Archive for the ‘News and Views’ Category

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An Advocate And A Voice For Veterans – The American Legion Stands Behind Their Membership. A Mr. Magazine™ Memorial Day Weekend Special Interview

May 23, 2014

The Mr. Magazine™ Interview With Jeff Stoffer, American Legion Media & Communication Director and Editor of American Legion Magazine.

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“As the nation’s largest veteran’s service organization, there is kind of an expectation that we would be the voice of the veteran stakeholder in VA healthcare.” Jeff Stoffer

On Memorial Day we honor our veterans who have fought in the battles our country has faced to retain the wonderful freedoms we Americans enjoy. Their needs and priorities may have changed since they donned their uniforms, as many of them have aged with the passing of time. But there is one organization that continues to fight for their ever-changing concerns and remains a loud and clear voice for each and every one of them.

From the growing concerns of VA healthcare with the controversial 40 who died in the Phoenix VA Hospital due to delays in receiving care, to using every channel available to get that message and many others out; the American Legion Magazine stands strong for veteran’s everywhere.

IMG_5349 I recently spoke with Jeff Stoffer, American Legion Media & Communication Director and Editor of American Legion Magazine, about the Phoenix controversy and the growing concerns of vets and what his organization is doing to help.

Passionate about his members, print and the many channels the American Legion uses to promote and be an advocate for veterans all over the country, Jeff has a deep and abiding affinity for the men and women who have and still are defending it.

I hope you enjoy this very moving and uplifting interview with Jeff Stoffer and to everyone out there: Happy Memorial Day!

But first for The Mr. Magazine™ Minute with Jeff Stoffer and how The American Legion engages with the members it serves:

And now for the sound-bites:

On the role the American Legion organization plays in controversies like the Phoenix tragedy: We recently reorganized our whole communications program to run the gamut between digital, from social media, from Intraday, social media messaging, all the way through to print product, every piece in between and we’re all driving at the same holes.

On whether the gamut of channels his organization uses adds to or detracts from their print product: They all drive to the print edition. The print edition brings, as a completely separate identity, in a use in these different media.

On his most pleasant surprise in his career with the American Legion: Media-wise, I would say that the most interesting phenomenon is that we started an E-newsletter with a very small Alpha population of 86,000 subscribers and now we’re at 509,000 subscribers.

On his biggest stumbling block: Certainly the issue of silos. We’re a multi-faceted, broad organization with many different divisions.

On what keeps him up at night: I think what keeps me up at night is the infinite nature of today’s media. It seems like whenever you open up a door, there is another door down the hall and another door. You never know what is going to happen next.

And now the lightly edited transcript of the Mr. Magazine™ conversation with Jim Stoffer…

Samir Husni: You are currently in the midst of one of the most newsworthy and controversial situations ever. Everyone is talking about the veterans; everyone is talking about the 40 who died. What role does The American Legion play in all of this and how do you differentiate from having a print magazine, a website, the blog; how are you integrating all of this and what is the benefit to the veterans?

IMG_5350 Jeff Stoffer: As the nation’s largest veteran’s service organization, there is kind of an expectation that we would be the voice of the veteran stakeholder in VA healthcare. In this case, this is not an issue that is new to us. We have been tracking preventable deaths at VA Medical Centers for the past couple of years because a few have popped up. We’ve been following the VA since the 1930s when the American Legion was instrumental in its formation. Now comes the time when a lot of people have a stereotype or maybe even a negative stereotype or a misunderstanding of what the American Legion is and does.

We recently reorganized our whole communications program to run the gamut between digital, from social media, from Intraday, social media messaging, all the way through to print product, every piece in between and we’re all driving at the same holes.

This reorganization did not really complete until March, 2014 and a month later we have CNN breaking the news of at least 40 preventable deaths in Phoenix. So it turned out that this would be a good opportunity for us to see how our reorganization was going to work. And it began with our social media program, tweeting about it; it was followed by our Facebook messaging where we received a great deal of market response, our audience responded to it. We got a lot of activity, we had a press release and stories started going onto our website.

So we created a branded web platform that wasn’t just “here’s the story,” but was interactive, it asked veterans to step into that site and actually type in and tell us their stories of waiting for care at VA health centers.

So at the end of the day what we ended up doing was we were already engaging the market essentially by sort of interviewing veterans across the country about their experiences with this big issue, using social media and the website so now as the story unfolds and more people learn about it and network news becomes involved, we become part of a Senate committee hearing on veteran’s affairs that is nationally televised and aired.

And now as this arc of media sort of continues to flow, we have reconfigured our editorial land so that the American Legion Magazine’s cover story in July will bring perspective, interpretation and analysis to all of these different hits.

And think about this, it’s almost like a reporting tool because we were able to get so many people to respond to it, provide us their voices. We turned our writer on to voices that came through Facebook that came through our interactive web platform, and the national media: the NBC’s, the CNN’s and the Washington Posts’ of the world were coming to us and asking what were veterans saying.

So we fulfilled our tried and true role as the voice of the stakeholder in veteran’s advocacy on this issue. And this extends beyond, quote-unquote, media channels. We had a town hall meeting in Phoenix, Arizona which was actually a physical presence by our national commander to step up, we coordinated media and veterans, and we brought 200 people into one American Legion post and 60 veterans got up and talked about the problem and it was aired on local and national television and it was aired on our website.

So it’s not about so much the channel; channels have their unique identities and they have different purposes, but it’s about the message and how we use the different channels to deliver the message efficiently. And I think we have done so in this way.

What we’re trying to do now is find a way to measure what this whole gamut of media mean to the American Legion. We’re going to talk about how frequently our brand was delivered to our audience and to external audiences. And then what is the number of that audience; we’re talking about network news and tens of millions of people; if we’re talking about Twitter, we’re talking about 250 million Twitter followers. But what is real about that and how do we measure the media impact in this era. We know the magazine has a fundamental baseline audience, we have metrics on our readership, so we can put a number on our magazine, but what we can’t put a number on is what does a Facebook “like” really mean. What does a “retweet” really mean? Are those real numbers? What does it mean when NBC Nightly News says that they might have 8 million viewers a night, or whatever it might be; I just made that number up, but ultimately that doesn’t mean they all just jumped on the bandwagon for the American Legion. Or maybe they just tuned completely out on it.

But what we want to do is develop some sort of a model that would identify what all this experience, this issue, our coverage of this issue, using all of our multiple channels did in terms of total impact and we’ll measure impact by visits to our website, by membership, acquisition via online or not and donations; we have a fundraising program in merchandising, our four big revenue streams. And so our plan is to say what our coverage of this issue means to the association or the organizations.

Samir Husni: Are all these channels that you’ve used going to help the print edition or detract from it?

imageJeff Stoffer: They all drive to the print edition. The print edition brings, as a completely separate identity, in a use in these different media. From Twitter, which is a 140 character message to a big cover story within a feature well of a magazine, to everything in between; all of these electronic media blasts are like little fireworks that shoot off and they go and filter out, landing on the ground, and then at the end of this experience somehow, some way we have to put it all into perspective and into one overarching analysis, even if it’s for posterity to say what this experience was, what it meant, what about it helps define our organization. That’s the purpose of a magazine feature in my opinion is to bring context to multiple issues perhaps.

So I think that they all have separate related interests, they all feed one into the other and they cross pollenate each other. We will have in our magazine feature a sidebar, a capsule sidebar to say, tell us about your experience waiting for your VA appointment or your VA community visit at legion.org.

And that’s not read more on legion.org; we’re saying act on legion.org and there’s a big difference. I’m with you when you say if you want to read more, go on legion.org and read more. I’m not going to go to the next movie theater to watch the rest of my movie.

But if they say I just watched a movie and now I want to go do something about it, I will go to that next building and do something about it. So it’s an idea of mobilizing our audience and activating our audience, because I think there is value when you’re a member of something. You want to feel that you’re not just a member in name only. You want to feel like you’re a part of something that’s happening and doing something and functioning to correct a problem, to be an advocate on behalf of your fellow veteran in our case.

Samir Husni: What has been the most pleasant surprise in your tenure with the American Legion?

Jeff Stoffer: It’s completely off base, since 2006, when I first went to Normandy, France I got to know many D-Day veterans and I wrote a magazine article about Sainte-Mère-Église , France and how that community rebuilds and reconstructs itself every first week of June, every year. And this is kind of a fun experience with media to, because I write a feature story and then a documentary filmmaker fights my story and he says, “Hey, I would like you to write a treatment for a documentary film.” So I wrote a treatment for a documentary film and a script and a screenplay and I get to meet and interview multiple World War II D-Day veterans and these were incredible people.

Then I ended up writing a book about a particular figure in Normandy that was really important. And now I take the national commander back and in two weeks I’ll be going back to Normandy with the national commander for my 8th straight year, this time for the 70th anniversary. And what makes me smile is I know that I’m going to meet some of these guys that I’ve known, even though many of them have passed since I was last there.

When I talk to these guys and I come to understand this important moment in world history, the Normandy Invasion, and to have actually helped tell their story and be a part of this developing and understanding of it brings me pleasure.

Media-wise, I would say that the most interesting phenomenon is that we started an E-newsletter with a very small Alpha population of 86,000 subscribers and now we’re at 509,000 subscribers and sometimes they’ll open this up at 56%. It is an email opening audience and it’s fun because every week we have the opportunity to kind of produce a best-of what’s in our digital media and a little bit to our print. It’s a weekly promotional thrust that has been just so successful that I get excited for Thursday to come. It’s fun.

Samir Husni: And what has been the biggest stumbling block that you’ve faced and how did you overcome it?

Jeff Stoffer: Certainly the issue of silos. We’re a multi-faceted, broad organization with many different divisions. We work in jobs and economics, business development for veterans. We work in healthcare and benefits; all of these different areas of Americanism, American Legion baseball is housed in the American Legion National Headquarters, we have Jr. Shooting Sports, Boy’s State, Boy’s Nation, oratorical and a big gamut of legislation.

So all of these things that were spread out across all of these multiple landscapes, we previously did not really treat in our media, or not much, it was just kind of what we did on the Hill or in the community. And the magazine was more of a general interest magazine.

So what communication that was done in support of those programs was usually done in each of those divisions. What we had to do as we got the website and we started to break down some of those silos was to try to move some of the divisions out of the kind of thinking like I’ve got be my own public relations person and my own media person when they’re really program managers or policy people, they aren’t communications people.

And through time, slowly and painfully, we have broken down the silos, integrated some divisions, gotten other divisions, other areas of the organization to work with us to best brand and deliver the American Legion’s message. So it’s been a multi-faceted breaking down and I know this is true of a lot of associations, but it’s a lot of different departments and a lot of different communications people. Now we’ve standardized our brand, made for a more coherent and cohesive message for the whole organization.

Samir Husni: My typical last question; what keeps you up at night?

Jeff Stoffer: I think what keeps me up at night is the infinite nature of today’s media. It seems like whenever you open up a door, there is another door down the hall and another door. You never know what is going to happen next and you have choices and you are not confined by the amount of paper you can afford or the size of the sheet. You are only confined by the priority of the messaging. Because electronic media gives you infinite opportunities and that can be a lot; when there are no restrictions on the space that you can use.

What keeps me up at night right now is that I have many, many divisions because we have been very successful in our media program. Many interests in the organization are at the door knocking, saying hey, I need you to do this, or we need to develop this, can you help me with our social media program. You want to do it all.

Samir Husni: Thank you.
© Samir “Mr. Magazine™” Husni, 2014. All Rights Reserved.

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Blow Your Mind Cosmo Covers: Standing Straight or Leaning Over?

May 23, 2014

cosmo2-2cosmo1-1 Until 2013, Cosmopolitan has been the number one selling magazine on the nation’s stands. (It was dethroned last year by Woman’s World). And as many big selling titles on the newsstands, the magazine followed a very standard format in its covers and cover lines. So it was surprising to see a major departure in its June cover in the copies sold at Wal-Mart compared to the rest of the stores where the traditional cover was the one for sale…

The cover with Ms. Teigen standing straight with a pink background (the traditional design for Cosmo) is being sold at most of the nation’s stands. The cover with her leaning over with a yellow background is the one sold at Wal-Mart.

Both issues have Chrissy Teigen adorning the cover, albeit missing some clothing items and the cover line, “When He Makes You Crazy…P. 184” together with the obligatory one page number on the cover… but the Wal-Mart cover is a real deviation from the norm for Cosmopolitan and bend-over-show-some-cleavage sexy. Is there a reason the one sold at the largest retail store in the country is more provocative? And does having a choice between two tantalizing covers even make a difference to the Cosmo reader? Will loyal Cosmo girls like the tried and true of tradition or something new and different?

Judge for yourself.
© Samir “Mr. Magazine™” Husni, 2014. All Rights Reserved.

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Bryan Welch: Putting His “Magazines” Where His Mouth Is… Preaching and Teaching Audience Engagement in the Magazine Business. The Mr. Magazine™ Interview

May 22, 2014

Sustainability, Audience Awareness And A Love Of Print – Three Things Ogden Publications Foster & Promote Unashamedly – The Mr. Magazine™ Interview With Bryan Welch – Publisher & Editorial Director, Ogden Publications

“For most of the last ten years, Mother Earth News out of all the MRI measured magazines had the best and most consistent rate of growth…” Bryan Welch

There are few left in today’s publishing industry that actually put their money where their mouth is, but Bryan Welch – Publisher & Editorial Director – Ogden Publications, is one man who does. His love for print and magazines is second only to his love for Mother Earth and sustainability. And there is a reason for that.

Bryan’s first job was herding goats, so he has a good and compassionate feel for the Earth and all its inhabitants. And the second training ground that prepared him for the job he has now was taking a shot at being a stand-up comedian. The lesson he learned from that job, adapting and refining jokes based on the instantaneous reaction from the audience, made him more aware of how important audience awareness is and how vital adapting to their changing behaviors can be for publishers and magazine media.

The printed product is also very important and significant to him and he continues to place a very high value on his ink on paper products and in the people who buy and read them lovingly and loyally. He is a man close to the earth both professionally and personally. I asked Bryan about the things that are vital to Mother Earth News (just one of many Ogden magazines) and to him, such as sustainability and engagement with his audience.

His answers will engage and surprise you as you sit back, relax and think “green” and enjoy the Mr. Magazine™ conversation with Bryan Welch – Publisher & Editorial Director of Mother Earth News.

But first The Mr. Magazine™ Minute with Bryan Welch on his secret of success in the magazine media world today:

And now for the sound-bites:

On whether the world is getting closer to actual sustainability or farther away: We are continuing to accelerate toward a bad outcome, unfortunately and mainly that’s driven by population and by prosperity. I’ll start by saying that I am very optimistic. I think we are going to solve our problem.

On how the focus of sustainability and service is helping his magazines: For most of the last five years it has been the MRI measured magazine most likely to be reader’s favorite; it’s often had the most time-spent-reading number, so we have both engagement and audience growth.

On whether he believes print is dead and it’s an all-digital future: Every time this question comes up I just mention that there’s this print magazine that has a 750,000 rate base and is an inch and half thick and weighs about 2lbs and it’s called Wired. And it’s about the digital media. Why is there a magazine about the digital media?

On why we should focus on the audience instead of the platform: That’s such an interesting question. I think one reason is most magazines are run by people who are not passionate about the subject matter. As a result, I think that they are psychologically reluctant, or rather, reluctant for psychological reasons, to analyze the problem in terms of engagement.

On the most pleasant surprise in his career: In my career it was the acquisition of Mother Earth News because I had a stack of Mother Earth News underneath my bed when I was nineteen years old.

On the biggest stumbling block he has had to face: On a very mundane level I’m deeply dissatisfied with how we’ve communicated the value of our audience with advertisers. I think that we’ve, by and large, failed to acquaint them with the value of engagement, we have failed to acquaint them with the value of influential audiences, of profoundly passionate people.

On what keeps him up at night: You know every day I can enumerate several dozen things that I could have done better, so if you’re asking that question in the traditional sense, as in something negative that keeps me up at night, I do count off and review the things that I didn’t do as well as I could have done.

And now the lightly edited transcript of the Mr. Magazine™ interview with Bryan Welch – Publisher & Editorial Director – Ogden Publications

Samir Husni: My first question to you is, are we getting closer to Mother Earth News with all these new technological developments or are we going away from Mother Earth News?

Bryan Welch: We are continuing to accelerate toward a bad outcome, unfortunately and mainly that’s driven by population and by prosperity. I’ll start by saying that I am very optimistic. I think we are going to solve our problem. The question is how big of a catastrophe do we need to create before we come to grips with the essential problem.

The human population has doubled in my lifetime and that’s compounded when you have the two most populace countries in the world increasing their prosperity to an unprecedented rate. I’m very happy that the people of India and China are more prosperous than they’ve ever been, but as people become more prosperous of course, they buy more stuff, and they burn more fuel; they do everything more and all of those things compound the growing problem with the habitat.

Now psychologically, every day we’re a little closer to the realizations that need to be made. And that’s the most promising sign for me, is that the awareness is growing as quickly as it is. And of course, it’s a great source of satisfaction to those of us who work in the areas where we focus on sustainability; it’s gratifying to see awareness growing and the audience growing.

Samir Husni: You publish a group of magazines that are aimed at that awareness and service; how is that helping the magazines?

Bryan Welsh Bryan Welch: For most of the last ten years, Mother Earth News out of all the MRI measured magazines had the best and most consistent rate of growth over the last ten years, averaged out. For most of the last five years it has been the MRI measured magazine most likely to be reader’s favorite; it’s often had the most time-spent-reading number, so we have both engagement and audience growth.

So today, I believe we’re at a million and a half unique visitors to the website every month. The audience total for the magazine is approaching seven million. And all of these are unprecedented numbers for us. Mathematically speaking we’re having a brief significant success and I think that grows out of people’s increasing awareness.

One of the numbers that I find most promising, last year I just started asking people about their political beliefs: do you consider yourself very conservative, somewhat conservative, neutral, somewhat liberal or very liberal. The Mother Earth News reader’s index for being very liberal is about 195 and the index for being very conservative is about 185. And because so many more Americans are quote – unquote very conservative that means about 9% of our readership said they’re quote-unquote very liberal. And about 20% of our readership said they are very conservative politically.

What that looks like to me is a social overhang. It looks to me like a harbinger of a very significant change in how we behave and how we view the world if all these very conservative people are subscribing to Mother Earth News. And the mass media doesn’t recognize that any very conservative person has deep feelings about sustainability. But there you have it. They have very deep feelings about Mother Earth News and pay us money to tell them about sustainability.

Samir Husni: How is the shift taking place? Are we still talking about print is dead and the future is all digital? Where do you see yourself, your colleagues and your publishers on this issue?

Bryan Welch: Every time this question comes up I just mention that there’s this print magazine that has a 750,000 rate base and is an inch and half thick and weighs about 2lbs and it’s called Wired. And it’s about the digital media. Why is there a magazine about the digital media? Well, I can’t explain that, but as long as there is one I’m not all that concerned about the print future of Mother Earth News or Grit. You know there’s something about print.

One of my friends, a very smart person, says that the print product is an artifact. Not a historical artifact, but an artifact of your value system and you want to own a physical object because it reflects your value system. You want it in your home, on your table and within your reach. Even if you’re reading mostly on your mobile device in a completely different format, you still want the physical object and certainly we’ve not seen significant erosion of the value of our print subscriptions; we’ve not seen any erosion in the value of our print subscriptions over these last ten years and I would have expected to see it.

So I think the right posture for us is to be completely agnostic about platform and focus on engagement; to focus all of our efforts on being more meaningful to the audiences we choose to serve and deepening the relationship with those audiences and of course being there with the product in the format that they want.

But the relationship with the magazine brand and the relationship with the media brand is the fundamental unit of value in our business. And I try to get my colleagues to focus on that above and beyond all other things.

Samir Husni: It seems so just common sense for us to focus on the audience instead of the platform. Why do you think we’ve not done that and why do we avoid common sense?

Bryan Welch: That’s such an interesting question. I think one reason is most magazines are run by people who are not passionate about the subject matter. As a result, I think that they are psychologically reluctant, or rather, reluctant for psychological reasons, to analyze the problem in terms of engagement. Engagement is a complicated question and deep engagement with an audience requires deep empathy which is easier to achieve if you share their value system and their passions. But most people who wind up running magazines do not share those same passions of their audience. So I think as a result many are reluctant to analyze the problem in those terms, because that’s a more difficult way for them to solve the problem than a new consultant, a new gadget or a new platform.

Samir Husni: What’s been the most pleasant surprise for you in your career?

Bryan Welch: In my career it was the acquisition of Mother Earth News because I had a stack of Mother Earth News underneath my bed when I was nineteen years old.

And for me, I’m a business person, but I’m in the particular business that I’m in because I’m a storyteller by nature, my vocation is probably storytelling. So for me it was always important to be emotionally engaged with the subject matter and it always seemed to me, as a personal goal, that that should be paramount. And every day is very exciting.

And the acquisition of Mother Earth News for me was very lucky. It just really felt like a dream come true for me.

Samir Husni: What has been the major stumbling block for you that you’ve been able to overcome or not?

Bryan Welch: On a very mundane level I’m deeply dissatisfied with how we’ve communicated the value of our audience with advertisers. I think that we’ve, by and large, failed to acquaint them with the value of engagement, we have failed to acquaint them with the value of influential audiences, of profoundly passionate people. Because there are many categories of products: natural foods, energy-efficient automobiles that are points of really deep engagement with our audiences. And the advertisers in those categories have almost ignored us altogether.

And so that’s a disappointment and a stumbling block that we’ve not overcome yet and that we continue to work on.

Other than that, you know I suppose that I’m, like most entrepreneurs, optimistic by nature, so the vast majority of the obstacles that we face, I feel like we’re in the process of crawling over them, whether that’s the case or not. But I tend to feel that we are.

Samir Husni: My typical last question; what keeps you up at night?

Bryan Welch: You know every day I can enumerate several dozen things that I could have done better, so if you’re asking that question in the traditional sense, as in something negative that keeps me up at night, I do count off and review the things that I didn’t do as well as I could have done. I think like a lot of people do probably.

But I’m more likely to be up at night or particularly early in the morning more often because I have something exciting that I want to do. I’ve been lucky to have had that kind of career that’s given me a lot of work that I want to get to. So it gets me up.

Samir Husni: Thank you.

© Samir “Mr. Magazine™” Husni, 2014. All Rights Reserved.

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Gary Rubin: Trading The World Of Magazine Media In For A Sea Captain’s Hat… The Mr. Magazine™ Interview.

May 21, 2014

“You can talk to someone about the differences; listen to the words they use when they describe online versus magazines. They say, “My magazine” and “The website.” It’s just the words they use, “My Magazine,” because of the actual touch.” Gary Rubin

Courage. The one word that comes to mind when I think about my recent interview with Gary Rubin, Senior Vice President Publishing and E-Media, at the Society For Human Resource Management. As SHRM’s Senior Vice President of Publishing and E-Media, Gary Rubin leads the Publications and New Media division, which publishes HR Magazine, produces the editorial components of SHRMOnline (the Society’s website), is responsible for SHRM’s member facing social media initiatives such as HR Talk and SHRM Connect, directs book publishing operations, leads SHRM’s retail sales SHRM, E-Learning, video &multimedia production, SHRM’s virtual/on-demand conferences, organizational design production and business development via mergers and acquisitions, and a man who’s about to chuck it all and go sailing around the world.

But I’ve always believed that in order to succeed in the world of media, we have to be experience makers first. And I’d say that Gary is definitely about to make another new experience that may wind up bringing him back full circle someday to the media business.

After all, you can’t sail around the world and not tell someone about it and what better way than through the tangible presence of print media. But before we consider that possibility – sit back, grab your globe and give it a spin and enjoy the Mr. Magazine™ interview with Gary Rubin…

But first The Mr. Magazine™ Minute followed by the sound-bites and the lightly edited conversation.

The Mr. Magazine™ Minute:

The Sound-bites:

On why he’s leaving the world of business media for the sea: It’s really because life is short and greedy. I’m more interested in experiences than money.

On any similarities between sailing the world and publishing: After going through this brief recession, there’s nothing that the sea can throw at me that’s going to frighten me more.

On any lessons publishers should have learned from the recent recession: Don’t panic. The fundamentals of our business during the good times and the bad times are the same, that readers, whether they’re on the BtoB side or the consumer side, have either a need for content if it’s BtoB or a want for content if it’s consumer, and sometimes on the consumer side need and want intersect.

On any words of wisdom he might impart before he sets sail: Don’t give up. Because you look at the total patterns of our business going into the recession, BtoB suffers first, and then consumers get hit. And then coming out of the recession, consumers recover first then BtoB recovers second and this happens every single time.

On the best platform for branding: Print.

On the reasons why print is the best platform for branding: Because an advertiser has as many pages as they want to tell their story. And a print ad evokes a feeling in addition to providing information.

On the most pleasant experience he’s had throughout his career: There are so many things. It’s just such a wonderful business. It’s a people business. The business of media is so great because you work with so many super smart, interesting and dedicated people to create these products that people you don’t even know benefit from.

On the major stumbling block he’s faced: I’m not sure that I’ve overcome most of them. The business changes faster than you can learn it. And so I’ve always been slightly behind; there’s just so much more to know than you have time to learn and understand.

On the comparison of people in the media from ten years ago with today: I don’t know, things look different to me because I’m older. And I think that I’ve screwed more things up over the years that helped me learn more about people and business and myself, so things look different to me now because I’m different.

And now the lightly edited transcript of the Mr. Magazine™ interview with Gary Rubin….

Samir Husni: You’re leaving this business behind and sailing around the world; what’s your gut feeling about doing this? Do you feel like you’ve done everything you can do with the business or you’re leaving it in a better place or a worse place? Or this is it, there’s no future, let me go sail?

gary rubin Gary Rubin: Oh no, neither of those things. It’s really because life is short and greedy. I’m more interested in experiences than money. That’s why I have been interested in publishing for all these years; it’s that you learn new things and every day you realize how little you know, plus just the process of learning new things and discovering new interests and trying to constantly chase after some things with competency.

The problem is that I love the business and I think this is the most interesting time in the business because we’re in this brilliant transition between print and digital and how the two play together and the tool kit of things that we have as publishers to create incredible content that’s visual and really takes print into places it hasn’t been before. I’m really sad that I’m going to miss out on a lot of that, but on the other hand we all have limited time on earth and there are things that I want to experience and I want to try and sail around the world and I can’t do that when I’m 70.

So, this is the time. I have enough experience as a sailor and wisdom as a person, but enough ignorance that I don’t know what I’m getting into and if I did I probably wouldn’t do it. This is the right time for me to try it and I’m afraid if I postpone it I won’t do it and I’ll always have that regret.

Samir Husni: Being in the publishing business; do you feel it prepared you for this adventure? Are there any similarities, do you think, between publishing and sailing around the world?

Gary Rubin: After going through this brief recession, there’s nothing that the sea can throw at me that’s going to frighten me more.

Samir Husni: As we’re coming out of this recession, you’ve experienced the good times and the bad times; what lessons do you think publishers should have learned from it?

Gary Rubin: Don’t panic. The fundamentals of our business during the good times and the bad times are the same, that readers, whether they’re on the BtoB side or the consumer side, have either a need for content if it’s BtoB or a want for content if it’s consumer, and sometimes on the consumer side need and want intersect.

You know, my DNA didn’t change as a reader in a recession or in a boon. The only difference was the ad revenue, the advertisers got scared, but the readership never went down depreciably, people’s interests in learning things and doing things never went down.

So, some publishers started doing stupid things, corroding the value of their brand because they were going through some negative times, instead of thinking they’d recover when the economy came back, so their competitors who had confidence in the basic value composition of their media thrived when coming out of the recession and those that panicked died.

Samir Husni: And what advice or famous last words would you impart to BtoB magazine before you set sail?

Gary Rubin: Don’t give up. Because you look at the total patterns of our business going into the recession, BtoB suffers first, and then consumers get hit. And then coming out of the recession, consumers recover first then BtoB recovers second and this happens every single time. And now we’re seeing the consumer media recovering and to me this means BtoB will recover and marketers ultimately.

The problem that BtoB is having is that marketers are shifted away from branding to regeneration, putting money into the web, LinkedIn and other places like that. And they haven’t been investing in branding. And without branding, you know you put a button, a banner or a contextual ad up, but without understanding the value of a marketer’s brand, what good is it?

And particularly at BtoB, where a number of products are poorly differentiated from one another; how do you know what product is better than another? And so the pendulum is going to switch back and there is going to be a greater emphasis on branding and I don’t think it’s that far away. And ultimately, that’s where the juice is.

Samir Husni: Which is the best platform for branding?

Gary Rubin: Print.

Samir Husni: Why is that?

Gary Rubin: Because an advertiser has as many pages as they want to tell their story. And a print ad evokes a feeling in addition to providing information. No one’s heart has ever jumped seeing a skyscraper or a banner, but you look at a gorgeous print ad of a Porsche and it makes you yearn for that car. A button or a banner helps direct you to where to buy it. And the web does a very poor job of that. And the web only delivers information that you know you don’t know. Print tells you every time you turn the page that you’re discovering something new and different, something that you didn’t know you didn’t know.

And print advertisers that create beautiful and enticing ads get the benefit of discovering that whatever happens in a person’s brain, when they’re learning through exploring, that happens in print. I’m not being negative about online at all; I love online. But print is special. And perhaps it’s because people can hold a magazine in their hands and so there’s a physical connection between a magazine and a reader.

You can talk to someone about the differences; listen to the words they use when they describe online versus magazines. They say, “My magazine” and “The website.” It’s just the words they use, “My Magazine,” because of the actual touch. People are sensual to a certain level and there’s that intimate connection with a magazine that doesn’t happen on the web.

Samir Husni: What has been the most pleasant experience you’ve had throughout your career?

Gary Rubin: There are so many things. It’s just such a wonderful business. It’s a people business. The business of media is so great because you work with so many super smart, interesting and dedicated people to create these products that people you don’t even know benefit from. So the reach and the benefit from your activity with your team affect hundreds and thousands of people and so I’ll miss feeling like I’m doing something that matters on a bigger scale.

And I’ll miss a lot of great friends that I’ve made in the business. I mean, I’m not going to lose them, but going to conferences and just the act of doing business, there’s a connection because you’re sharing a common goal or interest.

And it’s sinking in that I’m really on the precipice of leaving the business. You just don’t appreciate it as much when you’re in it as when you’re about to leave it.

Samir Husni: And what was the major stumbling block that you faced during your career that you had to overcome?

Gary Rubin: I’m not sure that I’ve overcome most of them. The business changes faster than you can learn it. And so I’ve always been slightly behind; there’s just so much more to know than you have time to learn and understand. And now it’s harder even when you feel like you’ve got some great level of understanding and insight.

In the old days you’d just write it and you’d have the tools; you’d have the word processors, the printers and the paper and ink. And now so many of the really cool and interesting things require technology which is so much more difficult to implement.

So I think in the future we have to work this out. It’s so hard to bring ideas into action because it’s so expensive and the technology is much more difficult.

Samir Husni: Because of your role in human resources; have you noticed any change in people in the media business? If you wanted to compare people in media today to ten years ago; where do we stand?

Gary Rubin: I don’t know, things look different to me because I’m older. And I think that I’ve screwed more things up over the years that helped me learn more about people and business and myself, so things look different to me now because I’m different. But I suspect people are still the same; it’s just that I’ve grown a bit.

Samir Husni: My typical last question; what keeps you up at night?

Gary Rubin: My wife. She keeps waking me up because I’m snoring.

Samir Husni: Thank you and Bon Voyage…

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It’s All About The Newsstands… A Special Issue of Mr. Magazine™ Monday Morning…

May 19, 2014

77e3c2eb-bd45-42da-8498-c9d5249bae43 The latest edition of the Mr. Magazine™ Monday Morning newsletter is out. It is a special issue “All About the Newsstands.” Click here to read the issue or here to subscribe to the free weekly newsletter delivered straight to your inbox every Monday morning. Enjoy.

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Small And Mid-Sized Publisher Opportunity In A Contracting Market. A Mr. Magazine™ Exclusive from MagNet..

May 13, 2014

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An ongoing series of Mr. Magazine™ exclusive interviews with MagNet’s Luke Magerko.

Luke Magerko was a consistent contributor to my blog in 2013. Luke has partnered with MagNet to provide retail analytics for the publishing industry. Today, we pick up our conversation from two two weeks ago and, going forward, MagNet will provide me with an interview with Luke every other week highlighting retail analytics.

This week, we focus on increasing sales by changing the checkout status quo, especially for smaller and mid-sized publishers. First, we report on the overall magazine share of market and sales trends based upon price point. This analysis is based on all titles off sale in the previous 12 months ending February 2014.

HOW DID YOU ANALYZE PRICE POINTS?
We segmented our analysis into four price groups and observed four national sales results. The four price groups are:

•$0.00 – $3.49: examples include Women’s World, First for Women, All You
•$3.50 – $5.49: examples include People Magazine, HGTV Magazine, Shape Magazine
•$5.50 – $7.49: examples National Geographic, New Yorker, Country Sampler
•Greater than $7.49: examples include Cuisine at Home SIP, Fine Cooking and Taste of Home Bookazines

We analyzed weighted cover price. Weighted cover price is revenue generated in the United States and Canada divided by total unit sales. For example, Muscle and Fitness magazine has a U.S. retail price of $6.99, however its weighted cover price is greater than $7.00 due to Canadian sales.

The four sales comparisons are:

•Dealer Count = How many stores received a magazine. A monthly title ships to 10,000 dealers an issue. This equates to 120,000 dealers annually.
•Copies Shipped = Share of total copies shipped (“draw”) by price point.
•Unit Sale = Share of total unit sale by price point.
•Retail Sales = Share of total retail sales by price point.

Screen shot 2014-05-11 at 8.20.20 PM

I AM SURPRISED THE $3.50 – $5.49 CATEGORY REPRESENTS NEARLY HALF COPIES SHIPPED AND UNIT SOLD. WHAT ELSE CAN WE LEARN FROM THIS CHART?
$0.00 – $3.49 price points – These titles represent 14% of the dealer count, but 21% of copies shipped and 25% of units sold. These titles have a high penetration at checkout and have a higher sell-through efficiency than national averages. However, these titles generate just 12% of all retail sales.

$3.50 – $5.49 price points – This group represents nearly half of all dealers and units sold; just under half of all units sold, but only 44% percent of all retail sales. Again, these titles are highly represented at checkout, but have a below-average retail sales share.

Combination of both higher price points – These titles represent 38% of the dealer count, but 28% of copies shipped and 25% of units sold. These titles are either part of a checkout pocket rotation (such as BH&G Special Interest Publications) or are relegated to the mainline. These magazines generate 45% of all retail sales revenue and are easily the most profitable group of all price categories.

BUT THE HIGHER PRICE POINT PRODUCT HAS LOWER SELL THROUGH EFFICIENCIES.
Yes, but wholesalers wisely pushed higher price product in spite of the lower sell through because it generates more revenue/profit for the retailer.

WHAT ARE THE SALES TRENDS BY PRICE POINT?
Let’s look at monthly retail sales by the price point grouping in this chart.

Screen shot 2014-05-11 at 8.21.19 PM

The lower priced titles weigh heavily upon the entire category. The $5.50 – $7.49 group, however is declining less dramatically while the greater than $7.50 group sales is increasing.

THE UNDER $5.49 TITLES REPRESENT MOST OF THE CHECKOUT SPACE!
Yes, they do. Retailers are shrinking the magazine footprint in store because retail buyers focus on checkout results and punish categories where sales fall rapidly.

HOW DO WE CHANGE THE STORY AT RETAIL?
I mentioned this in a past interview, but it bears repeating: there has been little change at the checkout in the past 10 years. There is similarity of product at checkout, and the publishing industry needs a new mix of titles to generate life into this industry.

WHICH PUBLISHERS SHOULD PURSUE CHECKOUT SPACE?
We analyzed one publisher which produces high-priced, high-quality special interest publications this week. We determined that this publisher could improve both sales and profit by purchasing checkout space.

HOW DO YOU DETERMINE PROFITABILITY?
For this exercise, we estimate revenue and expense. Our estimates are fairly accurate, but we always prefer to work closely with a publisher to produce exact results.

WHAT DID YOU FIND?
This publisher creates more than 50 releases a year. Although the overall sell-through efficiency of 27% underperforms national averages, this publisher makes over $1.40 per copy sold. This is an excellent profitability number that lends itself well to investing in checkout space.

WHAT STOPS THIS PUBLISHER FROM EXPANDING INTO CHECKOUT?
In my experience, smaller to mid-level publishers believe checkout pockets are too expensive, both in pocket fees and in waste. More than one publisher representative said they would not want to increase the print order to cover the checkout space.

BUT THE TITLE WOULD SELL MORE PRODUCT!
Yes, but what we cannot do is predict the exact increased sale. One senior-level wholesale representative told me a title moving from the mainline to the checkout sees a 5:1 increase in sale. I believe that is too high, but it is reasonable that any title moving from an aisle in the middle of the store to checkout will see increased sale. We need to make publishers more comfortable in this arena so they can test product at checkout and determine if it is right for them.

WHAT ABOUT EXISTING TITLES AT CHECKOUT?
Some of those top-30 titles need to reduce space or be sent to the mainline based on lack of productivity. The publisher we analyzed could credibly walk into many retailers and point out its line of mainline titles already outsell many checkout titles right now.

WHAT WOULD HAPPEN AT CHECKOUT?
It has been well reported that wholesalers are in financial trouble and retailers compound that trouble by reducing the magazine retail footprint. A more diverse checkout with higher priced product will bring back some consumers and spur sales. Higher-priced product at checkout will help the retailer’s bottom line which is a win for the publishing industry as a whole.

INTERESTING, LUKE. YOU CAN CONTACT LUKE AT LMAGERKO@MARKET-ANALYTICS.COM OR JOSH GARY AT JGARY@MAGNETDATA.NET IF YOU WOULD LIKE AN ANALYSIS OF YOUR OWN TITLES.

©Samir “Mr. Magazine™” Husni, 2014. All Rights Reserved.

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An Experience Spearheaded by Print: Men’s Health South Africa

May 11, 2014

Men’s Health – South Africa – Keeping The “Experience” In The Experience… The Mr. Magazine™ Interview With Editor-In-Chief Jason Brown…

“I think brands that will survive are strong brands that have a multi-faceted approach which offers the user or the reader an experience. It will be spearheaded by a print experience because people appreciate that.”…Jason Brown

JB_headshoulders Men’s Health, South Africa, is the epitome guide for men and what they need to know to have a well-balanced and healthy life. It is a magazine committed to improving each and every area of a man’s life – from diet to relationships; the magazine is there to shed light on any current topic that might interest them.

Jason Brown is the Editor-in-Chief of the South African edition, but has worked globally in his career. Recently I spoke with him on a trip to South Africa. From the States to the UK and now South Africa, Jason talked about the differences, culturally and locally in the markets and about how distinctive they really were.

After helping to launch various versions of Men’s Health magazine, Jason knows what a magazine needs to attract readership and keep them – provide the audience with an experience they’ll never forget.

So sit back and enjoy the Mr. Magazine™ interview with Jason Brown – Editor – Men’s Health, South Africa.

But first the sound bites…

On the differences between global markets: There is definitely a distinctive difference between all the markets, even though we’re all English-speaking and pretty much have the same background. I’d say the biggest difference is the connection to the cultures of the country.

On the biggest stumbling block in taking a title global: Not making it local enough. Not giving it enough local flavor and not giving enough credit to the audience you’re going to be addressing. People think if you have a big international brand it automatically means success.

On his most pleasant surprise when it came to the various launches of the magazine: The response to a guy with muscles on the cover. So whether it was in India, or Brazil, there was some initial skepticism that it was an American magazine.

On his thoughts about the future of magazines, print or digital: I think that it’s a combined experience.

On how he sees the glass when it comes to the magazine marketplace in South Africa – half full or half empty: It changes every month and I think that’s just the nature of where we’re at. I think it’s very easy to become despondent about magazines at a time like this, because we’re in such an age of transition.

On what keeps him up at night: Keeping ahead of my readership and understanding their needs.

And now the lightly edited Mr. Magazine™ conversation with Jason Brown – Editor-in-Chief, Men’s Health, South Africa…

CoverMay14lo-150x200Samir Husni: You’ve worked in the United States for two years as Editorial Director at Rodale International and now you are the Editor-in-Chief of Men’s Health in South Africa. You’ve also worked with other magazines here and also in the UK. What’s the first impression you had about the differences in journalism in the States versus South Africa and the UK? Is it all the same or is there distinctiveness about the different markets?

Jason Brown: There is definitely a distinctive difference between all the markets, even though we’re all English-speaking and pretty much have the same background. I’d say the biggest difference is the connection to the cultures of the country.

Working at Men’s Health, we used to say so much is the same, but so much is different. So while many things that have to do with men are the same, men have the same sort of goals and a lot of the same ambitions, culturally how that magazine reflects its society, there is definitely a difference. And I saw it between Men’s Health, UK, the United States and South Africa.

And the biggest thing is the sophistication of the market and the influence of the other things in society. In South Africa we have a lot more of an outdoor society, more closely related to Australia. So the magazine reflects our lifestyle and also the diversity of the audience, 66 % of our audience is black. And that is a big economically growing and I suppose ambitious part of our society.

So the black middle class is growing and it’s reflected in our readership. Perhaps what we think are ideas that have had their time in the UK or the U.S. is still very valid here. Upwardly mobile, young men are looking for things in South Africa that perhaps still have strength and validity, whereas perhaps in the UK or the U.S. they no longer hold that same appeal, or they have to be evolved.

I think we’re probably about two years behind in that sophistication of the marketplace. But it’s caught up very quickly as more international brands have come to South Africa.

Samir Husni: You helped launch several editions of Men’s Health worldwide. What do you think was the biggest stumbling block in taking titles like Men’s Health or Women’s Health or Cosmopolitan and move them across borders?

Jason Brown: Not making it local enough. Not giving it enough local flavor and not giving enough credit to the audience you’re going to be addressing. People think if you have a big international brand it automatically means success.

I think it’s a great advantage because there are a lot of common lessons and a lot of common ground with many men around the world and certain brands are successful because they approach subjects in a universal way. However, not recognizing how much to localize and how important it is to create a local version that has a local flavor is a big mistake.

Samir Husni: And what was the most pleasant surprise with those various launches?

Jason Brown: The response to a guy with muscles on the cover. So whether it was in India, or Brazil, there was some initial skepticism that it was an American magazine. Our country is different is a phrase that we heard very often. But once we had localized, the basic premise of the magazine held true. And I think that was really the surprise, to see how this global concept, once localized well could be so successful and resonate with the audiences.

Samir Husni: Talking about local concepts, I interviewed one of your colleagues who had just launched a magazine about a very specific diet, the Banting Diet, Lose It! Magazine. And I see on the cover of this month’s issue of Men’s Health something like the questioning of this diet. Are we talking about the same market? Or does that diet only work for women or men?

Jason Brown: I don’t think we do it often enough here. Because it shows more than one angle to a story and I’m glad they’re having success with Lose It! but I think that our responsibility is to be slightly different and our angle, slightly more questioning.

When the Banting Diet was released here, we did an in depth report over a year and a half ago. We’ve now followed it up with a bit more of an investigative report and I suppose you could say we’re taking advantage of the trend toward this diet and our compelling newsstand cover line is the counterintuitive one, the one in opposition to what you are seeing on newsstands and what people are finding so popular at the moment.

So I think that there’s more than one angle to the story and we found our news angle in counterpoint to what Lose It! is doing. I think both have validity and that shows the health of magazines, that we can take one subject, investigate it and come up with different conclusions and only the reader benefits.

Samir Husni: What makes Jason tick?

Jason Brown: Great ideas. I love smart ideas. I love original ideas and whether I’m on Twitter or being sent a story idea or I find a magazine story and I say, wow…that is a smart, well-executed idea and I wish I had thought of that. And that is what keeps me in magazines and what keeps me inspired by what’s out there and gives me hope that great experiences and great content will keep on driving audiences to the newsstand.

Samir Husni: What do you think is the future of magazines? Print or digital? Both?

Jason Brown: I think that it’s a combined experience. We spoke about it earlier and one of my beliefs is that no one thing is the solution. I think brands that will survive are strong brands that have a multi-faceted approach which offers the user or the reader an experience. It will be spearheaded by a print experience because people appreciate that. They don’t have to click three times to get to their favorite magazine and they enjoy that lean back, but then you’re also offering them an app that can keep them on the go. Your social media is giving them a daily or hourly experience, but the magazine is giving them the longevity and the belief in the experience over the month, the week or over the year.

Samir Husni: As an insider, how do you see the magazine market in South Africa – is the glass half full or half empty?

Jason Brown: It changes every month and I think that’s just the nature of where we’re at. I think it’s very easy to become despondent about magazines at a time like this, because we’re in such an age of transition. And I think to be extreme or to write one thing off in favor of another is looking at it as a problem rather than an opportunity.

For me it’s about reaching an audience, quality content and a quality experience will always find an audience. And for me it’s an exciting opportunity to create more of a holistic brand. I think the future is in the entire 360. What we’re struggling to find right now is the balance between how each of those will work, and how we will create a revenue opportunity across all of them.

Samir Husni: My typical last question; what keeps you up at night?

Jason Brown: Keeping ahead of my readership and understanding their needs. And I suppose anticipating the next move to always stay relevant.

Samir Husni: Thank you.

© Samir “Mr. Magazine™” Husni, 2014 All Rights Reserved.
Truth in Reporting: Media 24 Magazines in South Africa, is a media company that I consult for. This interview is not related to my consulting role, but rather giving my readers a better understanding of the magazine and magazine media marketplace in South Africa. This is the last of the four interviews.

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A Love Affair with Magazines: Crowded, But Loved, South Africa’s Women’s Interest Magazines…

May 11, 2014

Women’s Magazines In South Africa Are A Growing Market And When It Comes To How The Industry Has To Function To Keep Them That Way – The General Manager Of Women’s Interest Magazines at Media 24 – Has The Answers – The Mr. Magazine™ Interview With Liezl de Swardt.

“But the move is definitely just not to digital, the move is to people thinking: I don’t have time for someone or something, meaning a magazine, which doesn’t understand me or bring me something that is really useful.”… Liezl de Swardt

Liezl de Swardt The market for women’s magazines in South Africa may be crowded and it may have undergone drastic changes over the years, but there is one thing for certain when it comes to the country’s readers: they do love their magazines.

Liezl de Swardt is the general manager for Media 24’s Women Interest Magazines in South Africa and is the one with her fingers on the pulse of the women’s market there more than anyone else. On a recent trip to the country, I chatted with her about the market, print versus digital and a host of other topics that are important to their audience, plus the future of women’s publishing in the country and what she’s doing to keep women’s magazines growing there.

So sit back and be prepared to enjoy the informative and eye-opening Mr. Magazine™ interview with Liezl de Swardt, General Manager, Media 24…

But first the sound-bites:

On the women’s market itself in South Africa: We have a very crowded market, but also a very long history of excellent magazines.

On print versus digital in the country: While all of our developing titles also have mobile sites and they’re very successful, it’s not like Time Magazine, ours are something you might read while you’re sitting in a taxi having a quick look, but the print magazine is the big currency.

On the future of women’s magazines in South Africa: I’m a half full type of girl, so I always say the glass is half full. But our biggest challenge is to rethink the way we’ve always done business.

On the major stumbling block she has faced: Our biggest stumbling block would probably be we think the advertisers will come back or the readers will come back. Nothing will just come back.

On her most pleasant surprise: The biggest excitement for me is unlocking niches. There are still areas of incredible excitement and interest. And we have an ability to get quickly in there.

On what keeps her up at night: The immense responsibility that I feel about the legacy brands that we have and how to sustain them in the future.

And now the lightly edited transcript of the Mr. Magazine™ Interview with Liezl de Swardt, General Manager, Women’s Interest Magazines, Media 24…

Samir Husni: Can you tell me a little bit about the women’s magazine market in South Africa?

Liezl de Swardt: We have a very crowded market, but also a very long history of excellent magazines. And the traditional population that loves their magazines read a lot. But over the last 10 years the market has changed dramatically. Our general interest women’s glossies that were always the very big ones have declined in circulation. There was a lot of new interest in the market, mostly licensed. They came in about 10 years ago and a lot of them have now exited the market.

So over the last two years the market has contracted quite tremendously to the point where we are now left with a few traditional mass market glossies at the top, a sprinkling of licensed titles that have contracted a lot and the only area where we are seeing some really exciting growth is right at the lower end, so nothing glossy. Only the very practical, very direct and very focused magazines on, not niche in terms of small, but niche in terms of a very tight focus on very specific groups, for example we have Kuier, which is a bi-weekly magazine aimed at a mixed race audience, it’s quite a tight focus and our fastest growing title.

On the other end of the spectrum, focusing on black women, we used to have, or we still have, True Love, which is a big iconic title and it is contracted whereas Move! is much cheaper and it’s weekly, very practical, very salacious and growing rapidly.

Samir Husni: A lot of people think print is something from the past and digital is becoming the mainstay, but you’re telling me something different…

Liezl de Swardt: South Africa is a developing country and we basically have three countries in one. At the top end, we have a large penetration of digital devices and we also have a large population who’s not necessarily becoming first-time readers, but first-time magazine buyers.

Whereas the developing market has moved on from the top magazines that we worked on when we came into the industry about 20 years ago, those magazines are very useful for a whole lot of new readers.

And while all of our developing titles also have mobile sites and they’re very successful, it’s not like Time Magazine, ours are something you might read while you’re sitting in a taxi having a quick look, but the print magazine is the big currency.

Samir Husni: How do you view the future of women’s magazines in South Africa? As one of the top publishers in the country; if someone asks you – is the glass half full or half empty?

Liezl de Swardt: I’m a half full type of girl, so I always say the glass is half full. But our biggest challenge is to rethink the way we’ve always done business. On the glossy side, while the African market is much more balanced in terms of circulation versus advertising income, the glossy magazine market is definitely funded by advertising income and circulation income was secondary to that. With tremendous pressure on advertising income, we have to cut our cloth accordingly to put into what we can attain through circulation income, which means being more cautious of our spending, in terms of what we spend I production, also sometimes contracting our market by putting cover price up.

So I think the future for us is more expensive, luxurious titles for the top end, whereas we have a title like Ideas which is focused on people who love doing crafts and creative things, we don’t get advertising for the magazine, well, we do, but very, very slight, it’s very expensive editorial to produce because it’s original crafts and we nearly doubled the cover price, but we lost in circulation. And I think that’s the kind of thing we’ll have to do in the future.

About five years ago we were doing a lot of things to satisfy advertisers and not necessarily the readers. The future of magazines is to satisfy the readers’ very specific needs and if we satisfy them, they’ll either pay for it or advertisers will want to get to those readers.

And the same principle applies to the bottom end of the market because if we do things there that advertisers want, then it’s not right for the market. If we do things right for the readers, there’ll be loads of them, and then advertisers can’t ignore them.

Samir Husni: So what do you think is the major stumbling block in this strategy?

Liezl de Swardt: The stumbling block for us is to be incredibly sober about titles, the brands and practices, meaning the way we’ve always done things and to ask: is this the right way for the future, because not all of the brands that we’ve had are always sustainable for the future. Or the way that we’ve done it has always been sustainable for the future.

In some instances it would be about the general interest glossies, but I don’t think just general interest is ever going to work anymore. In order to capture people’s attention we just have to be much, much stronger on the bottom end in terms of exactly what we deliver.

So if we think it will never be business as usual, we cannot think, but oh, it used to work in the past. Our biggest stumbling block would probably be we think the advertisers will come back or the readers will come back. Nothing will just come back.

But the move is definitely just not to digital, the move is to people thinking: I don’t have time for someone or something, meaning a magazine, which doesn’t understand me or bring me something that is really useful.

Samir Husni: And what has been your most pleasant surprise during this transitional period?

Liezl de Swardt: The biggest excitement for me is unlocking niches. There are still areas of incredible excitement and interest. And we have an ability to get quickly in there. We’ve been in the industry for a long time and we used to think: oh, we plan something and we recruit an editor and we plan that maybe in six months’ time we’ll put out a magazine, for example, Lose It! was an idea and less than 60 days later, we had our first issue out on the street. No extra team, nothing; it was just get it out there. And I think our success will be about using our existing expertise in teams and acting very quickly on what could been seen as fads or trends, but things now have to be done immediately. You can’t set a goal for three years from now. If it’s good, it’ll work immediately. If it’s not good, it’s not going to work anyway.

So we have to be a bit tougher on ourselves and less tough on the market.

Samir Husni: How many titles do you oversee?

Liezl de Swardt: 40 brands, which is about 26 magazines.

Samir Husni: And my typical last question; what keeps you up at night?

Liezl de Swardt: The immense responsibility that I feel about the legacy brands that we have and how to sustain them in the future. Because we have extraordinary brands that have been around for many years and the world’s magazine archives are full of iconic brands that died or were phased out. And I don’t want to be that one who messes up one of our archive brands.

Samir Husni: Thank you.

© Samir “Mr. Magazine™” Husni, 2014 All Rights Reserved.
Truth in Reporting: Media 24 Magazines in South Africa, is a media company that I consult for. This interview is not related to my consulting role, but rather giving my readers a better understanding of the magazine and magazine media marketplace in South Africa. This is the third of four interviews.

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Giving Its Readers A “Voice” Is The Mission Behind Kuier Magazine – The Number Five Magazine In South Africa.

May 9, 2014

Kuier Translates To The Word Visit In English And Never Has A Print Product Been So Apropos Of Its Name – The Mr. Magazine™ Interview With Kay Karriem – Editor-In-Chief – Kuier Magazine…

“Because our philosophy is we don’t want to be the best magazine in South Africa, if you are looking for the best magazine in South Africa, Kuier is not it. We do not want to be it, nor do we aspire to be it. We want to be your favorite magazine.”… Kay Karriem

kay karriem Cape Town, South Africa: First of its kind in South Africa, Kuier Magazine exists to give readers practical and realistic advice on everyday things like finance, careers, relationships, parenting and health. Affordable and relevant is their mantra.

Kay Karriem is Editor-In-Chief and believes so strongly in the down-to-earth approachability of her community-based print product; she has no doubt about its continuing growth. Today it is the fifth most popular magazine in the country. But by tomorrow, who knows! If its Editor-In-Chief’s enthusiasm is any indicator, the magazine will surpass its current placement very quickly.

On a recent trip to South Africa, I spoke with Kay about Kuier magazine, and learned a tremendous amount about loyalty to the audience and a cluster community of readership unlike anything most of us have ever known.

So sit back and enjoy the Mr. Magazine™ conversation with the Editor-In-Chief of Kuier Magazine, Kay Karriem…

But first the sound-bites…

On why she believes the magazine is growing with readers so quickly: You know Kuier in itself is a mission. It’s not just a magazine, it’s a statement about South Africa and it’s not just for enjoyment, it means something, because Kuier is the first of its kind.

On keeping her finger on the pulse of the magazine’s audience: I don’t want to sound like it’s simple, but in a way it is simple, because the kind of woman that I write this magazine for; she is my mother, she is my grandmother or my aunt because they all need it and they all have something to say about it.

On whether she believes the magazine’s popularity has grown due to its message or the lack of that message up until Kuier: Definitely it’s a combination. Once you’re fulfilling the message and the gap, people start to look at the other products out there that they have been buying and ask: why haven’t you been talking to me?

On her stance about the digital side of the magazine: So we said goodbye website and we launched a mobile site instead where we, in our philosophy, take Kuier the brand to the platforms, not content.

On the biggest stumbling block she’s faced: I would say the advertising sales department because as much as I believe in this market and the size of this market, our target market, they are not very attractive to advertisers because in the country’s history it is a true wisdom of economic power; where does the money lie?

On her most pleasant surprise: To have people come up to me and ask: do you know what a difference this has made in my life? Just to know Kuier has made that difference in their lives is wonderful.

On what keeps her up at night: It’s my team. I worry for them. Because they believe in the vision and the work we do and why we do it, so I worry about them.

IMG_5240 And now the lightly edited transcript of the Mr. Magazine™ interview with Kay Karriem – Editor-In-Chief – Kuier Magazine…

Samir Husni: You’re the editor of one of the fastest growing magazines in South Africa; could you tell me a little about it and tell me why you think the printed magazine is growing so fast?

Kay Karriem: You know Kuier in itself is a mission. It’s not just a magazine, it’s a statement about South Africa and it’s not just for enjoyment, it means something, because Kuier is the first of its kind. It came into being at an opportune time in the history of South Africa; there was nothing like it before in the community and people adopted it because it made them feel like there was finally something for them. So it immediately changed the media landscape. And the community, which was the target market it was for, they took ownership of it immediately as well. We did no marketing, per se, of the magazine to sell it to the community. Once they took it up, they were the marketers and they sold the magazine. They would tell their neighbor: did you see this? And that’s how the magazine became so popular, by word of mouth.

It went from a nothing magazine, to number five in the country through the people who read it. All our events, our Mother’s Day event is coming up, the tickets sold out within an hour and people called and complained by saying why couldn’t I get a ticket and why are the events so small, because it is very important for them to be at our events, due to the fact that they are geared specifically for them. Everything in the magazine is for them. They get that feeling and it’s their magazine. We didn’t have to sell that message, we didn’t have to sell this is for them, they can see for themselves that the recipes and fashions are for them and the stories are about them and they could feel that and it became their mission with us to make it a go.

IMG_5241 Samir Husni: You’re so passionate about this magazine and your passion is reflected on the pages of the magazine. How do you keep your finger on the pulse of that audience who thinks this is their magazine and they are the ones promoting it?

Kay Karriem: I don’t want to sound like it’s simple, but in a way it is simple, because the kind of woman that I write this magazine for; she is my mother, she is my grandmother or my aunt because they all need it and they all have something to say about it. And what they should do next.

Every time I go home they come with the magazine and they tell me that was a good story or they ask me, why did you do this? And they even comment on my lead-ins, because sometimes I write about my family and they will ask, why did you say this? Your grandmother never did this. They comment and stay so involved in it.

So I know what’s going on their lives and their struggles and I reflect that in the magazine. So in a way it is easy, because we talk about what’s happening right now in their lives and communities. And that’s how I knew what was missing for so long, because no one ever took the time to say this is a valuable community and it is a community that needs to be served. Their voices need to be heard and their stories need to be told in the magazine, because they were ignored for so long.

That’s why our team always talks about the service we offer everybody, we are in the service industry, how can the consumer feel valued, when they’ve never been valued before. So we take time to listen. Customer service is very big. Even though we ourselves are not directly involved in customer service, we have a team that takes care of that, we do answer them on Facebook to service the needs of our customers. We feel that they need to be heard and they’ve never had that kind of service before. So that is the cornerstone of Kuier.

Samir Husni: Because of the growth of the magazine and in reaching the number five spot; do you think that mainly happened because of the message or the lack of the message for years and now people are hungry for it?

Kay Karriem: Definitely it’s a combination. Once you’re fulfilling the message and the gap, people start to look at the other products out there that they have been buying and ask: why haven’t you been talking to me? I’ve been buying you and have been loyal to you, so why aren’t you talking to me in my language about the topics that matter to me? I have been buying your excuses for years, but now someone else is printing that I am number one. At Kuier, we treat our target market like they are the main dish, where others treat them like a side dish. And people see that.

And also now in the economic times that we’re all in, we contribute through the middle class market, while everyone else is into the upscale market. They want to be glossier and aspire more; no one wants to look cheap. And I always say there’s a big difference between cheap and affordable. And we want to be affordable. We want to talk to people on that level.

Kuier has two points in the market: the cultural point, which is the mixed race market and the economic point; all of a sudden there are areas in five or six middle class that have become your attractive markets and then there is the other market, which is upwardly mobile, and they’re going to become yours as they move, so we want them now and for them to become loyal to us.

And they need affordability. And they can’t afford these products that are going higher and higher by the day because they are chasing profit margins. So, whoever is very unattractive to everybody else is very attractive to us. Because our philosophy is we don’t want to be the best magazine in South Africa, if you are looking for the best magazine in South Africa, Kuier is not it. We do not want to be it, nor do we aspire to be it. We want to be your favorite magazine. Because that’s the one you keep coming back to.

Samir Husni: Are you afraid of the digital side of the business?

Kay Karriem: Absolutely not. At Kuier we were the first, because we are so budget conscious and in tune with our market, we never had money and we would put a website on and we would get knocked down because everybody believed our market did not have access to the Internet. And with the cost, we just didn’t have money for a website.

So we had to come up with a solution on whether we wanted digital in our spectrum. So we said we do not want a website, cancel the website.

We decided that the technology our market has the most access to, and yes, they do have Internet, but a website isn’t the best solution, our market has their cell phones everywhere. The first digital option shouldn’t be mobile, as in an iPad tablet, it should be mobile as in a phone.

So we said goodbye website and we launched a mobile site instead where we, in our philosophy, take Kuier the brand to the platforms, not content. So you don’t have the same content on the mobile site that you have in the magazine and on Facebook, but the brand values are the same across all the platforms.

So for example we would have, and we call it Mini-Kuier because you take it everywhere with you, these questions, like: how has the mobile phone changed our physical behavior and we came up with people sitting on trains and doing this and we demonstrate the thumbs and the posture of texting, when they’re not talking on their phones and we wanted to give them something. And we’re not a news source, so we’re not giving them news updates.

But what is our brand about? It’s about people, engagement and community. So we wanted those things to be on the mobile site as well. And our recipes are very popular, so we give them recipes. Something you can pick up on your way to work and make in the same day.

People are creatures of habit. So if you are traveling the train or bus every day, we give you a short story or a chapter of a book to read, so you can do it with us daily and it’s a habitual thing. But that you don’t find on our Facebook or in the magazine, only on our mobile. That’s one thing we don’t do is repeat content. Each platform is its own unique property. So this is where we see the growth of the brand, in the digital format.

Samir Husni: What has been the biggest stumbling block that has faced you in your career with the magazine?

Kay Karriem: I would say the advertising sales department because as much as I believe in this market and the size of this market, our target market, they are not very attractive to advertisers because in the country’s history it is a true wisdom of economic power; where does the money lie? The old money is white, the new money is black African, so somewhere in the middle and not a very attractive proposition, is the mixed race audience and you have to do so much convincing that the mass middle class market is upwardly mobile and that this market can’t go down.

Everything shows that over the past 20 years that market has grown, not just in numbers, but also economically. And they don’t want to be talked to as just a mixed race market, they are saying if you want our money, talk to us in a different way. We are strong economically, so if you want our money talk to us and not just as a part of something else. So convincing advertisers that yes, this is a viable, growing market, can be tough.

Samir Husni: What has been the most pleasant surprise?

Kay Karriem: To have people come up to me and ask: do you know what a difference this has made in my life? Just to know Kuier has made that difference in their lives is wonderful.

And you can ask anyone on the team, they can’t go into stores without people recognizing them as associates of Kuier. They recognize everyone on the team.

And people love sharing their stories with us and we encourage that. Our stories are very personal and people recognize our team because of that sense of community. It extends to the staff and we love it when people come up to us and tell us that we have changed their lives.

Samir Husni: My typical last question, what keeps you up at night?

Kay Karriem: It’s my team. I worry for them. Because they believe in the vision and the work we do and why we do it, so I worry about them. We are here to change the South African media, not just set and accomplish goals. It’s never had a Kuier.

We believe so strongly in our magazine that we sometimes call it the Church of Kuier. We’re not just here to draw a paycheck; we have a mission in life. And my team and I are in it together. And that mission is our driving force.

Samir Husni: Thank you.

© Samir “Mr. Magazine™” Husni, 2014 All Rights Reserved.
Truth in Reporting: Kuier magazine is published by Media 24 in South Africa, a media company that I consult for. This interview is not related to my consulting role, but rather giving my readers a better understanding of the magazine and magazine media marketplace in South Africa. This is the second of four interviews.

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A Launch Story: Lose It! A New South African Magazine Promoting A High-Fat Low-Carb Diet…

May 7, 2014

People May Wonder If South Africa’s Suzy Brokensha is “Losing It” With The Launch Of A New Magazine Promoting A High-Fat Diet – But The Editor-In-Chief Of Fairlady Magazine Is Quick To Tell You That’s Just Not True – The Mr. Magazine™ Interview With Suzy Brokensha…

Screen shot 2014-05-07 at 11.16.07 AM Cape Town, South Africa: Controversial doesn’t even begin to describe it, low-carb and high-fat; two terms that most nutritionists and doctors have heart palpitations over when they hear them. But the Editor-in-Chief of South Africa’s Fairlady magazine, Suzy Brokensha, isn’t sweating it. She believes in the concept and in the new magazine: Lose It! 100 percent.

The new ink on paper product is inspired by Professor Tim Noakes and his reversal of his former doctrine of a high carb diet. Once a promoter of this type of eating routine with his book “Lore of Running” Noakes backtracked a few years ago when late onset diabetes took the lives of his father and uncle. His change in view has brought him both kudos and lividness from South Africans and people everywhere.

But Suzy Brokensha – Editor-In-Chief of the new magazine – is behind him all the way. She knows first-hand due to her own family’s experience with late onset diabetes that sometimes the most logical of ways doesn’t always work and blazing new trails with a print magazine that provides cutting edge evidence of unfamiliar horizons may be the only right answer.

I spoke with Suzy on a recent trip to Cape Town, South Africa and her beliefs and convictions about this magazine and as she calls it: this movement, are evident in our conversation.

So get ready to hear some things your cardiologist may not want you exposed to as you read the Mr. Magazine™ conversation with Suzy Brokensha about the new print magazine – Lose It!…

But first the sound-bites…

On the concept of the new magazine: The new magazine is based on the Banting Diet, or a low-carb, high-fat diet that is not new at all.

On why she decided to launch Lose It! in the first place: I became interested in it about four years ago because my dad was also a late onset diabetic and because he died in the end of diabetic complications. And I know diabetes is a huge issue in South Africa and my brother is also a pre-diabetic and I didn’t want it happening to me.

On the initial reaction from the marketplace: It’s only been on street now for about a month and the initial reaction was incredibly positive.

On the uniqueness of the magazine and the diet itself: So I think what appeals to men is that performance aspect of it. You don’t feel deprived, in fact, you feel very satisfied and it’s a very satiating diet.

Screen shot 2014-05-07 at 11.02.12 AM On the need for print versus a digital entity: I think this is a magazine that explains the differences and the route that we’ve taken. And it’s very direct and it’s very directional. And it tells you exactly what to do. Whereas if you went online, you might find different, little snippets of information from a whole lot of different sites, but it wouldn’t be as directional as the magazine.

On what keeps her up at night: What am I worried about? I’m not worried at all about this magazine. There is absolutely nothing that worries me about it. I think that we’re lucky in that we struck at the right time.

And now the lightly edited transcript of the Mr. Magazine™ interview with Suzy Brokensha – Editor-in-Chief of Lose It! magazine…

Samir Husni: You recently launched a new magazine – Lose It! – can you talk a little bit about the concept of this magazine?

Suzy Brokensha: The new magazine is based on the Banting Diet, or a low-carb, high-fat diet that is not new at all. The first person to talk about the diet was probably Atkins, maybe forty or fifty years ago, when the idea for the Atkins Diet first came into being.

And since then it has been written about extensively by Gary Taubes in the States, in particular. He’s the most famous. He wrote a book called “Why We Get Fat” and it’s all about the Banting Diet.

The first incidence of the diet was around 1812 when a British doctor advised his client to go on the diet and he lost a huge amount of weight. He was a very wealthy guy and he published a little book about the diet which is still circulating today and is quite fabulous. It’s beautifully written actually.

Anyway, it’s been around for a long time, but what happened was in the 70s the whole way that we eat changed. And it basically coincided with the food pyramid in the States which had all the carbohydrates at the bottom and right at the top, a few fats and oils, vegetables and fruits. And that diet and that way of eating have been recommended for years.

The history is that what happened in America in the 70s was that there was a problem with corn growers and they weren’t making money and actually that pyramid was deliberately designed, not by nutritionists, but in order to boost the sales of the corn growers in Middle America, which it completely did.

And what it did also was create a market for corn starch which is the most lethal substance known to man. And American food, in particular, is full of corn starch. It’s incredibly fattening, with no nutritious value at all. And it’s highly addictive.

So all this diet is really is looking at all of the 70s and looking at the way people ate then with more real food and less pre-packaged food, where the idea of low-fat didn’t exist. Because when they take fat out of a product, to make it appetizing, they have to add sugar. And even if it’s artificial sugar, that’s what they do and none of that is good for you.

If you look at the amount of sugar, for example, that we eat now in the Western diet, compared to the amount of sugar Westerners ate 80 years ago, it increases unbelievably. And it’s not only in the diet drinks; it’s specifically in the low-fat foods. And that’s the issue.

Samir Husni: So why, after all these years, did you decide to launch Lose It! magazine now?

Suzy Brokensha: Well, what’s really interesting is South African Professor Tim Noakes who has become very famous internationally because of this book; he was always a marathon runner. He himself has run about a 150 marathons, he’s very fit, started the Sports Science Institute in South Africa and he wrote a book about 15 or 20 years ago called “The Lore of Running.” It was all about how a high carbohydrate diet was essential in order to run or to be an athlete and to be healthy.

And his father was a late onset diabetic and he became a late onset diabetic and he started noticing in himself that he couldn’t run anymore and he was getting fatter despite the fact that he was eating sort of militantly healthily according to his own doctrine. And he started questioning what was going on. And he kept on trying to exercise more and he tried to eat more carbohydrates and less fat, but nothing worked. And he saw himself going exactly the same way as his father had gone.

And when he started questioning it, he realized that he was wrong. And he had the courage to, about three or four years ago, to come out and say that he was wrong and that he wished he’d never written that book. It was wrong. Every bit of advice I gave about carbohydrates in that book was wrong. And in South Africa there was a massive backlash against him. Everyone was livid that this guy who they had revered for so long could reverse his decision. I thought it was excellent science. I thought with all the evidence to the contrary, it’s a great scientist who can reverse his decision and say that he was wrong.

I became interested in it about four years ago because my dad was also a late onset diabetic and because he died in the end of diabetic complications. And I know diabetes is a huge issue in South Africa and my brother is also a pre-diabetic and I didn’t want it happening to me.

So I started reading what he was saying and I went to all the talks that he was giving and I tried to get as much information as I could. And I thought he really is changing the way that people think about food in this country. And I started looking at the response when he wrote the book “The Real Meal Revolution” and it sold 200,000 copies in South Africa which is really the biggest selling book we’ve ever had in this country. And I thought there is a market for a magazine like that. The book was mainly a recipe book and there is so much information to get across about this diet that I thought it was ripe for a magazine.

I sat next to him at the launch of his book and I said to him what you need is a magazine and he said perfect. And he said we need to get the information out there, so I knew that we had his interest. And that’s what we did. We started the magazine.

Samir Husni: And what was the initial reaction from the marketplace?

Suzy Brokensha: It’s only been on street now for about a month and the initial reaction was incredibly positive. I think that I’ve seen two detractors on Twitter who were saying it’s absolute nonsense, it’s unhealthy, how could you recommend a high-fat diet in a country like South Africa, isn’t that irresponsible when obesity is such a huge problem.

But the point is that it makes people lose weight. And that diabetes is a massive issue in South Africa and it actually stops late onset diabetes, diabetes Type II. Most people go off their medication when they’re on this diet.

The biggest criticism comes from cardiologists or people who say it’s bad for your heart. And increasingly, as you know from Dr. Oz, you’ll know that cardiologists are reviewing that decision that they made all those years ago, that fat or cholesterol is the cause of heart disease. But they are seriously reviewing it now. I see it as the beginning of a movement, a revolution. And I believe in it.

Samir Husni: So do you feel you are a leader in the movement?

Suzy Brokensha: I do. I feel like I’m a leader, because there hasn’t been a magazine like this. There is a Paleo Magazine, I think; I’m not sure where it’s published, probably in the States. But it’s a different diet. I just don’t think there’s anything like it in South Africa.

And I know that it’s hugely influential because sports people are increasingly using it, because it improves their performance.

Samir Husni: After looking at the magazine, you are reaching a dual audience. You are going after, men, women and children. Most diet magazines are aimed at women; it’s rare to see a diet magazine aimed at men. What’s the uniqueness of Lose It!?

Suzy Brokensha: What I think is interesting is that it’s your performance that improves, your performance in life improves, your brain functions better, you can run farther, and you can run faster. If you look at those statistics about people who are on this diet and Professor Tim Noakes is tracking some of those people, the athletes and their performance since they started eating this way; it’s absolutely incredible. Someone I read about recently knocked 21 minutes off their marathon. And that’s really huge.

So I think what appeals to men is that performance aspect of it. You don’t feel deprived, in fact, you feel very satisfied and it’s a very satiating diet. Because of the fat, because the fat, the fix and the hormones that tell you that you are full. And that’s actually always been the problem with low-fat diets; you never feel full because you constantly feel dissatisfied because those hormones are not activated.

But the person eating a high-fat diet, those hormones are activated, so they don’t feel deprived and they perform better. And they sleep better and that fact appeals to men, I think and that whole idea that they’re functioning as a bit of a machine. And women like it because they lose weight.

Samir Husni: And why did you feel the need for a print magazine instead of just going to the website and finding all that information?

Suzy Brokensha: I think it’s about curating. So we have got several different experts speaking in this magazine and they will appear in all the magazines. And it’s about a different aspect every time. We work together to curate the best content possible for this.

So you could find little bits, but everybody that I have spoken to as well has asked: what is the actual difference between Paleo, Atkins and Banting? What are the actual differences between multitudes of diets? And I think this is a magazine that explains the differences and the route that we’ve taken. And it’s very direct and it’s very directional. And it tells you exactly what to do. Whereas if you went online, you might find different, little snippets of information from a whole lot of different sites, but it wouldn’t be as directional as the magazine. It’s a blueprint, not just a magazine. And I don’t think we could have done that just online and achieve the same thing.

Samir Husni: Do you think it’s a trend or a fad?

Suzy Brokensha: I don’t think it’s either. I think it’s a return to the truth of how we should eat. Because I think a trend also implies that it will have an end; I think this is a rediscovery of the way that we should eat. I also think it will last forever and have a massive impact on the way people will live their lives.

Samir Husni: And I have to ask you; do you follow the diet?

Suzy Brokensha: I do. But my weakness, and it’s interesting as to what your weakness is, some people battle an issue with carbs, I don’t do battle with carbs at all. I’m not eating bread or pasta, that doesn’t bother me. Potatoes? I wouldn’t care if I saw any of that again in my life.

My weakness is chocolate and wine. It’s those two things. And you can have both sparingly, but it’s the sparingly that presents the problem.

Samir Husni: My typical last question; what keeps you up at night?

Suzy Brokensha: What am I worried about? I’m not worried at all about this magazine. There is absolutely nothing that worries me about it. I think that we’re lucky in that we struck at the right time. I think that there are going to be followers and imitators. My main concern is when we were thinking about it was to get it out first. I wanted to be first and to put it out with the authority of the people we have contributing to the magazine. And I think we have achieved that and I’m sure there will be imitators, but because we were first and because we have that staff of authority; we will stay the distance.

Samir Husni: Thank you.

© Samir “Mr. Magazine™” Husni, 2014. All Rights Reserved.
Truth in Reporting: Lose It! magazine is published by Media 24 in South Africa, a media company that I consult for. I had no role in the launch of Lose It!.