thing about magazines is it’s a collaborative effort. It’s a team effort. You get an exchange of ideas; you pound a table; you raise your voice; the best stories get into the lineup; the best layout, that kind of stuff, in a very collegial way though. My advice or instinct is you have to find a way to replicate that and Zoom is one way, just whatever you have to do. That’s what sets magazines apart. Teamwork makes the dream work. (Laughs) There’s no “I” in team. And I believe that. That comes from taking care of your team too. Making sure people aren’t nervous and to help them bring out their best, you have to make sure they’re safe and healthy.” … Blaise Zerega

“From a business perspective, all of our revenue is really about subscriptions. So, that has been strong and growing. We actually just raised our prices at the first of the year, so that feels like we’re in a good place financially. We’ve added some things to the mix like other publishing enterprises where we’re doing virtual events. We just had one recently with Susan Straight; it’s called “Alta Asks Live.” We did another on true crime. And that’s been a lot of fun. And I think that’s going to be a real evolutionary cycle of change for publishers, doing more virtual events. The question is, is it a short-term change or is it here to stay? I think it’s going to be here to stay.” … Blaise Zerega

Alta magazine is a quarterly journal dedicated to California and to celebrating California’s culture, issues and all-important history. Unfortunately, like everyone else in our country and most of the world, the Alta team has been dealing with and operating around COVID-19. William R. Hearst III is the founder and publisher of the magazine and certainly knows his way around the world of print, but when facing a pandemic, many things had to change and we all had to learn to adapt.

Blaise Zerega is managing editor of Alta and isn’t a stranger to magazines either, having helped lead such titles as Wired, Conde Nast Portfolio, and Forbes. I spoke with Blaise recently and we talked about how things were being handled during this life-altering pandemic. The things that have remained the same for the Alta team, such as working remotely, and the things that have changed, the closures of bookstores and newsstands.

Blaise is into the smart, timely essays that Alta does so well, both in print and online. He said enabling his readers to think more broadly about a topic is definitely a goal. And with the Alta content, that would seem to be no problem. The brand is timely and most certainly innovative, as he explains that the magazine is coming out with a science fiction cover package, which gives an opportunity to bring in new fiction from some really great writers.

And right now the truth seems stranger than most science fiction, so good storytelling is a definite escape we all need.

And now the 27th Mr. Magazine™ interview in the series of Publishing During A Pandemic with Blaise Zerega, managing editor, Alta magazine.

But first the sound-bites:

On how he has been operating during the pandemic: In some ways, as a quarterly, we have a different experience than a weekly or a monthly, but in many ways it’s the same. When the pandemic hit and shelter-in-place was announced, we were embarking on the production of our summer issue. We quickly had to put on hold any story that required onsite reporting, travel, photography, which of course, are all the tools of magazine-making.

On being a remote staff anyway, but handling other issues during the pandemic: Some of the other issues we’re dealing with are, even though we’re a remote staff, we do depend on getting together quite often to meet face-to-face. We were already on Slack and we’ve now added Zoom to the mix. But the copy editors, they want the paper still and so we’re trying to figure out how we get printouts for proofreading. You can proofread on a screen, but at the end of the day, it’s a paper product that we’re producing, so we want to see that paper to proofread.

On whether he had ever thought of working during something like a pandemic and if he thinks someone could prepare for something like it: No, I did not prepare for a pandemic. I had no idea it was coming. When 9/11 happened, I was in San Francisco at Red Herring, and then when I went to Portfolio, a lot of people from The Wall Street Journal were there. And they had continued to put out issues during 9/11. So, I heard their stories and how they did it.

On why it is important to continue to have the ink on paper product in the hands of readers during these uncertain times: One of the things that we went through as we put together the lineup, we went through various versions of what we were going to be putting out in July, and it forced us to answer those questions: what is the value that we’re giving our readers, our members? What’s the experience that we’re going to provide them.

On any challenges he hasn’t been able to easily overcome during the pandemic: The biggest things aren’t on the editorial and the production side of things. Yes, our printer announced bankruptcy, but that’s not going to change anything because of Chapter 11 and so on. The biggest challenge is the newsstand and the bookstores.

On any additional words of wisdom: The great thing about magazines is it’s a collaborative effort. It’s a team effort. You get an exchange of ideas; you pound a table; you raise your voice; the best stories get into the lineup; the best layout, that kind of stuff, in a very collegial way though. My advice or instinct is you have to find a way to replicate that and Zoom is one way, just whatever you have to do. That’s what sets magazines apart.

On what keeps him up at night: As someone who has been in the industry for a long time, with magazines you buy paper, you add a value to the paper and you resell the paper. And that value is the stories, that’s the magic. So, what does that look like coming out of the pandemic? Do we need to change? What are people going to want? And I believe, this is heresy to say it to you even, but I’m wondering if the monthly magazine is now really imperiled.

And now the lightly edited transcript of the Mr. Magazine™ interview with Blaise Zerega, managing editor, Alta magazine.

Samir Husni: How have you been operating a quarterly print magazine during this pandemic?

Blaise Zerega: In some ways, as a quarterly, we have a different experience than a weekly or a monthly, but in many ways it’s the same. When the pandemic hit and shelter-in-place was announced, we were embarking on the production of our summer issue. We quickly had to put on hold any story that required onsite reporting, travel, photography, which of course, are all the tools of magazine-making. We basically sat back and asked, “What are we going to do? What is our issue going to look like? What can we put out that is in keeping with our focus on the big pictures?” Sometimes my boss, Will Hearst, jokes that we cover the past and the future, but not the present, (Laughs) but we do strive to be timely and relevant.

What we ended up doing was basically tearing up our issue and produce a summer reading issue. Initially we thought it would be a departure, sort of a one-off, but now as we’re producing it, we’re thinking that this might be where Alta should have been all along, which is a journal of Alta, California, our magazine’s title.

As an example, we’re scrapping the sections, the typical magazine sections. Instead, we’re going to be more of a journal, so it will be a great read from beginning to end. We’re going to do more poetry and I’ll tip my hand here, we’re coming out with science fiction as a cover package, which gives us an opportunity to bring in new fiction from some really great writers, as well as the classics and some really smart essays on the genre, how it’s sort of a first draft history of science fiction in many ways.

It seems on one hand, because we’d been thinking about doing science fiction for a while, suddenly it seems smart and relevant. Lawrence Wright, when he sat down to write his book that’s out now about a virus and a pandemic, that was like two years ago, who would have thought? And now his book is well-timed. I think that we’re experiencing a little bit of that same coincidence or serendipity.

But like any other publication, our chief concern is the safety and health of our team and our audience. So that has driven a lot of our schedules in how we’re producing the magazine. We are a remote staff already, so that wasn’t terribly new. Except that we do get together frequently with our boss, Will Hearst, to put the covers out on the conference room table and I definitely miss that. So, that has been a big change, and not just the physical touching of paper, but of being in the room, there’s only so much you can do with Zoom holding stuff up.

Samir Husni: Since your publication works remotely anyway, has it been fairly seamless to continue working from home even though many things have changed, such as traveling and photography? How have you been handling those other issues?

Blaise Zerega: Some of the other issues we’re dealing with are, even though we’re a remote staff, we do depend on getting together quite often to meet face-to-face. We were already on Slack and we’ve now added Zoom to the mix. But the copy editors, they want the paper still and so we’re trying to figure out how we get printouts for proofreading. You can proofread on a screen, but at the end of the day, it’s a paper product that we’re producing, so we want to see that paper to proofread. So, we’re basically working with drops, someone drops it off at someone’s house. We just coordinate runs that way.

From a business perspective, all of our revenue is really about subscriptions. So, that has been strong and growing. We actually just raised our prices at the first of the year, so that feels like we’re in a good place financially. We’ve added some things to the mix like other publishing enterprises where we’re doing virtual events. We just had one recently with Susan Straight; it’s called “Alta Asks Live.” We did another on true crime. And that’s been a lot of fun. And I think that’s going to be a real evolutionary cycle of change for publishers, doing more virtual events. The question is, is it a short-term change or is it here to stay? I think it’s going to be here to stay.

Samir Husni: Did you ever imagine that you would be working during a pandemic and do you think anyone could ever prepare for something like this?

Blaise Zerega: No, I did not prepare for a pandemic. I had no idea it was coming. When 9/11 happened, I was in San Francisco at Red Herring, and then when I went to Portfolio, a lot of people from The Wall Street Journal were there. And they had continued to put out issues during 9/11. So, I heard their stories and how they did it. In San Francisco, we’ve had earthquakes and people have put magazines out running power cords through ceiling, things like that. So, you have to react, but at the end of the day, a lot of editors have learned to have a book excerpt in your back pocket and some spare stories.

But with this, we really had to scramble and make lemonade. And definitely for a quarterly, we’re on a different frequency and different deadlines than a daily or a weekly, so I don’t pretend that it’s the same. But there are a lot of similarities there.

Samir Husni: Why is it important to continue to have the ink on paper product in the hands of your readers during these uncertain times?

Blaise Zerega: One of the things that we went through as we put together the lineup, we went through various versions of what we were going to be putting out in July, and it forced us to answer those questions: what is the value that we’re giving our readers, our members? What’s the experience that we’re going to provide them.

And more than ever, we realized that we want to weigh in on this in a smart way, in a very evergreen way, but not with endless shelf life, and smart analysis of the people’s issues and ideas of California and the West. And the pandemic is one of those factors, no doubt. But we’re not going to be able to cover the Coronavirus news cycle as a quarterly, but it will inform our coverage.

What it has done is we are publishing more online, more original content, and so we’ve done essays. We have a great essay by Dean Kuipers, who wrote The Deer Camp memoir. It turns out he and his wife own a farm in Los Angeles, yes there’s a farm in Los Angeles (Laughs) digging in the dirt, getting your hands in there, and growing your own food kind of farm. And that is an essay that’s just perfect for the time we’re living in now.

And it enables our readers to think more broadly, such as hey, it’s hard for me to plant those tomato seeds on the windowsill, or Historian Bill Deverell from USC, who wrote a really smart essay about how in California we have a cycle of racism and violence every time there’s a disease outbreak. There’s always scapegoating and so on and we need to break that cycle. Something that people are keenly aware of, but now have an opportunity to do so.

So, we’re doing it in a way that’s not breaking news, to be clear, but exposing these ideas and new ways of thinking around the virus and what comes next, in the magazine, I think the science fiction is a good bridge for that.

Samir Husni: Have you had any challenges that you haven’t been able to easily overcome during this pandemic?

Blaise Zerega: The biggest things aren’t on the editorial and the production side of things. Yes, our printer announced bankruptcy, but that’s not going to change anything because of Chapter 11 and so on. The biggest challenge is the newsstand and the bookstores. And again, Will Hearst gets a lot of credit for this, when Alta was starting he recognized that bookstores would be a great place, a great vehicle, to sell the magazine. It’s a really smart, literary/culture magazine, so let’s roll it out to the bookstores.

We all know that the newsstands have shut down and the bookstores have shut down too, Barnes & Noble has shut down. So, that’s the challenge for us. And that’s going to change. So, one of the things that we’ve done in a quick way is put up a store on our site and we’re selling single-issue copies. Something we would have never predicted we’d be doing. We’re selling them at the newsstand price, which is $10. To subscribe to the magazine it’s $24. So, it’s a good subscription tool.

Samir Husni: Any additional words of wisdom?

Blaise Zerega: The great thing about magazines is it’s a collaborative effort. It’s a team effort. You get an exchange of ideas; you pound a table; you raise your voice; the best stories get into the lineup; the best layout, that kind of stuff, in a very collegial way though. My advice or instinct is you have to find a way to replicate that and Zoom is one way, just whatever you have to do. That’s what sets magazines apart. Teamwork makes the dream work. (Laughs) There’s no “I” in team. And I believe that. That comes from taking care of your team too. Making sure people aren’t nervous and to help them bring out their best, you have to make sure they’re safe and healthy.

Samir Husni: My typical last question; what keeps you up at night?

Blaise Zerega: As someone who has been in the industry for a long time, with magazines you buy paper, you add a value to the paper and you resell the paper. And that value is the stories, that’s the magic. So, what does that look like coming out of the pandemic? Do we need to change? What are people going to want? And I believe, this is heresy to say it to you even, but I’m wondering if the monthly magazine is now really imperiled. Is it going to survive in its current form? Vogue is a bellwether, it’s doing a combined issue for the first time. The newsstand is in trouble, advertising is not coming back. So, where does paper go?

I believe strongly that at Alta we’re at a pretty interesting place. We’re the Journal of Alta California; we’re quarterly. And I think that our frequency suits us well. It suits the time well; what we’re trying to do. We’re going to make our next issue perfect bound as well. Have cover stock and more art. We’re leaning into and embracing what that idea of adding value to the content means. Let’s make it really worth the paper it’s printed on so people want it on their bookcase.

And this is only our 12th issue, if we were a monthly, we’d be one-year-old. And we’re all having fun. There are these moments of joy and creativity that are unparalleled.

Samir Husni: Thank you.

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The MVP Of Magazine And Magazine Media… A Mr. Magazine™ Musing

May 2, 2020

Achieving MVP status starts with being Relevant, Necessary, and Sufficient. Photo by Samir “Mr. Magazine™” Husni

The MVP of any magazine or magazine media company should be the audience – no ifs, ands, or buts about it. And that MVP status is only achieved through the true underlying meaning of those letters when it comes to magazines and magazine media:

  • M: Meet and exceed the needs, wants, and desires of your audience.
  • V: Validate and curate all the information that is out there.
  • P:Preview the near future for your audience to ease their anxiety about what it holds.

So the question today, in the midst of this COVID-19 pandemic, is how can your magazine achieve that MVP status?

Simply put, by applying the three factors that will help your magazine reach an engagement level like no other platform can. Your magazine must be relevant, necessary, and sufficient. Two of the three is not enough in this day and age. You MUST achieve all three factors to survive in this pandemic era and beyond.

Be Relevant

Being relevant is the easiest of the aforementioned three, yet it is still not easy. Relevancy is not in the eye of the beholder; it is in establishing that invisible three-fold link between the magazine and its readers, the readers among themselves, and the readers and the advertisers. All must be relevant to each other to cultivate the “sense of community” that Phyllis Hoffman, chairman and CEO of Hoffman Media, believes is especially vital right now.

Magazines today must provide their audiences with content that provides service during this pandemic – service that must go beyond delivering the news or the fantasy aspects that provided readers an escape from reality over the years. Witness Playboy, a magazine that outlived its purpose and relevancy. Who wants to be called a “playboy” anymore or live that lifestyle today? Even before the #MeToo movement, the magazine lost its relevancy in the 21st century. This is the age of service journalism and magazines should reign supreme.

Be Necessary

I have always said and wrote that no one (well, besides Mr. Magazine™) needs a magazine, so how can necessity be a factor in the survival of a magazine? For a magazine, necessity means changing the wants and desires of audience members into needs.

Make magazine content addictive by simply being repetitive. The more you give your audience what they want, the more you will change their wants to needs. Name any subject: building abs, losing weight, cooking, crocheting, etc. Your readers want more of the same. Readers are creatures of habit, and no habit is created without repetition. As a magazine creator, you should put your creative self aside and think of your habitual readers who want more of the same, issue in and issue out.

Be Sufficient

In addition to being relevant and necessary, the magazine must also be sufficient. Provide answers that your readers can’t Google or find on any platform. As Troy Young, president of Hearst Magazines told me: “To me, magazine media is not the news. It is point of view; it is passions; and it is perspective; and it moves in and around the news and the things that people care about, but it brings more perspective to that conversation.”

In short, the magazines and magazine media must be the readers’ support system.

Ask yourself, in the midst of this pandemic, is your magazine relevant, necessary, and sufficient? It is the only way to survive this crisis and to create your MVP, your most valuable player, your reader.


This blog appeared first on Publishing Executive website.

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Liz Vaccariello, Editor In Chief, REAL SIMPLE Magazine, To Samir “Mr. Magazine™” Husni: “When You Make A Magazine, It’s Important To Look Around And Realize How Much Of What We Do Is Relevant In The Best Of Times, And Also During The Worst Of Times.” The Mr. Magazine Interview…

April 30, 2020

Publishing During A Pandemic (26)

“No matter if it’s 9/11 or if it’s a global pandemic, people care about their happiness and their families. They want to find ways to be healthier; they want to find ways to simplify their lives; they want to see the world, whether they’re able to travel at that moment or if they want to travel vicariously through others, and so the nature of magazines is to transport our readers. To make our readers’ lives a little better warms my heart. We’re not curing brain cancer, but we do improve people’s lives. It shows by how excited they are when the magazine arrives in their mailboxes.” …Liz Vaccariello

“When you look at the brands in the magazine industry, they all have that serendipitous connection right now with their readers. This is exactly what readers need at this moment. And that’s why I love this brand.” … Liz Vaccariello

Nothing has been “Real Simple” of late. Not the news; not the world we live in; not the way of life we all knew and quite possibly took for granted. Nothing. Nothing that is, except that loyal and trusted friend we all call REAL SIMPLE magazine. Even during a pandemic, REAL SIMPLE has stayed true to form by giving us useful and helpful tips that are “simply” what we need at this uncertain time we’re living in. The May issue offers “Life Made Easier” by showing us how to Get It Done while we have quite a bit of time on our hands. It’s, as Editor in Chief, Liz Vaccariello calls it, “a serendipitous connection.”

I spoke with Liz recently and we talked about this bit of serendipity that REAL SIMPLE has with its readers. While the world may seem like its spinning out of control, REAL SIMPLE, the brand, keeps us focused and alert to what is really important: our friends and family and keeping them safe and as happy as possible.

And now the 26th Mr. Magazine™ interview in the series of Publishing During A Pandemic with Liz Vaccariello, editor in chief, REAL SIMPLE.

But first the sound-bites:

On if it has been “Real Simple” or tough operating REAL SIMPLE during the pandemic: It’s been both. It’s been “REAL SIMPLE” because at the end of the day, life is about our families, our homes, the spaces around us, feeling at peace and finding a way to discover happiness. It’s about making a good dinner for the family; it’s about loving my dog more than I ever have before. Those are “REAL SIMPLE” things. At the same time, this is a very complicated time because uncertainty is complicated.

On how easy, hard, or disruptive was the move to working from home: One of the many surprises about working from home has been how much more connected I feel with my team. We are having Webex staff meetings at the beginning of every day instead of once a week.

On whether she thinks once the pandemic is behind us the way things are done might change or be influenced by the pandemic: So much has changed, but so much is the same. When I’m working on a print product, I’m working with paper, so I often want to see a layout on paper. Right now, we don’t have that luxury.

On whether she thinks readers will be ready to get back to a “normal” mode of operation: I always post the cover of my editor’s letter on my Instagram and social media feeds, and I often hear from readers that way and I watch our REAL SIMPLE feeds. Readers are also excited to get the issue in the mail. It’s this treat that arrives. Bless the U.S. Postal Service. (Laughs)

On whether she ever imagined she’d be working during a pandemic: No, not at all. I’ve read stories about epidemiologists and global health experts warning about a global pandemic and I watched SARS carefully years ago. There’s a certain element of humanity that believes it’s not going to happen to us, or it’s not going to happen in the United States, or the people in charge are on top of it and they would never let it get out of hand.

On any additional words of wisdom: It’s been heartwarming for me to look around at the publishing industry, not just REAL SIMPLE and not just Meredith, but all of our colleagues. When you make a magazine, it’s important to look around and realize how much of what we do is relevant in the best of times, and also during the worst of times. No matter if it’s 9/11 or if it’s a global pandemic, people care about their happiness and their families.

On what keeps her up at night: People who interpret dreams and who charge for it could probably make a killing these days. (Laughs) I will just say that the metaphors of my dreams are quite something. It’s about stress; it’s about, yes, we’re going to come back, the economy is going to come back someday, but we might be in this for a long slog.

And now the lightly edited transcript of the Mr. Magazine™ interview with Liz Vaccariello, editor in chief, REAL SIMPLE magazine.

Samir Husni: Has it been “REAL SIMPLE” or tough operating during this pandemic?

Liz Vaccariello: It’s been both. It’s been “REAL SIMPLE” because at the end of the day, life is about our families, our homes, the spaces around us, feeling at peace and finding a way to discover happiness. It’s about making a good dinner for the family; it’s about loving my dog more than I ever have before. Those are “REAL SIMPLE” things. At the same time, this is a very complicated time because uncertainty is complicated.

We’re all working remotely. We sorted all of those things out very quickly and we’ve all had to adjust. Change is often complicated.

Samir Husni: How easy, hard, or disruptive was the move to working from home?

Liz Vaccariello: One of the many surprises about working from home has been how much more connected I feel with my team. We are having Webex staff meetings at the beginning of every day instead of once a week.

I speak with every member of the REAL SIMPLE team by phone one-on-one much more regularly. Whereas before in the office this one-on-one communication was less, I’m getting to know people even more. I’m calling them up and asking them how they’re doing; how their family is doing. There has been a higher level of connection in some ways.

Samir Husni: Do you think in the six or so weeks we’ve been dealing with the pandemic, it’s going to force you to change the way you do things once it’s behind us?

Liz Vaccariello: So much has changed, but so much is the same. When I’m working on a print product, I’m working with paper, so I often want to see a layout on paper. Right now, we don’t have that luxury. Everything has gone electronic, which I think is a good thing in terms of ecology and the environment. If we print less paper in our daily work lives, that’s better.

When I’m shipping the magazine, there is this need and desire as an editor in chief to see that one page, that one layout, on real paper. Even though you’ve seen it on your screen a hundred times, the experience of the product is paper. It’s holding it in your hands. I look forward to getting my final proof on paper and bringing out my red pen again.

Samir Husni: Do you think readers will feel the same? Yes, they will see REAL SIMPLE online and they will see a PDF edition, but it’s not the same as when they get their copy in the mail and actually hold their ink on paper magazine?

Liz Vaccariello: That’s been one of the delights of this entire experience and I can talk about it in terms of advertisers, readers and staff. First of all, in terms of the staff, when the May “Get It Done”-themed issue came out, it was about the little projects on your to-do lists that you’ve been meaning to get done for the last year and that you seem to never get around to. This came out and I called the Production team and asked them to send me two big boxes of the issue. Then I went to Staples with my mask on, I bought envelopes, my own set of office supplies, and then I mailed a copy of the issue to everyone on my staff. I sent a quick note that read, “Liked your story on dusting,” or “Glad we ran this photo,” or something personal about something they had done with that issue.

I was surprised at how touched they were. I wanted them to see the issue. I almost teared up. We’ve been apart and we’re making this magazine that lives and breathes and exists in people’s hands. To see it and hold it was a point of pride.

We also did a mailing to some of our advertisers in which we provided a digital edition of the issue to people so they could see it. We also continue to mail boxes of magazines that Meredith publishes to our biggest clients and they receive these issues with a note that reads: Happy Reading. And our partners are thrilled because there is something very special and magical about the print edition.

I always post the cover of my editor’s letter on my Instagram and social media feeds, and I often hear from readers that way and I watch our REAL SIMPLE feeds. Readers are also excited to get the issue in the mail. It’s this treat that arrives. Bless the U.S. Postal Service. (Laughs)

Samir Husni: You’ve been editor of Prevention magazine, Reader’s Digest; you’ve seen it all in terms of categories, from health to making life easier. Did you ever imagine that you would be working during a pandemic?

Liz Vaccariello: No, not at all. I’ve read stories about epidemiologists and global health experts warning about a global pandemic and I watched SARS carefully years ago. There’s a certain element of humanity that believes it’s not going to happen to us, or it’s not going to happen in the United States, or the people in charge are on top of it and they would never let it get out of hand.

To your point, I was at Fitness magazine during 9/11. The world can change in a day and that’s what happened here. It’s nice to be able to tell my daughters, who are 15, that this feels like we’re in this pit of something truly awful, and yes, the world has changed, and life will change, but there is hope. Life will go back to normal — a new normal. We will get through this. So yes, there is something to be said for being an old lady like me who has seen it all.

Samir Husni: Any additional words of wisdom?

Liz Vaccariello: It’s been heartwarming for me to look around at the publishing industry, not just REAL SIMPLE and not just Meredith, but all of our colleagues. When you make a magazine, it’s important to look around and realize how much of what we do is relevant in the best of times, and also during the worst of times. No matter if it’s 9/11 or if it’s a global pandemic, people care about their happiness and their families. They want to find ways to be healthier; they want to find ways to simplify their lives; they want to see the world, whether they’re able to travel at that moment or if they want to travel vicariously through others, and so the nature of magazines is to transport our readers. To make our readers’ lives a little better warms my heart. We’re not curing brain cancer, but we do improve people’s lives. It shows by how excited they are when the magazine arrives in their mailboxes.

Our April issue of REAL SIMPLE was the “spring-cleaning issue, spring clean your life.” It hit newsstands on March 20 and people have asked if we knew something, and of course, we didn’t. However, what we do organically is perfect for the times.

When you look at the brands in the magazine industry, they all have that serendipitous connection right now with their readers. This is exactly what readers need at this moment. And that’s why I love this brand.

Samir Husni: My typical last question; what keeps you up at night?

Liz Vaccariello: People who interpret dreams and who charge for it could probably make a killing these days. (Laughs) I will just say that the metaphors of my dreams are quite something. It’s about stress; it’s about, yes, we’re going to come back, the economy is going to come back someday, but we might be in this for a long slog.

So, keeping me up at night is how long the pain is going to be for Americans, for my family, and for my readers. For people who are buying food and trying to put dinner on the table, and who want to maybe make their homes look a little better, or they want to take a trip. I want those people to have that ability sooner rather than later. I’m hopeful, though there is uncertainty.

Samir Husni: Thank you.

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On Isolated Connectivity And Social Distancing… A Mr. Magazine™ Musing

April 30, 2020

Social Distancing or Isolated Connectivity, two names for the same situation.

There are three ships that cruise all the channels of our physical nature… read on:

A few years back I coined the phrase “Isolated Connectivity” after a friend of mine told me the following story:

“One day I came home from work to find my son watching something on his laptop and texting at the same time. I asked him, ‘What are you doing?’ My son answered, ‘Duh, can’t you see, I am watching a movie.’

I responded, ‘But you are also texting.’ His response: ‘Duh, I am texting with my girlfriend who is watching the same movie at home.’

That made me think, so I asked, ‘Why don’t you just take your girlfriend to the movies and watch together, like the good old days?’

My son replied, ‘Duh again, Dad, we can’t discuss the movie at the theater.’”

“Isolated Connectivity” was the first thing that came to mind when I heard that story. Folks today feel we are so connected, yet we are more isolated than ever before.

That took place years before the COVID-19 has almost forced the entire world to go into “Isolated Connectivity” under the new phrase “Social Distancing.” The major difference of course is “Isolated Connectivity” was a choice adopted by millions who enjoyed what they felt to be the privacy of their home and the virtual connectivity that kept folks screens apart. Today “Social Distancing” is not a choice. It is a must and a force to reckon with.

Going Against Human Nature

Whether you want to call it “Isolated Connectivity” or “Social Distancing,” I believe this seclusion goes against our nature as human beings. We are physical creatures, and we thrive on three “ships” that cruise all the channels of our physical nature. I have written and preached in my seminars about those three “ships” time and time again.

The first “ship” is ownership. This is the ship we are born with. The sense and necessity to own things. My late grandfather used to tell me, “From the moment of birth, people want to own and have things. Watch the babies coming out of the womb with their fists tight. They want to grab everything they can grab.”

That sense – or as I said earlier, necessity – grows in urgency as we grow up; the older we get, the more stuff we own. Just check your surroundings and see how much “stuff” you own and how much of that “stuff” you really don’t need. Yet, that physical “stuff” has become a part of our “necessities” simply for our sense of comfort. Virtual ownership, if there is such a thing, sounds like an oxymoron. You can’t actually own virtual stuff; you can’t touch those things, feel them, or even say they are yours, truly yours.

The second “ship” is membership. This is the ship that we grew into. A sense of belonging that starts with our parents, siblings, family, friends, colleagues, etc. The old saying, “No man is an island” rings true today as we all struggle to “isolate” ourselves or “social distance” physically from each other. It runs counter to human nature and the sense of belonging and engaging in a group, a physical group that you interact with and use all your five senses as a human being with during those interactions. You want to feel a member of a family, a group, a class, you name it, and as in virtual ownership, virtual membership is not the same. It is another oxymoron.

The third “ship” is showmanship. This is the ship that we adjust to. A sense that we develop where we need to “show off” to gain acceptance or approval from those whom we consider part of our membership groups. By showing off, whether the type of books you read or the clothes you wear, you’re always looking for a nod or a response from the folks around you. If no one comments on your appearance, actions, or stuff that you own, you will never get the satisfaction that you look good, did something good, or that what you are reading is a great book or magazine. When practicing “Isolated Connectivity,” the same is true if no one adds a comment or “like” to the pictures or quotes you post on social media. “Showmanship” is yet another oxymoron if you are only looking at a mirror.

What Does This Mean for Magazines?

So, you might ask how is Mr. Magazine™ taking his aforementioned philosophical analysis to the only world he knows, the one he lives and breathes, magazines? Well, magazines (and keep in mind my definition of a magazine, “If it is not ink on paper it is not a magazine”) are like human beings. They are physical entities that share the same “ships” as those who cruise through human lives.

I always challenge my students and my clients and anyone else who is willing to listen, “If you had the power to transfer your ink-on-paper magazine to a human being who would it be?” Unless we are able to humanize our magazines and offer them the advantages of ownership, membership, and showmanship they are not going to survive.

That is why it is important to view your magazine as a human being, reaching another human being, and to focus on establishing a sense of ownership, membership, and showmanship. A sense of physical engagement with the other – something, yet again, virtual can’t do. That is why I am a firm believer in the future of print and the printed word. Magazines will continue to survive after human nature recovers from “Isolated Connectivity” and “Social Distancing” and goes back to the physical contact and that sense of touch that will never be satisfied with the virtual world.

Here’s the sum of what I am trying to say: As long as we have human beings we are going to have physical things, and as long as we have physical things, we are going to have magazines. Magazines, unlike their business model, are not going to go by the wayside of life; it is how we manufacture and sell them to the public that is going to change. To quote a magazine executive I recently interviewed, “Customers will continue to vote with their pockets.”

And the people said, AMEN.

This blog appeared first on Publishing Executive website.

 

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Bill Falk, Editor In Chief, The Week Magazine, To Samir “Mr. Magazine™” Husni: “I Feel An Even Greater Responsibility To Our Readers To Be Able To Sift Through This Information And Try To Detect A Signal In The Noise…” The Mr. Magazine™ Interview…

April 29, 2020

Publishing During A Pandemic (25)

“I actually think that it has made us more relevant than ever, because the amount of information coming at people now is exponentially greater than when we launched almost 20 years ago. There’s just a constant firehose coming at people on social media and various online sources. Our mission and our value proposition to the reader is the same, except that it may be even more needed now, which is: Let us read most of it for you and curate it, make sense of it, group it into categories, subjects and topics that cohere in a sensible way. And then give you a variety of opinions about a topic from a lot of different sources so you can get some perspective on the story and connect the dots, that’s what we’ve always tried to do, connect the dots.” … Bill Falk

“We’re rallying to meet this challenge and my message to staff has been that we have a real duty here to carry on in this crisis. In a sense, I think people in the information, journalism business are in the class of First Responders. People need information; they’re scared and worried and we have to convey information to them from experts and political leaders and various other sources. That’s been my message to staff. We do things to cheer ourselves up through meetings and Slack channels where we post photos of ourselves at home and our pets and families and things.” … Bill Falk

The Week magazine will soon celebrate its 20th anniversary, and its one and only editor in chief, Bill Falk, says never has the magazine been more needed than during this pandemic. As the curation is tight, and during these ambiguous times, extremely concise and as accurate as possible, each issue will alert you to all the important updates and COVID-19 information as possible, and quite often to a few sources to follow up on.

I spoke with Bill recently and we talked about all of the particulars of working from home, publishing a magazine with your staff via remote communications, and about how journalists and information providers rank right up there with First Responders to him when it comes to helping people get the content they need to stay safe and well.

And now the 25th Mr. Magazine™ interview in the series of Publishing During A Pandemic with Bill Falk, editor in chief, The Week.

But first the sound-bites:

On how a weekly publication such as The Week is operating during the pandemic: We’re actually doing pretty well. Again, I think we are fortunate in that our business model has always been to get the majority of revenue directly from subscribers, rather than to rely on advertising. And that has held us in good stead through various recessions and other problems, obviously through the whole digital disruption of the magazine industry.

On how easy, hard or disruptive the move to working from home was: It certainly makes it more difficult. It’s a degree of difficulty of about a seven or eight to a nine or ten. I miss the ability to communicate with staff instantly, face-to-face; to huddle; to discuss things. And not being able to do that easily and having to rely on electronic communications definitely adds a layer of friction to the process.

On how relevant he thinks The Week is today in the midst of the pandemic, and in the midst of everything that has taken place over the years with the industry: I actually think that it has made us more relevant than ever, because the amount of information coming at people now is exponentially greater than when we launched almost 20 years ago. There’s just a constant firehose coming at people on social media and various online sources. Our mission and our value proposition to the reader is the same, except that it may be even more needed now, which is: Let us read most of it for you and curate it, make sense of it, group it into categories, subjects and topics that cohere in a sensible way.

On whether he had ever thought of working during something like a pandemic and if he thinks someone could prepare for something like it: It’s impossible to be fully prepared for something like this. I think like a lot of other media, we have run stories in the past from experts predicting that this day would come.

On what message he is communicating with his staff during these uncertain times: To the staff, I try to convey the message that we have a really important responsibility here and this is the biggest story of our lifetimes. I guess we thought 9/11 and the aftermath would be the biggest story and this supersedes that. We have a great opportunity to use the skills we’ve honed to help readers understand this, make sense of it, to give them tips.

On any additional words of wisdom: I recently read an editor’s letter about this, that there is a reminder here that nothing in life is sure or guaranteed. We should appreciate every day. I find myself being very grateful for a lot of things , including the fact that I can continue to work under these circumstances. I know many people cannot and are in dire economic straits as a result.

On what keeps him up at night: In terms of the magazine, my big fear would be that members of my staff would become ill and this could interfere with our ability to work, so I have some contingency plans on that, but so far, we’ve all been healthy, thank God, but that is something to worry about. We are a small staff, we need all hands on deck, so that is a danger.

And now the lightly edited transcript of the Mr. Magazine™ interview with Bill Falk, editor in chief, The Week.

Samir Husni: You’re publishing a weekly magazine, so how is The Week operating during this pandemic?

Bill Falk: We’re actually doing pretty well. Again, I think we are fortunate in that our business model has always been to get the majority of revenue directly from subscribers, rather than to rely on advertising. And that has held us in good stead through various recessions and other problems, obviously through the whole digital disruption of the magazine industry.

So, where our advertising has been hurt, just like everyone else’s, we can’t escape that, but subscriptions are going strong and we actually raised our prices before the pandemic hit. We’re actually anticipating an increase in revenue from subscriptions this year. We should be pretty solid through this pandemic.

Samir Husni: How easy, hard, or disruptive was the move to working from home?

Bill Falk: It certainly makes it more difficult. It’s a degree of difficulty of about a seven or eight to a nine or ten. I miss the ability to communicate with staff instantly, face-to-face; to huddle; to discuss things. And not being able to do that easily and having to rely on electronic communications definitely adds a layer of friction to the process.

But we’ve been increasingly moving to doing our surveying of what’s in the media to online sources, just because it’s so convenient now. Most of our major source newspapers and magazines we can access digitally. In a lot of ways, that hasn’t changed dramatically. We’re able to still look at all the original source material with relative ease.

It’s the actual making of the physical product that is more complicated. We have Slack communications among the staff. We also use email for certain things. And on deadline days, which for us are Monday and especially Tuesday and Wednesday, the messages are flying fast and furious. If multitasking makes you stupid, as they say, then we’re very dumb indeed. (Laughs) We’re multitasking like crazy, sometimes editing, fielding an email, looking at photos, answering copy editors’ questions, all at the same time.

It gets really stressful. I think that the degree of stress that we experience on deadline is greater. It’s more multitasking and more things to pay attention to. You miss something without the direct face-to-face communication. Sometimes in the office I could just pick my head up and say to the art director who was five feet away, “Did you get that photo from Mark yet?” (Laughs)

Whereas at home I’ve got to Slack him and maybe he’s doing something else and I have to wait and then I get interrupted by a different message and a different problem to deal with. It reminds me of that old Ed Sullivan Show skit where the guy would come out with 10 sticks and 10 plates and try and spin all the plates while the Flight of the Bumblebee played without dropping any. (Laughs again)

But it is doable. We’re fortunate that within the last year we moved our office and in so doing we upgraded our technology. We’re all equipped with laptops that can very easily access the server. It was more complicated before with the dial-in and all sorts of things. And now we can all be on the server and work pretty seamlessly remotely in that way.

Samir Husni: The Week launched almost 20 years ago, so how relevant is The Week today in the midst of the pandemic, and in the midst of everything that has taken place over the years with the industry?

Bill Falk: I actually think that it has made us more relevant than ever, because the amount of information coming at people now is exponentially greater than when we launched almost 20 years ago. There’s just a constant firehose coming at people on social media and various online sources. Our mission and our value proposition to the reader is the same, except that it may be even more needed now, which is: Let us read most of it for you and curate it, make sense of it, group it into categories, subjects and topics that cohere in a sensible way. And then give you a variety of opinions about a topic from a lot of different sources so you can get some perspective on the story and connect the dots, that’s what we’ve always tried to do, connect the dots.

And there are a lot more dots now, so it’s harder. What we’re doing is still very much needed and I think now in the midst of a time where we’re all frightened, worried, scared and overwhelmed, I feel an even greater responsibility to our readers to be able to sift through this information and try to detect a signal in the noise and give people an idea of what we know about COVID-19; what we know about the policy disagreements; what we know about the science and treatments; and where this may go. What’s happening in the rest of the world.

We had a briefing on a longer story recently about the South Korea experience with COVID-19 and how they were so successful in minimizing the number of cases and deaths without destroying their economy. And we explained that to readers.

There are many different ways we can cast light on this, and honestly, I’m pretty obsessed with the subject. I find myself going from reading three or four hours a day in preparation for work to maybe six hours a day reading constantly. I have CNN on and various other networks, switching around, trying to educate myself every day as to what the latest developments are and what the smart people are saying about this.

Samir Husni: Did you ever imagine that you would be working during a pandemic and do you think anyone could ever prepare for something like this?

Bill Falk: It’s impossible to be fully prepared for something like this. I think like a lot of other media, we have run stories in the past from experts predicting that this day would come. There have been many people in infectious diseases, after SARS, MERS, Ebola and HIV, who said there would be more new pathogens emerging, probably across the species barrier from animals and at one point we’re going to be very unlucky and one of these pathogens is going to be very infectious and spread easily.

So we have runs stories about that in the past, but it’s like running a story about an asteroid strike on the earth, we all know it’s possible, but you don’t really believe it until something like that happens. On one hand it’s not surprising, but on the other hand it’s shocking.

Samir Husni: What message are you communicating with your staff, advertisers, and readers during these uncertain times?

Bill Falk: To the staff, I try to convey the message that we have a really important responsibility here and this is the biggest story of our lifetimes. I guess we thought 9/11 and the aftermath would be the biggest story and this supersedes that. We have a great opportunity to use the skills we’ve honed to help readers understand this, make sense of it, to give them tips.

We actually created two new pages, we changed our format which we rarely do, but we got rid of the travel page, which is obviously irrelevant at this point, and we turned it into a page called “Life At Home” that’s full of stories about how to make-do in quarantine, and dealing with your kids and how to make a mask. We’ve devoted our art section to various streaming movies and series that people can watch. We’re heavily covering any kind of entertainment that you can still access online.

So, we’re rallying to meet this challenge and my message to staff has been that we have a real duty here to carry on in this crisis. In a sense, I think people in the information, journalism business are in the class of First Responders. People need information; they’re scared and worried and we have to convey information to them from experts and political leaders and various other sources. That’s been my message to staff. We do things to cheer ourselves up through meetings and Slack channels where we post photos of ourselves at home and our pets and families and things.

To the readers, we’ve actually put a few letters on the cover of the magazine addressed to our readers telling them not to worry, we will continue publishing and that we’re all working remotely and safe. So they don’t have to worry about us. And that should there be any disruption in the ability to print or distribute the magazine, we’ve asked people to give us their email and we can give them information. We will then make it available to all the print subscribers online, get them behind the paywall, or look at our APP version of the magazine. So, that’s been our message to readers, that we will continue to publish and we will be here for them.

Samir Husni: Any additional words of wisdom?

Bill Falk:  I recently read an editor’s letter about this, that there is a reminder here that nothing in life is sure or guaranteed. We should appreciate every day. I find myself being very grateful for a lot of things , including the fact that I can continue to work under these circumstances. I know many people cannot and are in dire economic straits as a result. It’s just particularly gratifying to be able to be immersed in this and to meet the challenge of trying to make sense of what is going on. And I’m grateful to be in journalism.

Samir Husni: My typical last question; what keeps you up at night?

Bill Falk: In terms of the magazine, my big fear would be that members of my staff would become ill and this could interfere with our ability to work, so I have some contingency plans on that, but so far, we’ve all been healthy, thank God, but that is something to worry about. We are a small staff, we need all hands on deck, so that is a danger.

I worry about disruptions in delivery, but the postal service seems to be carrying on. And I obviously worry about the pandemic’s effect on our country and the economy, the political divisions. Some of what’s going on is very disturbing.

Samir Husni: Thank you.

 

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“You’ll be glad tomorrow…you smoked Philip Morris today!” The Cigarettes of 2020…

April 28, 2020

A Mr. Magazine™ Musing

Marc Benioff co-CEO of Salesforce and co-owner of TIME magazine said it best, “Facebook is the new cigarettes. It should be regulated.” And he said that in 2019 before the COVID-19 pandemic and social distancing.  I’m really not concerned about the regulated part as much as the cigarettes part, plus I might add all of social media to Mr. Benioff’s comparison:  today’s social media is the cigarettes of the 1950s.

So for those of you who are too young to remember the fifties and all the movies and television programs where all the “cool” people smoked, the ads for cigarettes from that era promised users good health, good digestion, and good flavor.  Cigarettes back then were good for you, so said the manufacturers anyway . You smoke today and you will thank the cigarette manufacturer tomorrow, the ads stated.

In this age of social distancing  that we now find ourselves living in, social media has become our only window to the outside world. So what are we to expect from an audience if we combine the stay at home orders and social media?  Well, before I answer that question, read what researchers have found in 2018.  That was the time our social distancing was an option and not a must.  The Australian website CBHS Health Fund quotes a 2018 study published in the Journal of Social and Clinical Psychology. Researchers “found that when people reduced their use of social media to just 30 minutes a day (spread across three platforms), their overall mental wellbeing improved. This study found that feelings of depression and loneliness in particular declined.” Keep in mind that was the time we were staying at least eight hours less outside the home as we are doing today.

Move forward to 2020 and the Neuro-Central website tells us in an article written by Sharon Salt, its senior editor, “Constant updates about coronavirus, especially those concerning confirmed cases and the number of deaths to date, can be extremely overwhelming and feel relentless. Moreover, rumors and speculation can add fuel to anxiety, which is why obtaining good quality information is so important.”

In the midst of this doom and gloom, social media combined with the so-called 24-hour news cycle is leading to more depression and more suicide according to Mike Ragsdale, CEO of 30A company and publisher of the new magazine Beach Happy.

“When I was growing up the news that we were consuming had to be bundled within 22 minutes of time. And if it didn’t make that cut, then you never heard about it. But now we hear about every single awful thing because we’re in a 24/7 news cycle. And not just that, we have pushup notifications and breaking news alerts, so we hear every awful thing that happens.” Ragsdale said.

Since the dawn of cable television late in the 1970s and the introduction of 24-hour channels with no turn off switches, followed in the 1990s and beyond with the explosion of news channels and social media outlets, people have become accustomed to “breaking news.”  Some thought that was the democratization of the media and the making of everyone into a publisher… instead we now have the law of the jungle, with no gatekeepers or editors etc.

Too much information leads to less comprehension and less impact.  It desensitizes the audience in a way that they tune in and tune out and hear exactly what they want to hear.

More than ever, we need to hit the brakes on the dissemination of the shotgun information delivery and get back to the laser targeted news that was delivered in less time with more information that was curated and fact-checked before it was delivered.

Between the delivery, whether from presidential press conferences to comments of the sane and insane alike on social media, we are moving with the speed of a bullet, fast and furious, to destroy the social fabric (some say we already have) of our society and drive a bigger wedge between the people, among themselves and among their authority figures.

Social media and the 24-hour news cycle, while they claim to be keeping us connected, they are  in fact creating the biggest divide ever and the biggest threat to our democracy and freedom of the press.

So to paraphrase the cigarette ads of the 1950s, “You will be glad tomorrow that you hopped on our social media platforms, turned on our 24-hours news channels today.”

But will you, really?

To sum it up, would you please let me know how many people today are thanking the cigarette companies?

I rest my case. Now, if you’ll excuse me, I need to welcome the stack of magazines that just arrived on my doorsteps via Fed Ex.  Credible and trustworthy journalism awaits. There are good times ahead. Count on it!

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Steve Cohn: 9/11 Is the Closest Magazine Media Crisis Precedent to COVID-19, But It Does Not Compare

April 27, 2020

A Mr. Magazine™ Guest Blog

Steve Cohn, Editor-in-Chief, Media Industry Newsletter, 1986 – 2016

As editor-in-chief of Media Industry Newsletter from 1986 through 2016, I witnessed the business ups and downs in the magazine industry.  Although the aftermath from the September 11, 2001, attacks proved not to be the low industry point during my career (the economic effects from the 2008-2009 “great recession” were more damaging), the common denominator with the COVID-19 crisis was that the enemy was external.  Back then, it was a man: Osama bin Laden; now, it is a virulent germ.

Like today, it seemed as if everything stopped after 9/11. The literal “fear of flying” (air travel was actually banned for about a week) impacted sales calls and advertising, which was already hurting from the “dot.com” crash, plummeted further.  Many of the events that fall (important to establish  rapports with advertisers for 2002) were cancelled.

But that did not damage the spirit.  September 19, 2001, was supposed to be Condé Nast’s “welcome” to new Glamour editor-in-chief Cindi Leive with a reception celebrating the release of the November issue. Instead, Leive and her staff worked late that night overhauling the issue to add a section honoring female “heroes from 9/11.”  It would be the first of many hallmarks in her 16-year career.

Leive’s optimism was matched by the many editors’ notes that min ran weekly through Thanksgiving.  The inspiration was the first one, from 1993-2014 Travel + Leisure editor-in-chief Nancy Novogrod, who capped her reasoning for the necessity of travel by quoting a post-9/11 French newspaper headline: Nous Sommes Les Americains (“We are all Americans”).

And 2000-2011 Bon Appétit  editor-in-chief Barbara Fairchild was so moved by the widow of a fallen New York firefighter telling The New York Times of his love of cooking and BA that she gave her a free subscription “in perpetuity.”

The COVID-19 pandemic is worse because of the enormity of the deaths, the restrictions to our “normal” way of life and the devastation to the economy, Were min publishing and I being editor, I would have again reached out.  But the editors’ notes will be more challenging at a time when most group publishers are furloughing and cutting staff and salaries. The uncertainty after 9/11 was comparatively mild to what we face today.

If the 2020 “Fortune 500″ follows its 65-year pattern by rating companies based on 2019 revenues when the issue is released later this spring, the data for many will be outdated because of the poor, COVID-19-affected performances since March.

Physicians, nurses and other health-care professions are now getting the recognition that firefighters and police officers received after 9/11. Included in an unlikely place: Vogue, where four female “health professionals in scrubs” are saluted in the June/July 2020 issue.  In an April 24 Washington Post feature, Pulitzer Prize-winning fashion correspondent Robin Givhan wrote that “the pandemic’s first responders have been ‘Vogue‘-i-fied. They haven’t been glamorized.”

Givhan also reported that the June/July issue was Vogue‘s first combined release in its 128-year history. That encompassed wars, recessions and an earlier pandemic: the 1918 “Spanish Flu” outbreak.

Technology now allows editors and staff members to produce print and digital editions from home as well as publishers and their staffs having teleconferences with advertisers. “Invention is the mother of necessity,” they say, and maybe these will be the new norms.

On 9/11, “We are all in this together” was best exemplified by members of Congress from both parties singing God Bless America on the Capitol steps. Today, with Washington and America in so much discord, perhaps magazine media can lead the way.

If editors with large and small readerships can rally the country as they did after 9/11, this would, in the words of Sir Winston Churchill, be “their finest hour.”

 

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Beach Happy Magazine: A New Title Bringing The Voice Of Hope & Optimism During A Pandemic – The Mr. Magazine™ Interview With Mike Ragsdale, Founder Of 30A & Will Estell, Editor In Chief/ Director of Publishing, The 30A Company…

April 27, 2020

Photo by Lauren Athalia

Publishing During A Pandemic (24)

“We just launched this new endeavor, which again might seem like strange timing, but as Will said, this has been in the works for a very long time. We looked at it and we could have all walked away, but the reality is the world needs optimism. I’m not saying that in some philosophical, mumbo-jumbo kind of way, I’m saying just like fast-food found an anecdote by offering organic, free-range healthy alternatives, we’re going to be one of the first movers in providing a healthy information alternative to all of the toxic news and information that we consume every, single day.” … Mike Ragsdale 

“We’re thinking positive; the sky is the limit. We believe this publication can do better right now  than it would have done 10 years ago. And I think more people in our industry need to have that kind of mindset with what they’re doing.” … Will Estell

The 30A Company and the nationally distributed travel publication, Beaches, Resorts & Parks have merged and created a new title called Beach Happy. The moniker alone makes you smile. And we can all certainly use something to smile about in these uncertain times.

Mike Ragsdale by Peyton Hollis,
Good Grit magazine

Mike Ragsdale, founder of 30A and Will Estell, former founder & editor-in-chief of Beaches, Resorts & Parks and now editor in chief/ director of publishing, The 30A Company have joined forces, and between the two of them have big plans for their new magazine, even during a pandemic.

According to the Beach Happy brand and motto, “30A is the official and original BEACH HAPPY brand. Inspired by a two-lane road that meanders along Florida’s Gulf Coast, 30A shares eco-friendly products and stories that celebrate our small beach town way of life.” Mr. Magazine™ couldn’t have said it better himself.

In fact, I didn’t have to. I spoke with Mike and Will recently and we discussed this negativity and doom and gloom that seems to permeate our world today. From Mike’s observation, we’re getting too much toxic information, even during a pandemic, and our brains are in overload. Beach Happy magazine and the brand itself are here to uplift and give us hope and optimism with stories from beaches around the world, not just that two-lane road on the Florida Coast.

Will joins Mike’s sense of buoyancy and exuberates his own optimism by not allowing negativity to enter his thoughts very often. And while this may seem like an inopportune time to start a new print magazine, even one with an extensive digital reach,  Mike and Will suggest we all have faith and just “Be Happy.”

And now the 24th Mr. Magazine™ interview in the series of Publishing During A Pandemic with Mike Ragsdale, founder Of 30A & Will Estell, editor in chief/ director of publishing, The 30A Company.

But first the sound-bites:

Will Estell

On launching a new magazine during a pandemic (Mike Ragsdale): I’ll be honest, I am an optimist and I believe and have believed for a long time now, more than a decade, that we are suffering a mental health crisis in our nation, and perhaps in other parts of the world as well. I’ve been trying to sound the alarm, at least among my peer groups and our audience, that we have a lot to be happy about and we have a lot to be optimistic about. So, we’re promoting the agenda that news isn’t always negative, it doesn’t have to be.

On how he went from selling Beaches, Resorts & Parks to 30A and then becoming editor in chief of the new magazine (Will Estell): I’m kind of married to this thing and I tell you, there have been times when it would have been a lot easier to jump ship, to sell it out. We had offers in the past to buy Beaches outright that I probably would have gone along with, but this just seemed like the perfect opportunity and I’ve always been a huge fan of the 30A Company, literally going back to Mike’s early days with the company some 10 years ago. I was donning the stickers on my car and wearing the first T-shirt and all that.

On when the first issue will be launched (Mike Ragsdale): We were planning to launch in mid-May and it will be a quarterly publication at first, and so the issue would have been on newsstands in June, July and August, with a follow-up issue in the fall. We’re not going to deviate from that path very far. We’re waiting really until May 1 to make the decision. We’re going to be prepared to go to print on May 1, but if circumstances call for us to wait a few more weeks so we’ll know a little more, then we may push it back.

On how they’re going to take the large social media base, the radio base, the merchandising, and curate all of that onto the pages of a printed magazine (Will Estell): That’s something that we’re still working through, but the positive aspect is that we do have to be concerned about that. In other words, those things exist, so this magazine is not in a startup phase, standing alone, and having to go out there and find Reader One from Day One. It will be more of a pairing of both sides, where the other side of the 30A Company, be it the apparel or the decals, or people following the website to find events; all of that will promote the magazine just as the magazine will promote all of that.

Photo by Lauren Athalia

On whether the creation of 30A was a walk in a rose garden for Mike or he had some challenges along the way (Mike Ragsdale): It’s interesting, I’ve had a couple of really amazing successes and I’ve absolutely buried those with the failures I’ve had in business. I received my master’s degree in advertising and public relations, but I couldn’t get a job, despite sending out all of the resumes I could send and doing a few interviews, but I just wasn’t able to secure anything. So, I became an entrepreneur by accident and out of necessity to pay the bills, scrounging to stay afloat.

On anything they would like to add (Will Estell): The only thing I would add is for all the negativity and all the doom and gloom that’s talked about in the industry, and I know you’re a huge advocate for the growth and continued success of magazines, what we’re doing with this and what a lot of the companies that have learned to survive are doing is we’re finding new ways to get our message out, still be a magazine, but do it in  different ways.

On what keeps them up at night (Mike Ragsdale): Right now, of course, I’m concerned during my waking hours about the fact that we have a business that’s struggling like everyone is. Our three stores are closed; our 380 wholesale partner stores are closed; our digital advertisers, from restaurants to rental companies are shut down. And so we’re not expecting to see them paying any bills.

Mike Ragsdale

On what keeps them up at night (Will Estell): I do not lay in bed and worry about things. I don’t lay in bed and worry about the fact that the world has stopped spinning for a period of time right now. I don’t worry about the fact that we’re not out selling advertisers left and right. Now that doesn’t mean I’m not concerned about those things, but I have learned to be more solution-oriented in my thinking than problematic. It takes the same amount of energy to find a solution than worry about the problem.

And now the lightly edited transcript of the Mr. Magazine™ interview with Mike Ragsdale, Founder Of 30A & Will Estell, Editor In Chief/ Director of Publishing, The 30A Company.

Samir Husni: You’re launching a new magazine during a pandemic, what are you thinking?

Mike Ragsdale: I’ll be honest, I am an optimist and I believe and have believed for a long time now, more than a decade, that we are suffering a mental health crisis in our nation, and perhaps in other parts of the world as well. Despite living in the greatest time in human history and despite the fact that so many amazingly good things are happening in the world despite the current circumstances, we’re seeing an alarming increase in depression and suicides.

I believe personally it’s because about 10 or 15 years ago, we began consuming information at a rate that our minds simply aren’t accustomed to. We are absorbing so much negativity and bad information and stressful, anxious information that, despite the fact that we live in the golden era of humankind, we’re increasingly depressed and increasingly suicidal and anxious. I believe that we’re going to find in the years ahead that consuming so much information, good, bad, indifferent, consuming so much information is skewing our worldview and it is causing a great deal of suffering.

Photo by Lauren Athalia

I believe it is going to be akin to the ‘70s and ‘80s when people began to come to the realization about the health risks of smoking and then later with fast food consumption or foods that haven’t been grown under the right circumstances which causes heart disease and other health issues. So, I think consuming so much information as we do today is like eating one Big Mac after another. And we’re going to realize that the mental toll it’s taking on us individually and collectively is immense.

I’ve been trying to sound the alarm, at least among my peer groups and our audience, that we have a lot to be happy about and we have a lot to be optimistic about. So, we’re promoting the agenda that news isn’t always negative, it doesn’t have to be. But unfortunately, and you know this as well as I do, no one writes about the millions of planes that land safely, they write about the one that had the issues. And that’s the nature of where we’ve come with news. And news has really stopped becoming news, it’s more entertainment. It’s no longer Tom Brokaw or Dan Rather talking for 22 minutes a night and that’s it.

When I was growing up the news that we were consuming had to be bundled within 22 minutes of time. And if it didn’t make that cut, then you never heard about it. But now we hear about every single awful thing because we’re in a 24/7 news cycle. And not just that, we have pushup notifications and breaking news alerts, so we hear every awful thing that happens.

So, Beach Happy the brand is something that we’ve been promoting internally. And then when Will comes along with this publication that has this great distribution and great reach, it just seemed like a perfect marriage for us and to say, let’s take what we’re already doing on the digital side, kind of a bastion for optimism and positivity, and let’s reach all new audiences across newsstands. We’re already doing the work of content writing; we’re already doing the work of photography and content creation, we might as well add an additional platform. And

Will has really been brilliant in the way he has architected his business, in that it doesn’t require as much overhead as the more traditional publications, so we don’t view it as a risky proposition at all. We view it perhaps as the perfect message at the perfect time. And we certainly wouldn’t wish ill on anyone else who is on the newsstands, but we also know the impact on those companies that have massive overheads, so we’re lean and mean and we’re looking at it as an opportunity to present a platform for happiness and positivity.

Will Estell

Samir Husni: Will, I read the press release and you sold your Beaches Resorts & Parks to 30A Company, which Mike heads, so people might think you’re jumping ship. But then when I finished reading the press release, you’re editor in chief of the new magazine. Can you explain what happened?

Will Estell: I have managed through four different iterations of Beaches Resorts & Parks and of course, you were familiar with the magazine when you tracked it that first year. In 2013, you named us the New Launch of 2012, with the highest newsstand sell-through at the time, and the magazine continued to do really well. There were four different iterations of ownership, including one period where I solely owned it on my own, which by the way, was not an easy thing and not the way I would ever want to go again.

You know though, I’m kind of married to this thing and I tell you, there have been times when it would have been a lot easier to jump ship, to sell it out. We had offers in the past to buy Beaches outright that I probably would have gone along with, but this just seemed like the perfect opportunity and I’ve always been a huge fan of the 30A Company, literally going back to Mike’s early days with the company some 10 years ago. I was donning the stickers on my car and wearing the first T-shirt and all that.

I’m a lot like Mike in that I’m an optimist too, so I saw this as a great pairing. Actually, we’d been talking about this, I guess our first conversation was about the potential of 30A doing the magazine, probably about six years ago. But then we really got serious about this around last June and again talked about it. I can’t think of a better entity to be able to acquire the Beaches Resorts & Parks magazine than 30A. I’ve worked for quite  a few publishing companies outside of partnerships of my own, some large companies and some small companies in the past, and I’ve never had the ability to work for a company that had a magazine that already had a brand and a consumer reach that 30A does already built around it. So, we’re super-stoked about what we think this can do and the people it can reach.

And that’s part of the opportunity. Will had newsstand reach; he obviously had decades of print experience that we did not have. But we did have 1.5 million social media followers; we’ve got a quarter-million newsletter subscribers; we have orders that are being shipped to all states every day out of our fulfilment warehouse. So, we have the ability to take Will’s newsstand reach and combine it with our digital audience.

Mike Ragsdale: As Will and I were working through this, we realized we have an audience size that very few people can touch. There are some companies out there that have big established, decades’ worth of audiences, but to be able to come in with Issue One and have a print reach that Will has and have a digital reach of 1.5 million fans is a great platform to build upon.

Photo By Lauren Athalia

Samir Husni: When will the first issue be released?

Mike Ragsdale: We were planning to launch in mid-May and it will be a quarterly publication at first, and so the issue would have been on newsstands in June, July and August, with a follow-up issue in the fall. We’re not going to deviate from that path very far. We’re waiting really until May 1 to make the decision. We’re going to be prepared to go to print on May 1, but if circumstances call for us to wait a few more weeks so we’ll know a little more, then we may push it back. But we’re not going to push it off more than a month. One way or another we’ll be in May or June and we’re just waiting to see what happens with COVID-19 and the travel restrictions.

To us, and this is why it’s important that the launch isn’t really predicated on the physical; in my mind, again, Will comes from a little bit of a different place with the prior magazine, it really was focused on a lot of destinations, and we’re certainly going to have destination information in the magazine, but it’s as much or more about lifestyle.

In a regular week, the 30A brand; we do not think of ourselves as a travel or tourism brand. We’re a lifestyle brand that keeps people in touch with the beach when they can’t be there. So, whether you want to talk about Margaritaville or Disney World, you can’t be at Disney World every week. Our target audience is not people who are here on this beach and it’s not people who are coming to this beach next week. Our target audience is the people who wish they could be on the beach, whether it’s this beach, Key West, or whether it’s a fantasy beach in their mind.

So, we’re all about reaching that person who’s landlocked, wherever they may be. We want to reach that person who is having a tough time, be it their mortgage, boss or because they’re freaking out about the pandemic, we’re about giving them a moment of vacation in their minds, even if they can’t be on vacation at the moment. And that’s really what we build our products around. We have 30A Radio, which plays uplifting beach music 24/7; we have recycled apparel, shirts, hats, drinkware; we have all these things that I liken to Corona or Red Stripe, no one drinks Red Stripe beer because it’s great beer, they drink it because it mentally transports them to an island, Jamaica typically. And never mind that it’s brewed in Pennsylvania. It’s a way for them to step away from the pressure of their jobs or anything that is stressful, it enables them to take a beach vacation.

And Beach Happy, the magazine is the same thing. It’s really not about booking immediate plans and coming down to spend a week with us in Florida, we want to bring stories to people that make them happy and make them smile, give them a little bit of relief during what can only be described as some of the most stressful times we’ve seen as a nation in recent memory.

Photo by Lauren Athalia

Samir Husni: How are you going to take this large social media base, the radio base, the merchandising, and curate all of that onto the pages of a printed magazine?

Will Estell: That’s something that we’re still working through, but the positive aspect is that we do have to be concerned about that. In other words, those things exist, so this magazine is not in a startup phase, standing alone, and having to go out there and find Reader One from Day One. It will be more of a pairing of both sides, where the other side of the 30A Company, be it the apparel or the decals, or people following the website to find events; all of that will promote the magazine just as the magazine will promote all of that.

So, we’re being careful within the magazine not to let it come off like a glorified marketing piece or a catalog, if you will, for the 30A Company, but instead to, obviously, show a lot of what we offer and to show what the 30A Company is about, while also integrating that with everything else that has to do with the beach too.

I think in a lot of ways the magazine will be a lot like any other travel magazine, except beach-oriented, it won’t be a heavy push on necessarily promoting only 30A,  just the beach in general. I don’t think we’ll have to do a whole lot different than if we were just launching any travel magazine. It just has the backing of the rest of the brand behind it.

I would also say that obviously, a lot of people who would know about this or hear about this might think that we’re ignoring the fact that we’re a publication that’s launching in what could be deemed a bad time, if nothing else than economically speaking, because it’s no secret that advertisers aren’t jumping through hoops with any publication right now to put ads out there. But we do believe that the lifestyle surrounding the beach will be something that comes back quicker than anything else in our current economic situation.

So, we made that commitment to go ahead and put that issue out like Mike told you, however, we think as soon as everything opens up, advertisers are going to want in the issue. We don’t have any doubts about people buying the issue, but back to Mike’s point about the timing being potentially better than ever, I think after all of us have been cooped up for 30 to 45 days, we haven’t left our homes and we haven’t taken vacations, we haven’t even been able to walk in a store and buy our favorite apparel or anything, everyone is going to be ready for some good news and nothing is better to some people than the whole lifestyle surrounding the beach.

Mike Ragsdale by Peyton Hollis,
Good Grit magazine

Samir Husni: Mike, was creating your company 30A just a walk in a rose garden for you or did you have some challenges along the way?

Mike Ragsdale: It’s interesting, I’ve had a couple of really amazing successes and I’ve absolutely buried those with the failures I’ve had in business. I received my master’s degree in advertising and public relations, but I couldn’t get a job, despite sending out all of the resumes I could send and doing a few interviews, but I just wasn’t able to secure anything. So, I became an entrepreneur by accident and out of necessity to pay the bills, scrounging to stay afloat.

The first business I started was a success, it still took seven or eight years to build it and to exit at the right time, but it was a trial by fire and a wonderful thing to experience as a young person, the ability to grow a company from a literal idea into 70-person operation, then to be able to sell it. It was awesome.

But it was also a curse, because as a young arrogant person who went through that process, you think that was easy, I’ll be able to do that easily enough again. But the reality is that’s not how entrepreneurship works, you can have the best business plan in the world, you can have the best minds and a great idea, but it just doesn’t always work.

I spent the next 10 years just absolutely striking out, having failure after failure. And although it was painful and demoralizing to go through, it also enabled me to understand what things I’m good at and what things I’m not. And to stay away from the things I’m not good at and recruit other people. A great example, there’s not a chance in the world that I would have gotten into the print business if Will was not staying on. This merger would not have happened if Will’s experience wasn’t part of the package, because I don’t want to go in and learn a business; I can’t learn his 20 years of expertise myself. I don’t have that kind of time or inclination.

I have learned some important things and what I have learned is to focus on what I do very well and what I don’t do well, either stay away form or partner with someone who does do it well. And Will certainly does print publications well.

In some ways we’re really looking at Beach Happy as a cooler, hipper version of some of the more traditional publications, such as Coastal Living. I’m not knocking Coastal Living, but one of the things that we’re doing is integrating our audiences. We’re making it more fun, some of the themes we might have are : Five  Beach Beers You Need In Your Cooler This Summer. Fan comments: If This Were Your Beach Ball, What Would You Name It? That way, we make our fans some of the stars in the new publication.

It’s not a catalog; it’s not a 30A mouthpiece, and it’s not even about the particular stretch of beach we live on. I tell our team all the time, we’re like Coastal Living, we just happened to headquartered on a beach as opposed to being headquartered in Birmingham, Ala. But being on our beach doesn’t mean we can’t share incredible stories from Bali or Turkey or Ecuador or other beaches around the world.

Will Estell

Samir Husni: Is there anything either of you would like to add?

Will Estell: The only thing I would add is for all the negativity and all the doom and gloom that’s talked about in the industry, and I know you’re a huge advocate for the growth and continued success of magazines, what we’re doing with this and what a lot of the companies that have learned to survive are doing is we’re finding new ways to get our message out, still be a magazine, but do it in  different ways.

And one of those is all the ways we have of reaching people through digital means. It’s no secret that Beach Happy magazine will reach a lot more readers digitally than in print. Although we hope to grow the print way beyond what I ever had with Beaches Resorts & Parks. I’m saying all this because everyone in the industry, no matter what point they’re at, whether they’re an editor in chief or writer coming right out of school or a publisher in the business for 20 years, everyone has to rethink how we’re doing things. I would love to hear an end to the doom and gloom and just have more people think about new ways to do stuff. And that’s with every industry, not just  magazines.

We’re thinking positive; the sky is the limit. We believe this publication can do better right now  than it would have done 10 years ago. And I think more people in our industry need to have that kind of mindset with what they’re doing.

Samir Husni: My typical last question; what keeps you both up at night these days?

Mike Ragsdale: Right now, of course, I’m concerned during my waking hours about the fact that we have a business that’s struggling like everyone is. Our three stores are closed; our 380 wholesale partner stores are closed; our digital advertisers, from restaurants to rental companies are shut down. And so we’re not expecting to see them paying any bills.

We just launched this new endeavor, which again might seem like strange timing, but as Will said, this has been in the works for a very long time. We looked at it and we could have all walked away, but the reality is the world needs optimism. I’m not saying that in some philosophical, mumbo-jumbo kind of way, I’m saying just like fast-food found an anecdote by offering organic, free-range healthy alternatives, we’re going to be one of the first movers in providing a healthy information alternative to all of the toxic news and information that we consume every, single day.

This is an immense business opportunity. We’re going to start to see that information is causing slowly and in small bites, in fact, so slowly we don’t even realize it, to affect our minds. Once those studies start to come out, once we realize the suicides and depression are related to the ingestion of information, people are going to be unplugging. We’re already seeing that happen on our own, but they will be seeking healthy sources of information. And positive sources of information.

So, we view Beach Happy as being right in that first mover just as if someone was coming out with the first free-range organic product on the grocery aisle. We’re going to be one of those first movers to give people a sense of hope and optimism and a sense of escapism on a crowded shelf, competing with people who are peddling in scandal, sensationalism and division.

Will Estell: I go to bed at night and many times lay there for about two hours. The last time, for example, that I looked at my phone this morning was about 2:00 a.m. and I fell asleep right after that.

But all that to say, I do not lay in bed and worry about things. I don’t lay in bed and worry about the fact that the world has stopped spinning for a period of time right now. I don’t worry about the fact that we’re not out selling advertisers left and right. Now that doesn’t mean I’m not concerned about those things, but I have learned to be more solution-oriented in my thinking than problematic. It takes the same amount of energy to find a solution than worry about the problem.

So, I stay up at night, but I am brainstorming mostly. I’m thinking of a new article to write or a new way to reach people or how to do something no one else has done, even within our industry. Coming up with something that hasn’t been done does occupy my thoughts.

You will never find a piece of negative information within the pages of Beach Happy. There will not be an interview where we put someone down.  And I think people are ready for that. And that’s what keeps me up at night.

If there’s any negativity in my world right now, even with what we’re going through with this pandemic, it would be that I have three children, one in Atlanta, Georgia, one in Birmingham, Ala. and one that lives with his mom in Oxford, Ala. And the only thing that does keep me up at night from a negative standpoint is the fact that I haven’t been able to see them through this for about six weeks now. Other than that, nothing negative on my part.

Samir Husni: Thank you both.